Los Angeles Times' Scores

For 8,325 reviews, this publication has graded:
  • 58% higher than the average critic
  • 4% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 0.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 The Mother
Lowest review score: 0 Eating Out: All You Can Eat
Score distribution:
8,325 movie reviews
    • 83 Metascore
    • 90 Critic Score
    Morgen has crafted an often brilliant, sometimes overheated but always humane documentary, one in which Nirvana’s music and fame is just the scaffolding to Cobain’s inner life.
  1. De Bont and his team have turned in a visually sophisticated piece of mayhem that makes the implausible plausible and keeps the thrills coming. [10Jun1994 Pg. F1]
    • Los Angeles Times
  2. Ramsay reaches out boldly with a film that is as unsettling as it is minimalist.
  3. The powerful things we expect from War Witch are as advertised, but what we don't expect is even better.
  4. If ever there was a prime example of art bringing order out of chaos, it is Steven Rosenbaum's 7 Days in September. -- The result is a narrative at once personal, admirably coherent and, above all, heartening.
  5. The creators of the magnificent Balseros stayed involved with its subject, a group of Cuban boat people who made it to the United States, for a full seven years. If you put in that kind of time, you witness life happening in front of you in all its compelling, confounding drama. What could be better than that?
  6. It's a rich, emotional story, a wonderfully appealing film made with humor and intelligence, but there is also something almost magical about how it takes the stuff of innumerable previous films -- love, romance and adolescent coming of age -- and turns them into something that feels one of a kind.
  7. Martin Scorsese has created a divinely dark and devious brain tease of a movie in the best noir tradition with its smarter than you'd think cops, their tougher than you'd imagine cases to crack and enough nods to the classic genre for an all-night parlor game.
  8. A confidently adroit thriller that captures a comprehensive sense of life in an edgy, multicultural and economically diverse Paris. The large cast couldn't be better, but the film belongs to Kiberlain.
  9. On a par with Bridges' acting, and a sine qua non for Crazy Heart's success, is the excellent music he sings.
  10. A psychological suspense drama of the utmost rigor and originality.
  11. A mesmerizing, shimmering and amazingly successful adaptation of Time Regained.
  12. In giving historical context to the poisonous nature of our oft-bemoaned political discourse, "Best of Enemies" showcases brainy bloodsport with humor, nostalgia and, appropriately, a lacing of melancholy.
  13. A complete master of cinematic farce, Veber's latest venture, The Valet, makes creating deliciously funny comedy look a lot easier than it has any right to.
  14. A flawless gem, a gentle yet ultimately ironic meditation on the power of art.
  15. That Two Days, One Night retains such an organic sensibility, even with a major star in the lead, is credit to both filmmakers and actress.
  16. A wholly enveloping experience. Gentle, ravishingly beautiful and awash in everyday sensuality, it so intoxicates you with the elegance and refinement of its filmmaking that even noticing, let alone caring, whether it has a plot starts to seem beside the point.
  17. Finely made and richly satisfying film.
  18. As lengthy and passionate as a drawn-out kiss, Beloved Sisters is a beautifully made romantic drama set in 18th century Germany that's smart, sensual and emotionally resonant.
  19. Amazing, rich in authentic period atmosphere and detail, an ever-changing cyclorama of a movie.
  20. A classic war film, at once elegiac and immediate, that takes you smack into the chaos of combat yet is marked by a detached perspective.
  21. As much a plea to change the system as it is an examination of how music helps individuals, Alive Inside is not the most sophisticated documentary, but its power is indisputable, and it does end on a hopeful note.
  22. What Solondz does so well is create unthinkable moments in a "Leave It to Beaver" world, where unmentionables are aired in the most innocuous ways to startling effect. In Life During Wartime, he's done just that, creating a relationship agitprop that pops and sizzles; just be careful not to get burned.
  23. As David Rakoff once wrote, "Youth isn't wasted on the young. It is perpetrated on the young." Exactly how is brilliantly captured by Andrew Bujalski in his debut feature, Funny Ha Ha.
  24. Optimistic and humanistic to the core, Me and You and Everyone We Know is a paean to perseverance and finding ways to cope.
  25. Blessed with a loose, anarchic B-picture soul that encourages you to enjoy yourself even when you're not quite sure what's going on, the scruffy "Guardians" is irreverent in a way that can bring the first "Star Wars" to mind.
  26. A potent mixture of sentiment and grit, and it showcases the talents of its young principals.
  27. Not only is it Merchant's best directorial effort to date but also is among the finest films the Merchant Ivory company has ever made.
  28. An exhilarating rush of a movie, with all manner of go-for-broke visual bravura that expresses perfectly the free spirits of his bold young people. [22 May 1998, Pg.F9]
    • Los Angeles Times
  29. This is definitely animation for grown-ups - its look is voluptuous, sexy and sultry; its Latin-inflected Dizzy Gillespie sound is seductive; and its story of young lovers whose passions are tested is timeless.

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