Miami Herald's Scores

For 528 reviews, this publication has graded:
  • 53% higher than the average critic
  • 1% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 7.5 points lower than other critics. (0-100 point scale)
Average TV Show review score: 57
Highest review score: 100 Joan of Arcadia: Season 1
Lowest review score: 0 New Girl: Season 1
Score distribution:
  1. Mixed: 0 out of 277
  2. Negative: 0 out of 277
277 tv reviews
  1. As outstanding as The Sopranos has been, and as terrific as it could be in the long run, it will never have the reach or pop-culture impact of Seinfeld or ER, much less M*A*S*H or even Saturday Night Live - all true TV icons of the last quarter century. [22 Jan 2000]
    • Miami Herald
  2. What a strange but stunning achievement Twin Peaks is... For television, Twin Peaks may be the summit of off-the- wall originality. [8 Apr 1990, p.H4]
    • Miami Herald
  3. The thrill of Homicide comes in listening to some of the snappiest dialogue on television. David Mamet should admire Attanasio's lines. The show -- filmed in Baltimore -- looks good, but it sounds better. [30 Jan 1993, p.E1]
    • Miami Herald
  4. With smart dialogue, intriguing plots, an explosive cast and an inclination to peer into life's dark corners, it is the most captivating new program in years. The Shield slams home like a bullet; wear your body armor. [11 Mar 2002, p.E2]
    • Miami Herald
  5. It is still fresh, quirky, wonderful. [11 Oct 1990]
    • Miami Herald
  6. Homeland is an absolutely riveting immersion in the paranoia and burnout of America after a decade of the war on terrorism.
  7. This isn't the stuff network sitcoms are made of, but that's what makes The Larry Sanders Show so special. Adult, darkly funny, it jabs the medium for its excesses and pretentiousness. [2 Jun 1993]
    • Miami Herald
  8. Scathing but hilarious, the series finds its richest material in spoofing showbiz pretentiousness. ... [Shandling] has brought something new to the sitcom format: a devastating commentary on the medium itself. [15 Aug 1992]
    • Miami Herald
  9. It's messy and confusing, often complex and contradictory, and moves in fits and starts, sideways and backward. It's the most startlingly original program on television in years, maybe ever, and it's also one of the best. [28 Sept 2002, p.E1]
    • Miami Herald
  10. News bulletin: We've finally found the weapons of mass destruction, or at least one of them. The jokes fly like shrapnel in Fox's dangerously hilarious new sitcom Arrested Development, and, like shrapnel, they often draw blood...A scathingly, unnervingly comic riff on stupidity and greed in the corporate world, Arrested Development is something like a National Lampoon's Wall Street Vacation, painting its targets variously as buffoonish or malefic, but always hitting them dead-center. [2 Nov 2003, p.3M]
    • Miami Herald
  11. Sweet but never treacly, nostalgic but never dishonest, startlingly frank about race and always painfully funny, Everybody Hates Chris is the sitcom for which the networks have been yearning for the better part of a decade.
  12. Boardwalk Empire plays much like Sopranos: The Roots, a malignantly alluring exploration of the emergence of organized crime in the United States. A checkerboard of hazy intrigue and garish violence, of ruthless ambition and easy sexuality, it's an epic tale told darkly and well.
  13. Brooklyn Bridge is like a Woody Allen movie without the neuroses, The Wonder Years without the precious narration. Touching and amusing, it is the outstanding new series this fall. [20 Sep 1991]
    • Miami Herald
  14. Creepy and cockeyed, unholy and unnerving, Top Of The Lake is riveting stuff.
  15. Superb in nearly all regards, from sharp, insightful writing, to a marvelously textured performance by star Keri Russell, to its movie-like pace and photography. [29 Sept 1998, p.1C]
    • Miami Herald
  16. A few shows just sneak up on you. They start quiet, seem too simple, and then, when the credits roll after an hour, you find yourself smiling, wondering what happens next in this quirky world TV has created. That's what happens with Ed. [7 Oct 2000, p.5E]
    • Miami Herald
  17. The Pacific is as brutally simple and direct--and as oblivious to modern PC sensibilities--as the Marine's letter. Produced by Steven Spielberg and Tom Hanks, this 10-part HBO miniseries is a loving but anguished tribute to the men who fought on the bloody island hellholes that comprised World War II's Pacific theater.
  18. Pushing Daisies is by far the best new series of the fall season.
  19. Brilliant. [21 July 2004, p.4E]
    • Miami Herald
  20. The recipe may go back to your grandma or beyond, but that doesn't mean you won't eat two helpings and beg for more.
  21. A striking, crisply edited show. The raw language, the series' other point of controversy, gives NYPD Blue an authentic flavor. Here is a series about bruised people, seemingly beyond redemption. This is the way they would talk. [21 Sept 1993, p.E1]
    • Miami Herald
  22. This is L.A. Law, which not only is the best offering of the new television season, but the best pilot for a new show since Hill Street Blues' debut six TV seasons ago. It will, as they say, make you laugh; it will make you cry. It brandishes a superior cast and a wit and style that elevate it immediately into the rarefied Hill Street/St. Elsewhere atmospheres -- shows whose structure of interwoven story lines that dangle from episode to episode it shares. [14 Sept 1986, p.K1]
    • Miami Herald
  23. Viewers who find Twin Peaks too weird, thirtysomething too whiny and L.A. Law too slick should look north . . . north to Alaska . . . specifically to tiny Cicely, where Dr. Joel Fleischman resumes his medical practice tonight...But don't worry that Northern Exposure is overly odd. This gently witty show, from the creators of "St. Elsewhere", breaks the rules of television physics: It remains down-to-earth, yet soars. [8 Apr 1991, p.C1]
    • Miami Herald
  24. This wonderful half-hour pilot has distinguished this show as the very best of the crop of new series this fall. The writing, by the bawdy, brilliant Susan Harris, who was lured back to television by the promise of doing a show with the kind of characters seldom seen on the tube, is on a par with her wittiest days as the creator of "Soap". [14 Sept 1985, p.D5]
    • Miami Herald
  25. This dark gem of a show about a zombie apocalypse gleams with hellfire incandescence.
  26. Gilmore Girls is by far the most entertaining comedy-drama on the fall schedule and it should appeal to both The WB's core teenage audience and their parents; it doesn't talk down to either side of the age divide. [5 Oct 2000, p.1E]
    • Miami Herald
  27. Engrossing - and gross. [21 Mar 2004, p.4M]
    • Miami Herald
  28. In a season of too many three-child sitcoms, Frasier reminds viewers how good an adult sitcom can be. In its own way, Frasier is a family sitcom, one with meaning for middle-aged children. The father character brings a dark, but not oppressive, tone to the show, and Mahoney offers a performance full of pain and bitter humor. He gives Frasier a weight that other sitcoms, even Cheers, rarely have. [16 Sept 1993, p.G1]
    • Miami Herald
  29. The gloriously bloody and depraved spirit of the novels is intact and even enhanced.
  30. Telling its story from the perspectives of the police and the narcotraffickers, The Wire unfolds slowly, like an evil flower; more cerebral than slam-bang. At times it resembles a chess match as the adversaries plot moves and countermoves; at other times, a jigsaw puzzle, as the cops assemble a portrait of the gang from scraps of information. [1 June 2002, p.E1]
    • Miami Herald

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