New Orleans Times-Picayune's Scores

  • Movies
For 862 reviews, this publication has graded:
  • 43% higher than the average critic
  • 2% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 1.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 The House I Live In
Lowest review score: 20 Only God Forgives
Score distribution:
  1. Negative: 53 out of 862
862 movie reviews
  1. A movie with undeniable melancholy underpinnings, but Bertuccelli wisely avoids overdoing the drama to nurse cheap tears from her audience.
  2. An uneven R-rated Christmas comedy that's more enjoyable than, say, your Nana's fruitcake, but which at the same time doesn't feel quite like the dose of memorable holiday cheer it could have been.
  3. A heartwarming -- and at times heartbreaking -- post-"Juno" road comedy for grownups.
  4. A low-energy drama, but the kind that has a way of holding your attention -- and keeping you smiling -- for the entire time you're watching it, lifting your mood in the process.
  5. In a word: Bibbidi-bobbidi-blah.
  6. The film -- lame of title but big on fun.
  7. Almost feels as if it is two different films. One is the opening 20 minutes or so, in which most of the screwball comedy takes place. The other comes when Yimou gets on with the real story. That's where the payoff comes in.
  8. There's something haunting going on in The Notebook -- in the story, in the performances, in the overall atmosphere -- that makes it hard to look away from, and equally hard to forget.
  9. This period gangster yarn...is neither in the front rank nor the slag heap of Altman's oeuvre. Rather, it's an atypically accessible attempt at mainstream entertainment that contains both satisfying and off-putting elements. [16 Aug 1996, p.L24]
    • New Orleans Times-Picayune
  10. That it's all true might make it more heart-tugging, but it doesn't make it any more interesting.
  11. Along the way, a raft of experts are featured -- including Times-Picayune outdoor editor Bob Marshall -- speaking bluntly about the cozy relationship between politicians and the oil industry.
  12. The problems here are more with the story, which, even at just 89 minutes, feels a touch repetitive at times.
  13. Chimpanzee is so skillfully crafted, and the big-hearted outcome so endearing and entertaining, that any narrative liberties taken to aid in the telling of this prehensile tale are not only forgivable but welcome.
  14. Southpaw has at least one thing its predecessors don't: It's got Jake Gyllenhaal in the lead role, and that makes a big difference.
  15. It's a grand, colorful adventure, an escapist romp draped in tinsel. And, who knows -- if you're all good little boys and girls this year, perhaps it will also be the first installment in a new DreamWorks holiday tradition.
  16. Because while it can boast of some truly extraordinary special effects -- stomach-churning, face-hacking, arm-slicing visual effects, the kind that are sure to titillate the gleefully twisted -- this Evil Dead is far more gruesome than awesome.
  17. It's also both intense and entertaining enough to leave audiences hungry for the inevitable sequel so clearly set up by its cliffhanger ending.
  18. Eva
    For one to succeed, it should have a certain "emotional intelligence" of its own. It should have a soul. It should bring something new to the conversation. And while Eva dips a toe into those waters, it never really invites its audiences to dive in head-first.
  19. For the first time in its 25-year existence, Pixar has created an utterly ordinary film.
  20. Along the way, Shut Up, Little Man boasts nice technical elements. And it is, admittedly, amusing to a degree. Peter and Raymond certainly know how to turn a phrase. But things begin to wear thin about halfway through.
  21. Gets considerable gas from the fact that Bateman, Sudeikis and Day so convincingly play three idiotic pals. The real fun, though, is in the fantastic supporting cast.
  22. It's a good, old-fashioned sit-around-the-campfire ghost story, one that delivers on its sole reason for existence: to raise the hairs on the back of your arms.
  23. Ends up being an enjoyable, if only marginally memorable, ride.
  24. The result: a fun and sweet romantic comedy that lands comfortably on the smart side of vacant, along the way offering a pleasant and satisfying holiday diversion for the grown-ups in the room.
  25. The problem is, the second half of the film -- when it's time for it to get down to business -- isn't nearly as compelling as the first. As a result, the impact of Cahill's story is muted as the payoff just doesn't feel rewarding.
  26. Those who connected with "The Best Exotic Marigold Hotel" last year or the lesser "Quartet" earlier this year likely will find things to appreciate about Williams' film, given its similar senior citizen angle and general sense of niceness and decency.
  27. There's a soothing catharsis in the idea that good guys are every bit as capable as bad guys of raining hellfire down on their enemies.
  28. Ritchie and company spend too much time being cute and not enough time being clever, resulting in a one-dimensional comic-book version of Doyle's detectives.
  29. Writer-director Brian Helgeland has created a medieval romp with A Knight's Tale, a joyous entertainment that defies characterization. [11 May 2001, p.10]
    • New Orleans Times-Picayune
  30. Most of all, though, there's the story itself, which was already pretty quirky -- and amazing -- even before Oscar-nominated screenwriter Thomas McCarthy ("Up") put pen to paper for director Craig Gillespe's film.

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