Indiewire's Scores

  • Movies
  • TV
For 1,265 reviews, this publication has graded:
  • 67% higher than the average critic
  • 3% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 10.2 points higher than other critics. (0-100 point scale)
Average Movie review score: 72
Highest review score: 100 The Pearl Button
Lowest review score: 0 Hillary's America: The Secret History of the Democratic Party
Score distribution:
1265 movie reviews
  1. Shot over the course of several years, the movie blends an intimate perspective with trenchant investigative chops, uncovering a transitory figure whose romantic ideals give way to a harsh reality check.
  2. A testament to the power of community to heal the deepest wounds, My Life As A Zucchini takes on heavy subject matter with a light hand, and comes up with a delightful tale that is equal parts wrenching and uplifting.
    • 85 Metascore
    • 100 Critic Score
    Amy
    Kapadia leaves it up to the audience to determine whether Winehouse's situation could truly have gone another way. Whether he has or hasn’t captured the true essence of the singer may require further debate, but what’s beyond question is that Amy is an extraordinary, powerful work.
  3. The Treasure may not be a major work from Porumboiu or his filmmaking tradition, but it proves that even cerebral formalism has its soft side.
  4. Baker once again manages to match underrepresented faces in American cinema with material that lets their personalities shine.
  5. The tense, involving result confirms Sciamma's mastery over the coming-of-age drama, a genre too often reduced to its simplest ingredients.
  6. Tales from the Grim Sleeper concludes by offering up the haunting possibility that even if the killer has been caught, the systemic failures that let him get away with it for so long remain firmly in place.
  7. Princess is an arresting and taxing film experience, and although Ezer’s execution and vision are clear-eyed and she’s portraying experiences that still (tragically) occur in the real world, it’s difficult to wonder what the film itself is hoping to accomplish.
  8. I had to see the new version twice to realize that there's so much to appreciate about this multilayered production.
  9. It portrays the struggle from the inside, from about as far from the filter of mainstream media as one can get, capturing tense shootouts and the extremes of revolutionary spirit in unnerving detail.
  10. As with "Shotgun Stories," Nichols assembles a tense portrait of blue-collar life, while deepening his thematic interests and working on a bigger scale. Burrowing into the subconscious of a damaged man, he delivers a modern American epic with extraordinary restraint.
  11. Farhadi's new movie confirms his unique ability to explore how constant chatter and anguished outbursts obscure the capacity for honest communication.
  12. More meditation than movie, Terrence Malick's The Tree of Life is bound to mystify, awe and exasperate in equal measures.
  13. Reichardt crafts a highly textured narrative that both invokes the mythology of the American frontier and cleverly transcends it.
  14. Fruitvale is largely sustained by Jordan's career-making performance and the way Coogler uses it to analyze his subject...It's a fascinating investigation into the contrast between media perception and intimate truths.
  15. There's no doubting that Holy Motors is an ungodly mess of images and moments, some more alluring than others, but it sure leaves a mark.
  16. Even when that story drags, Moonrise Kingdom could be appreciated on mute.
  17. A rich, almost impermeably strange example of Costa's slow-burn approach to abstract storytelling, Horse Money is more subdued and cryptic than its predecessors, to the point where it might be more appropriately described as a cinematic tone poem.
  18. Haunting and celebratory at once, Heart of a Dog ultimately amounts to a contemplation of mortality.
  19. Aferim! amounts to a serious endeavor designed to explore many facets of its era through the lens of people trapped in it. Their crude dialogue, real as it may be, hints at comedic possibilities while offering a shrewd look at people defined by their circumstances.
  20. No matter its overarching ridiculousness, The Handmaiden remains a hugely enjoyable dose of grotesque escapism from a master of the form.
  21. On the Beach at Night Alone is a fascinating sublimation of autobiography into Hong’s precise creative terms, a bittersweet character study as poignant, witty and deceptively slight as much of his work that also refurbishes it with a unique personal dimension.
  22. There's a adrenaline rush even in the problematic finish, an eagerness that drives the filmmaking so that Looper is thrilling to watch even when it falls apart.
  23. Staggeringly beautiful and immensely true, the best animated film of 2016 — one of the year’s best films of any kind, really.
  24. Amidst the appreciation for the natural world and the tiny battles for public attention, the process of developing a camera that can capture and transmit these time-lapse images gives Chasing Coral the added layer of a time-crunch caper.
  25. With a keen eye for the capacity of fine art to address a complex range of attitudes and experiences, Museum Hours effectively applies Cohen's existing strengths to a familiar scenario and rejuvenates it by delivering a powerfully contemplative look at the transformative ability of all art.
  26. The Descendants constantly hovers on the brink of a dark comedy. But it never takes the big plug. By treading carefully, Payne has created his warmest, most earnest work, if not his best.
  27. Unapologetically long and messy, Snowpiercer offers an unhinged ride that's worth the investment for its mixture of batty personalities, consistently impressive visuals and mad swipes at heavy symbolism jam-packed together.
  28. Under the Shadow smartly observes the emotions stirred up by a world defined by restrictions, and the terrifying possibility that they might be inescapable.
  29. If Get Out isn’t half as scary as the ideas that inspired it, Jordan Peele’s directorial debut is almost certain to be the boldest — and most important — studio genre release of the year. What it lacks in fear, it nearly makes up for in fearlessness.

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