Logo's Scores

  • Music
For 88 reviews, this publication has graded:
  • 65% higher than the average critic
  • 4% same as the average critic
  • 31% lower than the average critic
On average, this publication grades 2.1 points higher than other critics. (0-100 point scale)
Average Music review score: 74
Highest review score: 100 Uh Huh Her
Lowest review score: 20 The Ladybug Transistor
Score distribution:
  1. Positive: 74 out of 88
  2. Negative: 2 out of 88
88 music reviews
    • 83 Metascore
    • 80 Critic Score
    If invention and imagination are the criteria to judge, this is a future classic.
    • 71 Metascore
    • 80 Critic Score
    This is uncommonly powerful music, created from common instruments.
    • 73 Metascore
    • 80 Critic Score
    Felix Da Housecat’s shift into the wastelands of punk- funk and No Wave has given ‘Devin Dazzle And The Neon Fever’ the feel of an excursion into virgin territory.
    • 66 Metascore
    • 80 Critic Score
    This is music best heard in the dark, on your back.
    • 80 Metascore
    • 80 Critic Score
    It’s ridiculously eclectic, yet uniformly affecting; a winter warmer that moves with a mysterious grace.
    • 71 Metascore
    • 80 Critic Score
    By far her best yet.
    • 78 Metascore
    • 80 Critic Score
    His mumbled burr recalls that half-awake state where reality melts, a strain of Southern Gothic best listened to at 3am with a half-empty bottle of bourbon and all the lights on.
    • 87 Metascore
    • 80 Critic Score
    No affectation, no pandering to fashion, just good old fashioned rock ‘n’ roll. How refreshing.
    • 74 Metascore
    • 80 Critic Score
    It’s Kweller’s lyrics and voice that do it though; joy and melancholy combined to deliver pop as uplifting as Weezer and rock that’s as unsubtle as Kings of Leon, with anti-folk and Merseybeat along for what is a thrill-filled ride.
    • 66 Metascore
    • 80 Critic Score
    There’s plenty of impressive tongue-twisting here, but as the re-working of ‘Feel So Good’ illustrates, he’s even more impressive when he slips down a gear to work the ladies.
    • 66 Metascore
    • 80 Critic Score
    Often you’re left amazed at the fact that this is the work of just one man.
    • 80 Metascore
    • 80 Critic Score
    This is a rock ‘n’ roll album in the same way that ‘Fun House’ was a rock ‘n’ roll album.
    • 72 Metascore
    • 80 Critic Score
    Their most accomplished album to date.
    • 77 Metascore
    • 80 Critic Score
    Shows that Jon Langford’s voice has lost bite but gained growl.
    • 64 Metascore
    • 80 Critic Score
    There’s nothing even remotely punk-funk here, instead conventional structures are stretched, shattered and re-assembled.
    • 74 Metascore
    • 80 Critic Score
    This is like saddling up with a fearless, interdimensional astronaut; fasten your seat belts.
    • 71 Metascore
    • 80 Critic Score
    Catching electronica in it’s embryonic state and somehow fusing it together with lush folk stylings, weathered ambience and the slightest - most beautiful - trace of vocals ‘Summer Makes Good’ is a truly breath-taking record.
    • 82 Metascore
    • 80 Critic Score
    It will take at least ten listens before you hear everything that’s going on, and ten more to understand it, yet this is far from impenetrable; it boasts a melody line that any pop princess would sell her plastic soul for, and prompts the idea that Knopf and his cohorts have been hanging around a crossroads doing just the same.
    • 77 Metascore
    • 80 Critic Score
    Striped of its proto-emo veneer this is sterling stuff, which - although fraught with angst - is run through with a mellow, humbling tone that is as infectious and accessible as it is true to hardcore’s staunch code of ethical values.
    • 80 Metascore
    • 80 Critic Score
    This is deep, rich, slightly unnerving and very very beautiful music. [combined review of both discs]
    • 78 Metascore
    • 80 Critic Score
    It’s not so much that Electrelane’s signature film score sound has been replaced, more added to and built upon; becoming the veiled framework to a new - almost celebratory - level of contentment.
    • 77 Metascore
    • 80 Critic Score
    The band's most accessible, blithe pop record to date.
    • 55 Metascore
    • 80 Critic Score
    It’s gorgeous, moving and magnificent.
    • 62 Metascore
    • 80 Critic Score
    For the first time in nearly a decade Cypress Hill sound like they’re really enjoying themselves, just like they were in the beginning.
    • 68 Metascore
    • 70 Critic Score
    ‘When It Falls’ is not an immediate album, it’s a slow burner and one day, after countless hours playing it in the background, you’ll hear something that makes you turn it up; that’s the moment that it hooks you.
    • 79 Metascore
    • 70 Critic Score
    Disco, punk and pop, all in one bag.
    • 81 Metascore
    • 70 Critic Score
    It sounds like he’s cherry-picked his record collection in an attempt to allow the listener a glimpse into his restless mind.
    • 65 Metascore
    • 70 Critic Score
    ‘Liberation’ is the most damning indictment of the Bush administration yet recorded, and it’s all subliminal. Magnificent.
    • 70 Metascore
    • 70 Critic Score
    A significant broadening of the tonal spectrum notwithstanding, the outfit manages to keep their ferocity intact, although the malevolence is structured with a shrewd infusion of melodic vocals, flourishing experimental dynamics and a motherlode of striking riffs.
    • 75 Metascore
    • 70 Critic Score
    Pierce consistently avoids the disturbance of breakbeats and jump cuts, instead rolling the elements into a smooth melange of sound that references world, dance and folk music, yet transcends all.