Los Angeles Times' Scores

For 1,169 reviews, this publication has graded:
  • 53% higher than the average critic
  • 4% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 3.4 points lower than other critics. (0-100 point scale)
Average TV Show review score: 61
Highest review score: 100 Game of Thrones: Season 4
Lowest review score: 0 Painkiller Jane: Season 1
Score distribution:
  1. Mixed: 0 out of 610
  2. Negative: 0 out of 610
610 tv reviews
  1. The show looks to be a smart, stylish crime drama that just happens to revolve around a group of women as so many have revolved around men.
  2. Samantha Who? is as perfectly realized a comedy as the fall has to offer.
  3. Anchored by the sensible sensitivity of Nick, Dirty Sexy goes over the top and back again, as brightly fun and cheesy as a carnival ride.
  4. It is all very beautiful.
  5. Although The Sarah Connor Chronicles has gadgets aplenty, it has what "Bionic Woman" never quite acquired: a brain and a heart.
  6. That the two men are in their 30s makes their perseverance more poignant--to somewhat overstate the case--and that they have no money places them in a long and honorable line of comedians who cannot put two cents together to buy a glass of seltzer.
  7. Cleverly conceived, it boasts a star-studded cast (Gabriel Byrne, Dianne Wiest, Blair Underwood) who achieve, at times, theatrical transcendence.
  8. The pilot is an especially persuasive hour of action-adventure, but subsequent lower-budget episodes preserve the esprit and suspense.
  9. Playing it long and lugubrious but with a tantalizing twinkle, Lewis (last seen in the States as the hateful husband in "The Forsyte Saga") may well wrest the mantle of sexiest troubled American played by a Brit away from Hugh Laurie.
  10. The show is consistently clever and lively, well played and directed, its corners filled with nice throwaway lines and small visual jokes.
  11. Gossip Girl is eye candy, and mind candy, as pretty as a perfectly prepared martini--one that some nasty, picture-perfect have-it-all may or may not have drugged.
  12. Tyler Labine makes a most excellent wacky bearded sidekick, and Rick Gonzalez and Valarie Rae Miller round out the Scooby Gang. Auteur of slackerdom Kevin Smith ("Clerks") directed the pilot, which maintains a nice fairy tale tone even as it stresses the banality of the infernal.
  13. The dialogue is always to the point, yet it gives even the bit players enough room to create something memorable.
    • 58 Metascore
    • 80 Critic Score
    Fox's Back to You is back to TV comedy basics: multiple cameras, live audiences but, mostly, laughs.
    • 54 Metascore
    • 80 Critic Score
    To say that Tin Man is not as good as its near-perfect models is not to damn it, even faintly. Like Sci Fi's "Flash Gordon" update--which the Halmis also produce and which it resembles far more than it does "The Wizard of Oz"-- it's a good-looking, entertaining fantasy adventure, with a cast that is easy to spend time with.
  14. High School Musical 2 s zippier, bouncier, prettier, more soulful and even more musical than its predecessor, and that's saying something.
  15. It's not your mother's Bionic Woman. It's much, much better.
  16. Gavin & Stacey is a gem of a show -- funny, touching and welcome proof that the romantic comedy can and will survive irony, Botox, Judd Apatow and all the vagaries of the modern age.
  17. There is little in the way of "action"--it is possibly the slowest, most deliberative show on television, which is one of the things that makes it so lovely and mysterious.
  18. There are no heroes or villains here, only people working out or being carried toward their individual destinies. And in who we root for and in what we root for them to choose, we also define ourselves.
  19. It's very good, although as sad and disturbing as the mustache implies.
  20. Smart but never slick, funny but never glib, dark but never (praise all saints and angels) noir, Breaking Bad is actually not another addition to the Brotherhood of the Made Guy formula, it turns out to be the formula's antidote.
  21. Creator Toby Whithouse takes all the themes associated with the cursed and the damned very seriously, and if his exploration of them is less baroque than other franchises, it promises to be even more effective.
  22. Psychological sleight of hand can't fill an hour every week. For that you need complicated, interesting crimes and complicated, interesting characters solving them. The Mentalist seems prepared to deliver just that.
  23. Scenes unspool, lives unwind, wicked acts are done, but so is justice, and under the lovely and indifferent African sun, it seems there is all the time in the world. It's hard to imagine a better place to be.
  24. The show moves fast without seeming to rush you. The timing, on the part of actors and editors alike, is excellent--both Bornheimer and Smith are good physical comedians--so that even while you can set your watch by the Next Bad Thing About to Happen, tension is created, suspense maintained.
  25. Warehouse 13 is unapologetically and delightfully derivative, happily plucking the best stuff from our favorite shows and leaving all the heaviness behind.
  26. Hunt Baldwin and John Coveny, who created Trust Me (and have been writers on “The Closer") are former admen themselves; they chose the milieu to explore the creative process among a group of people with a collective-neuroses score high enough to maintain a smart and breezy comedy.
  27. There's something about the terrible lighting, those horrible curtain dividers, the washed-out gowns that makes every patient seem extraordinarily vulnerable. Which, of course, they are, as are we all, including the men and women who provide our last line of defense in this life. This is precisely the stuff of great drama and of great documentary, but it gets a little troublesome when combining the two.
  28. Although Romano is the keystone of the group, it is very much an ensemble drama buoyed by writing that protects the characters from the perils of self-pity and self-indulgence with quick and gentle humor and plot points that capture the forces a middle-aged, middle-class man might actually battle.

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