New Orleans Times-Picayune's Scores

  • Movies
For 676 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 0.3 points higher than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 12 Years a Slave
Lowest review score: 20 Universal Soldier: Day of Reckoning
Score distribution:
  1. Negative: 45 out of 676
676 movie reviews
    • 76 Metascore
    • 60 Critic Score
    This less ambitious movie will inevitably suffer in comparisons to "Secrets and Lies" or Leigh's earlier "Naked," yet on its own terms it's perfectly successful. And as always with Leigh's intimately scaled, actor-friendly pictures, the performances could scarcely be better. [22 Aug 1997, p.L26]
    • New Orleans Times-Picayune
  1. This is a movie purely for grown-ups, with its enjoyment coming not from its explosions or attacking aliens but from spending time with these characters and savoring its optimistic, "never too late for happiness" message.
  2. The real point of This is The End, however, is to make people laugh -- and it accomplishes that. Often, in fact -- and satisfyingly.
  3. Even if it doesn't provide all the answers, "The East" asks some pretty darn good questions.
  4. Watching it, one gets the feeling that Coppola knows these vampiric types all too well. What unfolds feels like a cross between "Lifestyles of the Rich and Famous" and "Natural Born Killers," and a film that is far more disapproving than glamorizing of the go-go-go Los Angeles lifestyle -- but fascinating nonetheless.
  5. Roenning and Sandberg never dig deeply into the real, underlying motivating force behind Heyerdahl's voyage aboard the Kon-Tiki -- the name of his visually unimpressive but ultimately seaworthy raft -- other than relying on the fact that he wanted to prove his theory correct.
  6. This is solidly a genre picture, and one that follows all the necessary conventions -- but it's also one that does it all very well. That means lots of big, dumb and loud action -- but it also means good, popcorny, summer fun.
  7. What the Cairns brothers have created is something rare for a horror film: Not only does it get the job done without making you want to shower after it's all over, but they've created multi-dimensional characters who inhabit a believable and expansive environment. In so doing, they've also created a bloody good bit of twisted fun.
  8. It tickles both funnybones and eyeballs.
  9. Easily the most enjoyable animated film of 2013 so far.
  10. It's not a film for everyone. Those who see it, however, will have trouble forgetting it.
  11. Granted, Elysium could be more clever as it goes about its business. This is smart sci-fi, but it's not as smart as it could have been -- or as many "District 9" fans were probably hoping it would be.
  12. Director Klay Hall's embraceable, overachieving romp plays nicely as a big-screen feature.
  13. Making it even more intriguing is the fact that the whole thing is, extraordinarily, inspired by a true story.
  14. He was a charismatic leader and the greatest salesman the industry ever saw. He also was a very vocal spokesman for the graying counterculture -- crediting his high-tech success to Zen Buddhism, Dylan songs and acid trips.
  15. Imbued as it is with a sense of discomforting truth, it is a worthwhile examination of human nature -- and one with a message well worth heeding.
  16. It's also a touch tedious at times, as it's not always clear where Oppenheimer is going.
  17. Also helping to sell it all is the fact that these films, goofy though they may be, feature a consistently high level of acting. In addition to Pegg, we get Martin Freeman ("The Hobbit"), Paddy Considine ("Red Riding"), Eddie Marsan ("Sherlock Holmes") and Bill Nighy ("Love Actually"), all of whom have appeared previously in the trilogy.
  18. Thanks to Rochefort and Folch, as well as Trueba's delicate direction, it still manages to be an embraceable journey, one with its own quiet -- and artistic -- rewards.
  19. While it's enjoyable enough to watch, there's no slam-dunk takeaway here.
  20. It's that sort of singular imagery that ultimately rescues Lowery's film. Yes, it's a flawed movie, but it also is a downright lovely one.
  21. It aims to entertain, to offer a few tame chuckles for parents and children to enjoy in a purely Saturday-morning way. And it accomplishes that.
  22. Enough Said isn't without the occasional minor formulaic element or the odd narrative contrivance here and there (starting, it must be said, with its very setup). It is, after all, a romantic comedy.
  23. In the final analysis, that's the real endgame here: to get people into theaters and build a film franchise. For all of their film's flaws, Hood and company do that well, as Ender's Game shapes up as a decent franchise starter -- and a film that makes it hard not to be intrigued by what will come next.
  24. As a modest bit of feel-good entertainment, Vaughn and Delivery Man mostly deliver the goods.
  25. The real highlight, though, is the music by Robert Lopez and Kristen Anderson-Lopez.
  26. Most normal people will not see this as a "pleasant" film -- I hope that's the case, anyway -- but it certain makes you feel something.
  27. Visually stunning.
  28. It wasn't until Gibney's film was already largely shot that the truth caught up to Armstrong.
  29. With all of its excess, Wolf of Wall Street might not rank up there with Scorsese's best, it sure has fun trying.

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