Mojo's Scores

  • Music
For 9,633 reviews, this publication has graded:
  • 53% higher than the average critic
  • 4% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 0.9 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Highest review score: 100 Hundred Dollar Valentine
Lowest review score: 10 Milk Cow Blues
Score distribution:
9633 music reviews
    • 80 Metascore
    • 80 Critic Score
    “People say people my age shouldn’t be making records,” Hunter has said. With his mind still agile, his piano playing still on top form and his voice still strong, Defiance Part 1 makes a nonsense of that. At 83, Hunter also sounds much more starry-eyed about rock’n’roll than he did in Diary Of A Rock’N’Roll Star. [May 2023, p.90
    • 78 Metascore
    • 60 Critic Score
    The emphasis more on fractured, abstract improv rater than frenetic carousing. Interesting stuff, for sure. [May 2023, p.89]
    • Mojo
    • 78 Metascore
    • 60 Critic Score
    Rainbow is bleak. [Jun 2023, p.105]
    • Mojo
    • 76 Metascore
    • 80 Critic Score
    High Flyin' is a highlight of the bootleg series so far. [Jun 2023, p.105]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    No more the quieter introspection and reflection of solo tracks like Hormones or Fever Dream – here Thorn and Watt are a combined force, capturing the giddy euphoria and release of the club experience.
    • 66 Metascore
    • 60 Critic Score
    The album's second half-hour wilts, but the first is Temples Excelling as never before. [Jun 2023, p.92]
    • Mojo
    • 78 Metascore
    • 80 Critic Score
    10 elegantly rendered tracks, uncovering an intersection of The Clientele and Waxahatchee. [Jun 2023, p.91]
    • Mojo
    • 76 Metascore
    • 80 Critic Score
    The music makes fearsome sense on its own, but a viewing of The Cry Of Jazz is recommended before listening. [Jun 2023, p.87]
    • Mojo
    • 76 Metascore
    • 60 Critic Score
    Stereo Mind Game certainly sustains an atmosphere, but it's a brooding and bleak one, and at times the darkness of Daughter's dream-pop can feel a bit suffocating. [Jun 2023, p.85]
    • Mojo
    • 84 Metascore
    • 80 Critic Score
    [Ben Gregory's] emergence from psychiatric treatment to go solo has restored ambition, engineering a starling psychodrama, both spiritual and musical. [Jun 2023, p.87]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    Beguiling from the outset. [Jun 2023, p.90]
    • Mojo
    • 65 Metascore
    • 60 Critic Score
    All Roads Lead Home holds together surprisingly well. [May 2023, p.86]
    • Mojo
    • 74 Metascore
    • 60 Critic Score
    Devoid of da funk it may be, but the scale and scope here are impressive. [May 2023, p.86]
    • Mojo
    • 78 Metascore
    • 80 Critic Score
    Her most beautiful [music] in decades. [May 2023, p.87]
    • Mojo
    • 83 Metascore
    • 80 Critic Score
    An often challenging, always thrilling triumph that rewards deep listening and re-listening. [May 2023, p.92]
    • Mojo
    • 80 Metascore
    • 60 Critic Score
    Roberts' dying-Jacobite vocals remain thrillingly feeble, and Nic Jones-ly fingerpicking on Wonderful Grey Horse and Young Airly may draw in waverers. [May 2023, p.89]
    • Mojo
    • 85 Metascore
    • 80 Critic Score
    Much warmer and more inviting [than 2017's Pleasure]. [May 2023, p.88]
    • Mojo
    • 87 Metascore
    • 80 Critic Score
    John's piano at the Festival Hall brought a stentorian new dimension to a sped-up Rocket Man (I Think It’s Going To Be A Long, Long Time) and the demos offer the sense of a band working out how to get the best from John's freewheeling melodies. In the end, they turned out to be just what was required. [May 2023, p.101]
    • Mojo
    • 74 Metascore
    • 60 Critic Score
    Allowing Talk Talk, The Chameleons and David Sylvian to swell the ranks of recognisable names and the odd mystifying entry too - on what planet is The Wake's English rain ethereal, dream pop or showgaze? [May 2023, p.98]
    • Mojo
    • 84 Metascore
    • 80 Critic Score
    Strong Stones in the '80s vibes set the tone. [May 2023, p.95]
    • Mojo
    • 84 Metascore
    • 80 Critic Score
    Now 25 and treading Nirvana/Hole-influenced terrain better suited to the bleed and luster of these uncensored songs of self-empowerment, she has found her perfect skin. [May 2023, p.94]
    • Mojo
    • 78 Metascore
    • 80 Critic Score
    Has much nuance to gild its inimitable energy. [May 2023, p.88]
    • Mojo
    • 86 Metascore
    • 80 Critic Score
    An ecstatic update on classic techno. [Apr 2023, p.86]
    • Mojo
    • 87 Metascore
    • 80 Critic Score
    His most satisfying outing in decades. [Apr 2023, p.85]
    • Mojo
    • 84 Metascore
    • 80 Critic Score
    While it lacks the hostility of its role model or its strident central voice, there's intrigue aplenty. [May 2023, p.84]
    • Mojo
    • 72 Metascore
    • 60 Critic Score
    This is a still-hungry group flexing their creative muscles. [May 2023, p.86]
    • Mojo
    • 85 Metascore
    • 80 Critic Score
    Sundown is both a bigger sounding LP than Pleasure, Joy And Happiness but also a deeper one. [May 2023, p.91]
    • 89 Metascore
    • 80 Critic Score
    Melusine retains the intellectual curiosity of Salvant's jittery, questing catalogue. [May 2023, p.86]
    • Mojo
    • 90 Metascore
    • 80 Critic Score
    The Record is beautifully integrated, each song feeling like an ongoing conversation, a harmonious thread they can pick up any time. It’s very much worth getting to know it. [Jun 2023, p.85]
    • 81 Metascore
    • 60 Critic Score
    An excursion into invention, forsaking preparation for nuggets of inspiration and a degree of rootless wander. [May 2023, p.89]
    • Mojo