indieWIRE's Scores

  • Movies
  • TV
For 761 reviews, this publication has graded:
  • 76% higher than the average critic
  • 2% same as the average critic
  • 22% lower than the average critic
On average, this publication grades 14.4 points higher than other critics. (0-100 point scale)
Average Movie review score: 76
Highest review score: 100 Green Room
Lowest review score: 0 Pixels
Score distribution:
  1. Negative: 18 out of 761
761 movie reviews
  1. Suleiman's most poignant moments are largely wordless. Nothing feels more affecting than Suleiman's ubiquitous frozen stare. Although he never utters a sound, his silence speaks volumes about the inability to resolve the social ramifications of Middle Eastern strife.
  2. An earnest, sometimes bland and unsophisticated look at Corinne's undulating relationship to spirituality in general and Christian dogma in particular. But it's also a surprisingly well-made character study outside of its specific theme.
  3. Over time, Holland's approach pushes beyond despair and turns into a pure exercise in grim atmosphere, shifting from a story of staying alive to a closeup of a private hell.
  4. Brainy and exciting at the same time, Interstellar invalidates the need for mindless Hollywood product. No matter its shortcomings, the movie achieves an impressive balancing act. It turns the mysteries of the universe into a cinematic playground, but for every profound or visually arresting moment, it also encourages you to to think.
  5. The conflict in The Attack is less about the reasoning behind immoral behavior than the problems involved in any cursory understanding of it.
    • 74 Metascore
    • 50 Critic Score
    The movie casts a wide net, but doesn't explore its themes long enough to make any substantial points. Despite its authentic setting, Ten Thousand Saints never gets around to providing a gratifying story to accompany it.
  6. As a director, he finally shows a willingness to work on the same wavelength of the material instead of adding distracting bells and whistles that overstate his characters' grievances.
  7. Before all else, Villneuve's grim chronicle of the fallout when two young girls vanish in a small town succeeds at crafting one powerfully suspenseful moment after another.
    • 74 Metascore
    • 91 Critic Score
    Although Berlinger’s latest work is a dense, unsparing look at the offenses and trial of Whitey Bulger, it's equally concerned with capturing how the many members of Bulger's expansive web -- criminals and innocent citizens alike -- use their experiences to control their version of the man.
  8. Showcases Jones' ability to provide ample entertainment value with sharply drawn characters in a minimalist setting.
  9. Joe
    If Joe marks a new beginning for some of its characters, the same description applies to its director and star.
  10. The story retains an inscrutable tone that sometimes makes its emotional qualities feel remote, but it still delivers a powerful message about the challenge of self-diagnosis by rooting it in universal experience
  11. While its main characters are tough-minded, Rust and Bone is itself pure heart.
  12. The story works wonderfully as an idea, but Kore-eda never quite manages to infuse it with the same depth of feeling his main character goes through.
  13. With its subject still behind bars and the Russian government on the brink of reelecting Kremlin's United Russia party, the biggest triumph of Khodorkovsky is the case it makes for a sequel.
  14. The movie contains an epic scope that feels out of sync with the smallness of its plot; you get the idea by the first act and then Laurence's world simply hangs there for another two hours like a slo-mo shrug.
  15. A Most Wanted Man allows Hoffman to go out with not only one of his best performances, but one that epitomizes his strengths.
    • 73 Metascore
    • 67 Critic Score
    It's a reserved, almost conservative performance, and in holding so much back so much of the time, Cumberbatch makes his few outward displays of emotion far more impactful.
  16. While Johnsen competently follows Ai over the course of more than a year of contemplation and anger, "The Fake Case" doesn't introduce anything new to the equation, and mainly succeeds by virtue of its subject's inherent appeal.
    • 73 Metascore
    • 50 Critic Score
    Part road-film, part-gambling excursion, and part-bromance, the film does show the influence of its talented directors. But falters when it comes down the story itself.
  17. American action movies are almost entirely defined by cutaways, blaring music cues and grunts. The Raid: Redemption, a hyper-energetic Indonesian martial arts movie, delivers an effective rebuke to that meek norm. Bones break, blood flows and swift, excessively complicated fight choreography puts virtually everything released in North America since "The Bourne Ultimatum" to instant shame.
  18. It suffers from the greater problem of emphasizing a feel-good plot within the context of mass destruction.
  19. The first half of I'm Glad My Mother's Alive effectively inhabits a child's mind in a manner that recalls Maurice Pialat's marvelous 1968 debut "The Naked Childhood."
  20. The Forgiveness of Blood examines the barriers of ritual and the passage from youth to adulthood in Albanian society with the perceptive detail of a grand literary feat. At the same time, it retains the simplicity of a parable.
  21. The opposing genre extremes never entirely come together.
  22. Intermittently action-packed and lethargic, the movie dances around formula. By delivering an expressionistic character study with bursts of intensity unlike anything else in his oeuvre and yet stylistically representative of its entirety, Wong practically has it both ways.
  23. Only the band's continuing popularity makes his journey stand out. Like its director-star, Mistaken For Strangers struggles admirably but can only go so far before letting the established talent win out.
  24. There and gone with the fleeting nature of its youngest character's attention span, Little Feet ultimately feels more like an insightful sketch than a full-fledged movie, but it nonetheless leaves a major impression.
  25. Appropriate Behavior isn’t a narrative about ethnicity or even LGBT struggles in the traditional sense, but rather a means of exploring the problems that result from reinforcing those very barriers. In the process, it introduces a thoroughly modern voice.
  26. While Entertainment lacks the focused critique of "The Comedy," it nevertheless offers a fascinating look at the tension between personal aspirations and the harsh realities holding them back.

Top Trailers