Kansas City Star's Scores

  • TV
For 276 reviews, this publication has graded:
  • 56% higher than the average critic
  • 1% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 0.7 points lower than other critics. (0-100 point scale)
Average TV Show review score: 64
Highest review score: 100 The Wire: Season 3
Lowest review score: 0 Gossip Girl: Season 1
Score distribution:
  1. Mixed: 0 out of 161
  2. Negative: 0 out of 161
161 tv reviews
  1. Elevate[s] the state of TV drama with fine writing, convincing acting and compelling stories. [16 Sep 1994]
    • Kansas City Star
  2. Somehow it works, thanks in part to a tangled intrigue that pulls this lowly matriculator into a conspiracy of the highest order. [29 Sept 2001, p.E1]
    • Kansas City Star
  3. Smallville roped me in. The most intriguing premise is that young Clark is only starting to grasp the enormity of his arriving on Earth a dozen years earlier. [16 Oct 2001, p.E1]
    • Kansas City Star
  4. Like “True Detective,” The Knick benefits from a consistent vision and stellar cinematography. Its turn-of-the-century sets and costuming will transport viewers into the past more vividly than any stuffy sitting room in “Downton Abbey.” But it requires dedication to stick around with The Knick until the action gets going a few episodes in.
  5. It’s not near HBO quality but certainly better than that “Sleeper Cell” tripe that Showtime put on last year.
  6. Hugh Laurie is simply brilliant as the sarcastic, Vicodin-popping, cane-clutching healer in House. You want to see a heroic doctor? Go watch Matthew Fox save an island on "Lost." Want to see a terrific performance by a comedic actor who may singlehandedly save the medical drama? Here's your guy. [16 Nov 2004, p.E3]
    • Kansas City Star
  7. If [Sorkin] intends to preach off-key sermons every week, “Studio 60” is going to get old fast.
  8. Ray Donovan is undeniably derivative, but it sure is fun. Liev Schreiber leads a stellar cast as Ray Donovan.
  9. I like the serious, gimmick-free approach of the show.
  10. The freshest take on the single-camera mockumentary since “Curb Your Enthusiasm.”
  11. Every minute of "The Practice" is imbued with urgency, but it is a contrived, almost comical urgency. [2 Mar 1997]
    • Kansas City Star
  12. Paired with the endearing self-awareness and cerebral nods to pop culture Whedon brings to his best projects, it’s the perfect setup for fall’s most promising new TV show.
  13. Because "Traffic" is filmed like "24," you can experience the excitement of a whole season of Fox in just three nights. [25 Jan 2004]
    • Kansas City Star
  14. While I prefer the British Mars, the show's premise is so strong that this decent execution of it is hard not to recommend.
  15. The results aren't much different from a video game, for the violence on Chuck is pretty cartoony, but after watching two episodes I’m hooked. This is a fun escapist show.
  16. Spellbinding ... Blends intelligent writing, seamless special effects and more wonderful creations from Jim Henson's Creature Shop. [19 Mar 1999]
    • Kansas City Star
  17. Alongside Roth, Shepard and talented character actor Tim Blake Nelson, Madden pulls off the sometimes treacly dialogue, but the insistent no-duh musings (“the die has been cast”) wear thin quickly.
  18. Torchwood is so much more tricked-out with talent and visual wizardry, moves at such breakneck speed and makes such demands on its viewers that it leaves most American TV shows in its dust.
  19. With all the crazy gags, pitch-perfect dialogue and a fresh hero at the center, it’s hard not to see “Andy Barker” as the spiritual successor to “Police Squad!”.
  20. If Trump keeps showing us that success has not gone completely to his head, this should be a good season. [9 Sep 2004]
    • Kansas City Star
  21. I worry about Chuck. I see it moldering before my eyes. And it’s nobody’s fault
  22. Showrunner Julian Fellowes knew he had to spice things up, apparently, so he employed a lazy, “shocking” plot device that will leave fans sickened, indignant and wondering why Fellowes just didn’t give his beloved characters something worthwhile to do instead. That offensive event aside, this season’s repetitive tropes, recycled conflicts and predictable heartbreak are not worth the trouble this time around.
  23. '24' continues to distinguish itself as the most original show on television. [27 Oct 2003]
    • Kansas City Star
  24. There is a distinctly 2002 feel to this season of 24....But you know what? It all manages to hold together.
  25. Ripper Street was clever enough not to hang its hat on the over-examined killings of the five Ripper victims, and clever fans of police procedurals will relish spending eight hours with cops who have to invent the crime-solving tools at their disposal.
  26. Some critics called the book incisive and addictive, while others dismissed it as pulpy and juvenile. Under the Dome checks all those boxes in Monday’s pilot episode.
  27. Warehouse 13 has always been a hodgepodge of other people’s ideas and gimmicks, but the magic is how they’re thrown together here.
  28. The show’s recycled vampire mythology fails to justify this level of bloodletting, which even fans of “The Walking Dead” might find gratuitous.
  29. An out-of-the-gate triumph.
  30. Of all the new mystery-driven dramas aspiring to be this year’s “Lost”... “Invasion” is the most absorbing and least hokey.

Top Trailers