indieWIRE's Scores

  • Movies
For 594 reviews, this publication has graded:
  • 78% higher than the average critic
  • 2% same as the average critic
  • 20% lower than the average critic
On average, this publication grades 14.8 points higher than other critics. (0-100 point scale)
Average Movie review score: 76
Highest review score: 100 Short Term 12
Lowest review score: 0 In Secret
Score distribution:
  1. Negative: 12 out of 594
594 movie reviews
  1. Epic in scope yet unassuming throughout, Linklater's incredibly involving chronicle marks an unprecedented achievement in fictional storytelling.
  2. Rather than building towards the finality of a single climax, Leviathan injects several of them into the tapestry of its elegant design.
  3. From one mesmerizing scene to the next, The Tribe never loses its flow. Even its harshest moments are defined by vibrant motion.
  4. Mr. Turner is a first-rate match of director and subject. Less an explication of the man's genius than an immersion into its essence.
  5. More than a powerful elegy, 12 Years a Slave is a mesmerizing triumph of art and polemics: McQueen turns a topic rendered distant by history into an experience that, short of living through the terrible era it depicts, makes you feel as if you've been there.
  6. Gravity lets you visit space without sugarcoating its dangers. It's a brilliant portrait of technology gone wrong that uses it just right.
  7. Bigelow delivers an acute realization of the mission's execution that's eerily in sync with the way it played in the popular imagination. Visually, the events unfold as a mashup of shadowy movements with flashes of green night vision. It's simultaneously predictable and tense.
  8. It's a frantic microcosm of life itself.
  9. Much of the movie relies on Cotillard's jittery expressions as she veers from tentatively hopeful to despondent and back again, sometimes within a matter of minutes, reflecting the ever-changing stability of job security among the lower class.
  10. Before Midnight is the rare cinematic achievement that implicates alert viewers in its mission to understand the mysteries of intimate connections.
  11. At first galvanizing in its depiction of survival amid dire circumstances, "The Overnighters" transforms into a devastating portrait of communal unrest.
  12. First Cousin Once Removed benefits from the clarity provided by Honig's published poetry, which surfaces in voiceover narration and words on the screen, rendering the undulations of his life in sweeping abstractions.
  13. Although not exactly heartwarming, Amour has a more contained vision of human relationships than Haneke's previous films without sacrificing its bleak foundation. It's his most conventional movie about death -- and the most poignant.
  14. An ode to art for art's sake, Inside Llewyn Davis is the most innocent movie of the Coens' career, which in their case is a downright radical achievement.
  15. The tense, involving result confirms Sciamma's mastery over the coming-of-age drama, a genre too often reduced to its simplest ingredients.
  16. Shot in gorgeously expressionistic black-and-white and fusing multiple genres into a thoroughly original whole, Amirpour has crafted a beguiling, cryptic and often surprisingly funny look at personal desire that creeps up on you with the nimble powers of its supernatural focus.
  17. Though anchored by a affecting and sullen turn by Channing Tatum, the movie derives its primary discomfiting power from Steve Carell in a revelatory performance as a monster of American wealth.
    • 91 Metascore
    • 91 Critic Score
    Like its central character, Listen Up Philip exudes a kind of highbrow affectation that charms more than it alienates.
  18. Stories We Tell marks the finest of Polley's filmmaking skills by blending intimacy and intrigue to remarkable effect.
  19. It portrays the struggle from the inside, from about as far from the filter of mainstream media as one can get, capturing tense shootouts and the extremes of revolutionary spirit in unnerving detail.
  20. Her
    Certainly his most deeply felt achievement, Her is both distinctly Jonze-like and something altogether different, as if the filmmaker has gone through a software update not unlike his artificial character.
  21. Story comes second to Russell over the rhythms of well-timed bickering, which is a blessing and a curse in American Hustle.
  22. Playing make believe with murderers, Oppenheimer risks the possibility of empowering them. However, by humanizing psychopathic behavior, The Act of Killing is unparalleled in its unsettling perspective on the dementias associated with dictatorial extremes.
    • 89 Metascore
    • 100 Critic Score
    Ida
    Pawlikowski doesn't punish his viewers, he simply challenges them. Take the vow to dedicate your attention to Ida and you’ll be rewarded deeply.
  23. It may go without saying that Poetry adopts a lyrical tone, but this forms the crux of its appeal. In this case, the title says it all.
  24. The Artist plays around with the distinction between silent and sound cinema, resulting in the superficial entertainment value of a high concept film school joke. But it's a charming and supremely gorgeous joke -- sometimes too clever for its own good, other times not clever enough, and always at least an attractive diversion.
  25. The cumulative impact of The Arbor is one of claustrophobia; at times, the endlessly downbeat adventures of Dunbar and her offspring grow almost unbearably morose.
    • 88 Metascore
    • 83 Critic Score
    The Babadook isn't a transcendent horror film. But its ability to handle and manipulate the conventional tropes apparent in so many of its peers makes it a satisfying ride.
  26. '71
    '71 constantly thrills without sensationalizing its surprises. The war-is-hell ethos drives it forward, so that the movie retains its suspense in conjunction with its dour outlook.
  27. Kechiche excels at capturing his protagonist's emergence in the world.

Top Trailers