Los Angeles Times' Scores

For 1,430 reviews, this publication has graded:
  • 53% higher than the average critic
  • 3% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 3.2 points lower than other critics. (0-100 point scale)
Average TV Show review score: 61
Highest review score: 100 Homeland: Season 2
Lowest review score: 0 Cavemen: Season 1
Score distribution:
  1. Mixed: 0 out of 758
  2. Negative: 0 out of 758
758 tv reviews
  1. It is a smart, affable, mostly unpredictable ensemble comedy that reminds us that in the 500-channel universe, fine things can happen in unlikely places, as long as you are clever about budget, commit to a sensible number of episodes--in this case 10--write well and cast right, and that what matters ultimately to heaven is not the eminence of the venue but the quality of the work.
  2. It's a little movie that feels big, without being self-consciously cinematic.
  3. "The Wire's" Snoop would definitely not fit in. But this is the most impressive group of female characters ever assembled in a series, and it's not just window-dressing; each woman has a story and that story will be told.
  4. Hotel Babylon is willfully bright and sexy--like the Parker's décor, it updates a '70s sensibility--but also has a nice eye for detail, good minor characters and well-flowing dialogue.
  5. The TV version preserves the form and excited tone of the podcast, with better production values and a bigger stage.
  6. "Curb" is a comedy of hostility, resentment, paranoia and obsessiveness. There are no feel-good moments, no life-brightening epiphanies, nothing, in fact, even vaguely resembling a resolution; things get as bad as you feared, and then the credits roll. [3 Jan 2004]
    • Los Angeles Times
  7. Because it's fun to watch the rich and mighty stumble and scheme, which novelists as diverse as William Thackeray and Judith Krantz have long known. In the first two episodes at least, the quality of the acting and the writing brings depth to what could so easily be the fetid shallows of life issues of the rich and famous
  8. A picaresque, briskly written and quickly captivating series that is neither afraid nor ashamed of entertaining its audience.
  9. Fresh Off the Boat may not be exactly the series of Huang's dreams, or completely true to the life he has sold to show business, but it's a consistently funny and even important one, with some lovely, nuanced performances.
  10. Apart from a surfeit of split screen effects and some overbearing soundtrack selections, I have no quarrel with this series at all, and wore a lump in my throat through much of it.
  11. Goldberg may be letting idealism infringe on Alan here in a way that detracts from reality. Moreover, Alan's sophisticated sense of humor seems terribly refined for his age. In many other ways, however, "Brooklyn Bridge" rings acutely true, from the production's natural lighting to the charming interplay among its characters.
  12. The goings-on feel fresh in the way that kids at play make spy or space stories their own, even as they repeat what TV and the movies have taught them. This is just that with a budget, some deeper experience and the help of Jennifer Saunders, Rebecca Front, Dougray Scott and David Harewood, among interesting others.
  13. The Alzheimer’s Project is an ambitious, disturbing, emotionally fraught and carefully optimistic four-part documentary exploring virtually every angle of Alzheimer's disease that can be explored on television
  14. The series is a better-heeled, better-paced and, within the bounds of its own Portland-ish modesty, a more ambitious extension of the occasional videos that Armisen and Portland resident Brownstein have posted online over the past few years under the name ThunderAnt.
  15. If Burns' customary elegiac pace doesn't always work for his subjects--it is the opposite of everything we're told about Theodore Roosevelt, at least--he gives you time to really look at what he's brought to show you.
  16. With admirable economy and keep-up-people pace, creator Peter Nowalk reveals both the imperial nature of his lead and quick sketches of the five students from the opening scene.
  17. If early episodes are any indication, Season 3 will provide a glorious payoff for those EST-ian weeks down on the farm.
  18. That the funniest straight-ahead sitcom of the American fall television season is a 2-year-old British import airing on a basic-cable network is because of a few things: a dearth of new American sitcoms, the availability of road-tested foreign product, and the ongoing expansion of the vast tracts of basic cable into the kind of programming that has traditionally defined broadcast television.
    • 81 Metascore
    • 80 Critic Score
    Bell does such a good job playing the world-weary Veronica that she manages to get away with voice-over lines like "I'm no longer that girl" and "The detective in me knew something was wrong" without sounding silly. She channels the charisma, smarts and frustration of Angela Chase, Claire Danes' character in "My So-Called Life." [22 Sept 2004, p.E12]
    • Los Angeles Times
  19. It feels productively mysterious. The show tells you covertly a lot about the characters, building them up through bits of behavior and stray remarks that can seem contradictory at first but do start to cohere into something more complex.
  20. It was with the Indian coverage that he both shone (commenting on one candidate's use of holographic appearances, he said, "That’s not just how you get elected. That’s how religions get started") and set himself apart. If Oliver can do for international news what Stewart and Colbert have done on the domestic scene, well, the already-crowded Sunday night DVR queue just took on an extra half-hour.
  21. One of the nicest surprises and more amusing comedies of the new season.
  22. Raising Hope is funny, sweet, occasionally provocative, and occasionally over-the-top in a regrettable way.
  23. Though the pilot of Halt and Catch Fire, AMC's latest character-driven drama premiering Sunday, doesn't hit the gloriously high bar set by the opening episode of "Mad Men," it is provocative and promising nonetheless.
  24. It's the miraculous simplicity of creating something from nothing that makes Runway endlessly watchable.
  25. More troubling, and the bulk of his case, is the testimony of former Scientologists, some of them high-ranked, some of them claiming inside knowledge. Defenders of the faith will say that they are lying now when they say they were lying then, but they seem quite credible and composed to me--amazed at the people they'd been, astonished by what they couldn't see, ashamed at their actions or inaction.
  26. Even if you don't particularly feel for Selina--you don't root for her, particularly, or against her--there is continual pleasure in watching the actress make her go.
  27. It is less a portrait of two combustible stars, played with empathy and breathtaking control by Dominic West and Helena Bonham Carter, as it is a surprisingly thoughtful excavation of a love that is both undeniable and untenable.
  28. The pilot is an especially persuasive hour of action-adventure, but subsequent lower-budget episodes preserve the esprit and suspense.
  29. It is cinematic in the sense that nothing in it looks quite real. But it works: This is not the London known as jolly and old, but the new chilly city of glass, a place of missed connections, of aliens and alienation. And the smart dialogue and warm performances--even Holmes has a discernible beating heart, or perhaps two--keep ice from forming on the production.

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