Los Angeles Times' Scores

For 1,209 reviews, this publication has graded:
  • 53% higher than the average critic
  • 4% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 3.5 points lower than other critics. (0-100 point scale)
Average TV Show review score: 61
Highest review score: 100 The Wire: Season 2
Lowest review score: 0 Cavemen: Season 1
Score distribution:
  1. Mixed: 0 out of 631
  2. Negative: 0 out of 631
631 tv reviews
  1. Hunt Baldwin and John Coveny, who created Trust Me (and have been writers on “The Closer") are former admen themselves; they chose the milieu to explore the creative process among a group of people with a collective-neuroses score high enough to maintain a smart and breezy comedy.
  2. There's something about the terrible lighting, those horrible curtain dividers, the washed-out gowns that makes every patient seem extraordinarily vulnerable. Which, of course, they are, as are we all, including the men and women who provide our last line of defense in this life. This is precisely the stuff of great drama and of great documentary, but it gets a little troublesome when combining the two.
  3. Although Romano is the keystone of the group, it is very much an ensemble drama buoyed by writing that protects the characters from the perils of self-pity and self-indulgence with quick and gentle humor and plot points that capture the forces a middle-aged, middle-class man might actually battle.
  4. Wyle is funny and charming and dispenses just enough fascinating arcane knowledge to keep things semi-educational, the special effects are great, Newhart and Curtin are always great to see, the ubiquitous Davison ("Knight Rider") is obviously having a blast as Lazlo, and really, who doesn't like a good vampire story?
  5. As directed by Peter Berg, this is smart, handsome TV, a witty, measured mix of sci-fi, soap and satire that offers new twists on old tropes.
  6. Berman produces a deft juggling trick of heart and humor, balancing Deb's shallowness with some solid common sense and Jane's inadequate self-esteem with kindness and legal brilliance.
  7. The contest consists of family members answering questions about one another to win money and prizes, which is straightforward enough and entertaining on its own. But what makes it work so well, I am surprised to say, is the Big Gimmick: the fact that the show is staged on the contestants' front lawn.
  8. Easy Money (9 p.m. Sunday on the CW) is easily the most intriguing new show of the season, if only because it relies on neither the great wealth, modern science or female bonding for its narrative thrust.
  9. A lively, thought-provoking and often humorous quasi-biopic of a real-life crusader in which there are no angels, or devils either, just a nation in the midst of change for which not everyone is prepared.
  10. You can't really improve on the story of "Oliver Twist"; the best you can hope for is to bring it to life, which the two-part "Masterpiece Classic" version skillfully does.
  11. Sweet, lyrical and a little cracked, it's worth seeking out.
  12. I'll say now, before I get down to picking its nits--it has a few, and most might be predicted from the Spielberg oeuvre--that it's a splendid production, absolutely worth watching in its 10-hour entirety.
  13. Costello (who has subbed for David Letterman) makes a fine host--a bit reverential at times, but never as pious as, say, James Lipton can become over at the similarly configured "Inside the Actors Studio."
  14. Anchored by amazing performances by Jessica Lange and Drew Barrymore, the Grey Gardens that premieres tonight is, like its subjects, a brilliant, moving, hilarious and mesmerizing mess of a movie that miraculously captures what made the Beales such iconic characters.
  15. Despite its equivocal title, Almost the Truth beats any Python documentary yet made for comprehensiveness and depth.
  16. For all its moments of poetry and insight, Mad Men too often feels less like a drama and more like the staging of a really good master's thesis.
  17. The Alzheimer’s Project is an ambitious, disturbing, emotionally fraught and carefully optimistic four-part documentary exploring virtually every angle of Alzheimer's disease that can be explored on television
  18. Yet despite the distraction of its media grooming, the basic story of Whale Wars is quite a yarn.
  19. It is a bit like Martin Scorsese's "After Hours," filtered through the sensibility of a Whit Stillman and sprinkled with "Flight of the Conchords"--and yet it feels new, because it is so completely itself, consistently itself, a mix of romance, adventure and stoner comedy (there is a lot of pot about) that never abandons the world the rest of us can recognize.
  20. Project Runway is a hard act to follow. Still, if you like watching people make (sometimes) beautiful clothes from nothing in no time--the first challenge is to make a little black dress from a little black T-shirt--The Fashion Show has that too.
  21. Even with its problems--we'll get to those presently--it's one of the best shows of the fall season.
  22. Creator Ian Edelman keeps his characters on the right side of caricature and avoids the kind of melodramatic confrontations their relations might typically suggest.
  23. Funny, yes, but in a revelatory way. It is not unusual for a working mother to view every relationship in her life as simply a matter of fulfilling the next indicated task, but I don't think it has ever been so wonderfully, and painfully, captured on television before.
  24. As the plot of V progresses, no doubt we will see the subtle strangulation of democracy by fascism--already the press has been corrupted--and that is a story that cannot be told often enough. Especially when it comes, like the V's, in such a fine, fun and attractive package.
  25. It is a smart, affable, mostly unpredictable ensemble comedy that reminds us that in the 500-channel universe, fine things can happen in unlikely places, as long as you are clever about budget, commit to a sensible number of episodes--in this case 10--write well and cast right, and that what matters ultimately to heaven is not the eminence of the venue but the quality of the work.
  26. Writer and executive producer Shane Brennan has worked on "NCIS" for years; he knows what he's doing and how to do it well; the casting is solid, the crimes international. What's not to like?
  27. Writer and executive producer Jonathan E. Steinberg does an admirable job preserving the smart-mouth humor and ker-pow, splat fun while creating story lines and characters grounded in the alpha-male charm that made guys like Pierce Brosnan, Bruce Willis and Robert Conrad so popular.
  28. With the rest of the cast hitting the same high notes as Margulies and the script, The Good Wife promises to be that Holy Grail of television: a good criminal procedural that barely disguises the insightful, multilayered human drama that lies beneath.
  29. Covert Affairs may not have the revenge factor of "Burn Notice" or the bromantic banter of "White Collar," but it's fast-paced, fun and every bit as charming.
  30. O'Loughlin's by-the-book performance is buoyed by a fast-paced script and a splendid supporting cast, including and especially Scott Caan as Danno, that radiates enough hit-making energy to render even Oahu's azure waters and perfect sunsets superfluous.

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