Los Angeles Times' Scores

For 7,447 reviews, this publication has graded:
  • 59% higher than the average critic
  • 3% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 0 points higher than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Inception
Lowest review score: 0 What Love Is
Score distribution:
7,447 movie reviews
  1. A revealing, disturbing look at how political and corporate forces have seemingly undermined the freedom and safety of our nation's equine population.
  2. Writer-director Michael Walker keeps a firm grip on his smart material, offering up big laughs, lots of recognizable behavior and, in the end, a wistful glimpse at life's inevitable priorities.
  3. It projects equal parts fury and despair as it reveals how a particular group of individuals was caught in the unforgiving gears of the criminal justice system.
  4. They all share their amazing war stories and life memories with great humility and warmth.
  5. Salles has lovingly crafted a poetic, sensitive, achingly romantic version of the Kerouac book that captures the evanescence of its characters' existence and the purity of their rebellious hunger for the essence of life.
  6. A stirring snapshot of America from 1963 to 1968 and the many rock 'n' roll thrills, cultural and political watersheds, and whirling emotions that erupted in between. It's also deviously smart and darkly funny.
  7. Bayona achieves a rare sense of balance between the big and the powerful as well as the small and the intimate in the family's survival against impossible odds, no doubt the inspiration for the title.
  8. Despite its pitfalls, this movie musical is a clutch player that delivers an emotional wallop when it counts. You can walk into the theater as an agnostic, but you may just leave singing with the choir.
  9. I found myself repeatedly on the edge of tears over its course. It is a relatively short but luxurious film.
    • 74 Metascore
    • 80 Critic Score
    It's a wild and vivid ride and a spirited reminder of the kinship between Jewish and Arab cultural traditions.
  10. Writer-director Jay Bulger combines warts-heavy interview footage of Baker with vivid archival bits, concert clips, jaunty animation and chats with various musical greats to paint a lively portrait of yet another brilliant but wildly self-destructive artist.
  11. In its gently atmospheric camerawork and nicely underplayed moments between Mike and Chris, Resolution manages to keep its eerier moments surprising and its emotional life arresting.
  12. Kudos to writer-director Antonino D'Ambrosio for taking such an eclectic and disparate number of aims, thoughts, subjects and mediums and creating the smart and inspiring - and uniquely whole -documentary that is Let Fury Have the Hour.
  13. High-spirited, emotional and funny, Sound City is, of all things, a mash note to a machine. Not just any machine, however, but one that helped change the face of rock 'n' roll.
  14. In doing a little genre bending of romantic schmaltz and horror cheese - some fundamental zombie mythology is turned on its head - the film breathes amusing new life into both.
  15. At its heart Lore qualifies as a coming-of-age story, but it is far from the ones we usually see.
  16. Predictable if measured uplift aside, Fox keeps Yossi effortlessly affecting, graced with deadpan humor and a knowingness about lonely lives.
  17. Maybe there really are supernatural forces at work in this world. How else to explain Beautiful Creatures? The movie is an intriguing, intelligent enigma — three words not typically associated with teen romances.
  18. Herzog has become a master of the understatement — knowing just how long the images can sustain you without a word being said. Vasyukov and his team of cameramen gave him a stunning range to work with, so the filmmaker keeps his own narration to a minimum.
    • 71 Metascore
    • 80 Critic Score
    The film has a meditative calm about it — there are only a few murmured words of French but nothing that could be called dialogue — with also some underlying tension, because as you look at the animals, they so often look back, their inscrutable consciousness both placid and unyielding.
  19. Far from closing the case, The Jeffrey Dahmer Files opens up a whole new perspective, acknowledging the banal and the baffling.
  20. An exceptionally intimate, human-scaled picture. It's also quite a special piece of work.
  21. Marquette, aided by Frank Langella's precise narration, has crafted an engrossing and disturbing tribute.
  22. Barsky does a good job of taking all the complexity of such a major personality and the times in which he flourished and boiling it down to the essentials.
  23. With its long takes and deliberate pacing, Beyond the Hills is demanding but always engrossing, even during its repetitive middle section.
  24. The film has a sarcastic tone, like that of a friend who you never can tell is kidding or not, which eventually breaks through into a place of unexpected sincerity. Meeting this odd, idiosyncratic "Somebody" is a rare delight.
  25. It's a fun, nostalgic, informative journey. Aided by vivid archival footage and photos, the movie charts the evolution of the song through the Holocaust, the birth of Israel and the modern Jewish Diaspora.
  26. Moving somewhat obviously toward denouement, the film hits a false note or two. But mainly it's exhilarating in its refusal to make smooth what's messy, inchoate and tenaciously alive.
  27. Renoir is a lush, involving film.
  28. Eden is never less than suspenseful, but rather than sentimentally pander to easy outrage, or indulge in icky women-in-distress titillation, the movie...zeros in on the details of how dignity can be stripped like bark from a tree, and the queasy determination it takes to stay alive in a living hell.

Top Trailers