Logo's Scores
- Music
For 88 reviews, this publication has graded:
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65% higher than the average critic
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4% same as the average critic
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31% lower than the average critic
On average, this publication grades 1.4 points higher than other critics.
(0-100 point scale)
Average Music review score: 74
Highest review score: | Uh Huh Her | |
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Lowest review score: | The Ladybug Transistor |
Score distribution:
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Positive: 74 out of 88
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Mixed: 12 out of 88
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Negative: 2 out of 88
88
music
reviews
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- Critic Score
So horribly untrendy it’s a new-black must-have, ‘Milk Man’ is the essential oddity of 2004, and a more-than-worthy successor to 2003’s magnificent ‘Apple O’’.- Logo
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This is what you get when you give an overactive imagination the space to expand; it’s indescribably perfect.- Logo
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It’s as simple as songwriting can get; as striking as songwriting can get.- Logo
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Quite simply, this is the most invigorating album released in recent times and definitely one for the collection.- Logo
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A taste for the exotic and a winning way with a winnowing hook leavens the most ear-shredding aural barrage, short-circuiting a connection between central nervous system and booty.- Logo
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They’re the most unique band since The Van Pelt or At The Drive-In, with vocals comparable to the lyrical finesse of Tim Booth.- Logo
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Never happily slotting into any template demanded back in their home town, MM are nearer to some wondrous mish-mash of Pavement and Beck; closer in harmony to The Flaming Lips.- Logo
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The key is - unlike the tongue-in-cheek cock-rock of The Darkness and the running joke of Electric Six - Scissor Sisters are reverential to the sounds of the 70’s.- Logo
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The defining characteristic of ‘Happiness In Magazines’ isn’t its full sound, nor its sharp reminder of what a great band Blur used to be; its in the sheer imaginative scope.- Logo
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Something new has been born here; its parents are every form of dance and many forms of rock, and it rolls.- Logo
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This is evocative music. It’s beatific, charming, sophisticated and cool.- Logo
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The names Pitchshifter, Nine Inch Nails and Rammstein are often bandied about in this company, but here’s a tip: Skinny Puppy have rendered them once again irrelevant.- Logo
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There’s no shortage of pogo anthems, reflective quiet and headspinning ideology, and never a dull moment.- Logo
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Bazan will never sound truly happy on record, but here he’s as content as anyone could have hoped for, and all the healthier for it.- Logo
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It isn’t the place of a debut to straddle styles as diverse as harmony-drenched 60’s beat-soul, the shoegazing sound-paintings of the 80’s and relaxed futurism of now, yet this is their debut, and it covers all this and more.- Logo
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Their country-sagged beat-focused rock remains, which, coupled with some sumptuous keys and Andy LeMaster’s notoriously unnerving range, reveal Now It’s Overhead’s startling magnetism.- Logo
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‘No You C’Mon’ is more schizophrenic but equally satisfying, ranging from dinner jazz to bursts of discordant piano boogie.- Logo
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At eighteen tracks it comes close to outstaying its welcome, but it doesn’t.- Logo
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A collection of frisky funk, slinky soul, raucous R&B and heated rock ‘n’ roll based on real songs, rather than the doodles and sketches that have recently become the norm.- Logo
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Young pretenders beware: this old dog isn’t so much learning new tricks as inventing them.- Logo
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Though Auf Der Maur has run off with their blueprint and built it as seen, there’s raw passion and no little class here; Corgan and Love must be rueing their luck.- Logo
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Like an air-bushed Slint re-emerging with Stereolab as their chief influence, Blonde Redhead engulf their guitars beneath so many keyboard tinkerings.- Logo
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There’s something here that most - if not all - will find thoroughly refreshing and enchanting.- Logo
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Reveals Sam Beam to be a songwriter of exquisite talent and enviable inspiration.- Logo
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