musicOMH.com's Scores

  • Music
For 5,868 reviews, this publication has graded:
  • 60% higher than the average critic
  • 4% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Music review score: 73
Highest review score: 100 Everything's The Rush
Lowest review score: 0 Fortune
Score distribution:
5868 music reviews
    • 84 Metascore
    • 80 Critic Score
    Different Every Time succeeds, though, in illustrating just how versatile and original this creative spirit has been, and how he will no doubt cast a long shadow of influence in the future.
    • 81 Metascore
    • 80 Critic Score
    It’s beautiful in its own manner, and thankfully avoids the one-sound pitfall into which ambient music may fall.
    • 72 Metascore
    • 60 Critic Score
    This album just doesn’t provide the musical support that he deserves.
    • 75 Metascore
    • 70 Critic Score
    These are songs that might sound delicate and fleeting, but are in they fact multi-layered and carefully created although admittedly they are at times almost dreamlike.
    • 79 Metascore
    • 80 Critic Score
    Lost Domain acts as both a lovely tribute to Wheeler’s father, and further confirmation of his talent as a songwriter.
    • 64 Metascore
    • 60 Critic Score
    There’s a lack of maturity on Soft that is at odds with the stellar showmanship that Soft so desperately seeks to demonstrate.
    • 77 Metascore
    • 70 Critic Score
    It makes for a decent compilation if you’re not already familiar with Hegarty’s material as it features many of his best tracks, but the long-term fan will struggle to find too much of interest. Yet it makes for an excellent souvenir of a band at the height of their powers.
    • 78 Metascore
    • 90 Critic Score
    Seeds is destined to grow and grow. Exhilarating stuff.
    • 72 Metascore
    • 60 Critic Score
    Frozen By Sight is a good record--one that’s exquisitely played and recorded. It’s also a little stiff: occasionally its arts festival origins become a little too obvious and one wishes it would cut loose a little more.
    • 79 Metascore
    • 80 Critic Score
    Ultimately, First Demo is far more than a historical curio, it’s the sound of the band in a period of furious creativity and evolution.
    • 58 Metascore
    • 60 Critic Score
    In the passing of time they’ve aged a bit, and though they can still intermittently move us with their thoughts, it is difficult to see anywhere they could go from here musically. It is the right time to go.
    • 89 Metascore
    • 90 Critic Score
    Run The Jewels 2 is one of the best albums of the year.
    • 67 Metascore
    • 60 Critic Score
    Though The Way is unlikely to attract many new fans, those who contributed to the project to make the album should be pretty happy with the results.
    • 71 Metascore
    • 60 Critic Score
    Fittingly enjoyable but frustratingly retrograde effort.
    • 77 Metascore
    • 70 Critic Score
    It may well wander all over the place and sound in need of a firm guiding hand at times, but it also contains some genuinely inventive and thrilling pop music.
    • 68 Metascore
    • 60 Critic Score
    Unfortunately Sonic Highways only delivers occasionally.
    • 69 Metascore
    • 70 Critic Score
    More polished and yet somehow less exciting. Nonetheless, The Other I is an album which offers plenty of eerie, shadowy pleasure.
    • 73 Metascore
    • 70 Critic Score
    While Blue’s electropop soundscapes are hardly a great move forwards from their first two projects, there are genuinely majestic emotional moments to savour here.
    • 75 Metascore
    • 80 Critic Score
    Big Music sees them come out fighting with their best album in decades. Rather than appearing musically tired or bereft of ideas, they have real stomach for the fight, a resilience that looks set to see their star continue to shine.
    • 64 Metascore
    • 50 Critic Score
    Diehard fans of the genre will find that Bass Drum Of Death makes a welcome addition to their playlists, but for the rest of the music world, Rip This may only entertain for a few tracks.
    • 61 Metascore
    • 70 Critic Score
    Taken for what it is, Primus & The Chocolate Factory is a fantastically ridiculous release that should please fans of either [Primus or Willy Wonka].
    • 75 Metascore
    • 80 Critic Score
    In The Seams sees her settle down into a recognisable sound--a more minimal, stripped down approach than previously for sure, but one that accentuates her voice perfectly.
    • 77 Metascore
    • 70 Critic Score
    Whilst La Isla Bonita might end on a downer musically, this is an album that finds Deerhoof sounding refreshed and eager to go for another 20 years.
    • 83 Metascore
    • 70 Critic Score
    The results as diverse as one would expect from such a multi-faceted pairing: chaotic, withdrawn, subtle, bombastic, promising and ominous all at the same time.
    • 80 Metascore
    • 90 Critic Score
    Whilst the debut got tongues wagging, the follow up is sure to get hearts pounding--a superb collection of tracks that points to a band that knows where it’s going.
    • 76 Metascore
    • 80 Critic Score
    It may not be a barrel of laughs, but My Favourite Faded Fantasy proves that nobody does hushed introspection as well as Damien Rice.
    • 75 Metascore
    • 80 Critic Score
    The Inevitable End, whilst more reflective and introspective, is little different. If this is the end of this current stage of the Röyksopp story, it’s a pretty classy way to bow out.
    • 75 Metascore
    • 80 Critic Score
    The key to this album is that whilst the original concept of Mariachi El Bronx remains in tact, things are changing slowly and given time, could easily evolve into something truly fascinating. They feel like they’re on the cusp of the something here.
    • 81 Metascore
    • 80 Critic Score
    This duo is an increasingly masterful unit. Even with just voice and drums, it would appear that the possibilities are endless.
    • 69 Metascore
    • 60 Critic Score
    For its maker, it’s a chance to cut loose under the banner of diminished expectations; for the listener, it’s a temporary distraction at best.