Los Angeles Times' Scores

For 1,430 reviews, this publication has graded:
  • 53% higher than the average critic
  • 3% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 3.2 points lower than other critics. (0-100 point scale)
Average TV Show review score: 61
Highest review score: 100 Transparent: Season 1
Lowest review score: 0 Stalker: Season 1
Score distribution:
  1. Mixed: 0 out of 758
  2. Negative: 0 out of 758
758 tv reviews
  1. Creator Jenji Kohan has kept it all going so far, the supporting cast remains the funniest on TV, and Parker, with her carefully calculated stillness and sudden reckless displays of fearlessness, is more riveting than ever.
  2. On the one hand, it's absolutely captivating, raw and unpredictable, a bubbling boiler of excitement rendered in the style of CBS' "48 Hours" and unrivaled by conventional cop dramas in prime time...On the other hand, the camera assumes the disgusting role of hanging judge by prematurely filling the screen with the faces of numerous suspects swept up in drug busts, some of whom may turn out to be innocent or may even go uncharged, for all we know. [7 Jan 1989, p.C1]
    • Los Angeles Times
  3. Costars like Daly, Ivanek and Neuwirth promise great things, but Madam Secretary belongs, obviously, to Leoni, who conjures a gratifying mix of brains and heart, humor and flintiness without, and this is important, any sign of mental illness.
  4. What sets Push Girls apart [from other reality shows] is that these plots, and these women, are actually interesting.
  5. While it is funny, sometimes very funny, it also has the quality of a gift--a gift from the artists to themselves and one another as much as to their audience.
  6. A continually surprising thriller that maintains an air of imminent danger through its five or so hours (in six episodes), State of Play is a grander, more romantic creation [than Prime Suspect 6].
  7. Infused with the considerable talents of Bertie Carvel and especially Eddie Marsan in the title roles, Peter Harness' adaptation is, like the book, a deft combination of Dickensian satire, Austenian wit and Gothic anxiety.
  8. A small-scale gem. [3 Aug 2005]
    • Los Angeles Times
  9. The show moves fast without seeming to rush you. The timing, on the part of actors and editors alike, is excellent--both Bornheimer and Smith are good physical comedians--so that even while you can set your watch by the Next Bad Thing About to Happen, tension is created, suspense maintained.
  10. Though both are actors with pasts that border on Hollywood satire, they appear more "real" than any other set of reality drama stars on TV today. No moral compasses here, no self-sabotage, no attempt to brand themselves with a phrase or a fist pump, just a very, very complicated family and fairly reasonable expectations.
  11. It was good, it was very, very good.
  12. [Master of None] is smart, sweet and funny in ways both familiar and fresh.
  13. In Witness we are left with far more questions than answers or even observations....Fortunately, they're all good questions, important and worth asking in any format.
  14. A lively, thought-provoking and often humorous quasi-biopic of a real-life crusader in which there are no angels, or devils either, just a nation in the midst of change for which not everyone is prepared.
  15. What it lacks in depth, Babylon makes up for in range and sudden brilliant commentary.
  16. All in all, it's a rich work, full of detail and small moments, and grounded in reality by an utterly believable supporting cast partly drawn from the school where the series was shot.
  17. Co-written by O'Dowd with Nick Vincent Murphy, it is a finely crafted little jewel of a show. Its humor is quiet--which is not to say polite or conventional--but nearly every laugh line delivers.
  18. It's hard not to love a show with a comely apothecary, and it's impossible not to love the new season of Grimm.
  19. Miller is certainly competent and even compelling as this round of newly imagined Sherlock Holmes.... Liu gives her Watson the perfect blend of wariness and admiration--she is clearly brilliant in her own right and while she may be his keeper, she is not his chronicler. And her journey may turn out to be just as interesting as his.
  20. Easy Money (9 p.m. Sunday on the CW) is easily the most intriguing new show of the season, if only because it relies on neither the great wealth, modern science or female bonding for its narrative thrust.
  21. A smart and highly suspenseful miniseries.
  22. If the premiere of Frasier does not manufacture laughs as consistently as one might expect from a "Cheers" offspring, it's still a cleverly written show with a quality cast that bodes well for the future. Mahoney is superb as the father, who reveals his inner feelings grudgingly, and Grammer is a master of the witty response. [16 Sept 1993, p.F11]
    • Los Angeles Times
  23. More a sketch than a thorough retelling--though still recommended as such--and as balanced as you can be about the scandal given the facts, the film begins at the end, or just before it, with the remarkable, once much-bootlegged footage of Nixon preparing to resign.
  24. The smart, insightful writing of Liz Tigelaar, the crisp and vibrant exteriors of Portland and the palpable chemistry between all the leads combine to make it, dare I say, lovable, an entertaining hour that might even offer a few insights into the complicated ties of desire and regret, friends and family.
  25. The episode has a few sentimentality issues (any plot point involving a music box walks a very fine line), but it doesn't matter much because the characters are so vivid they even outshine House at times, which can only be good for him.
  26. It is a suitably complicated and pictorially engaging work of period suburban mystery, with a large cast of characters
    • 46 Metascore
    • 80 Critic Score
    This compelling storyline could make the tale of battling basketball brothers a keeper for the WB. [23 Sept 2003, p.E11]
    • Los Angeles Times
  27. There is a current of delight that runs through the show different from other reality contestants, where the grown-ups may feel they have their lives on the line; there is disappointment here, but little bitterness.
  28. The show, and its survival, offers proof that quality can triumph in an industry driven by quantity and that even though necessity is the more fertile of the two, poetry can also be a fine mother to invention.
  29. Gavin & Stacey is a gem of a show -- funny, touching and welcome proof that the romantic comedy can and will survive irony, Botox, Judd Apatow and all the vagaries of the modern age.

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