New York Daily News' Scores

For 6,630 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 6.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 56
Highest review score: 100 Metropolis (re-release)
Lowest review score: 0 Joe Dirt
Score distribution:
6630 movie reviews
  1. Bong's primary point is dead-on: Battling bureaucracy, from dishonest government leaders to indifferent civil servants, is the biggest horror of all.
  2. When boy meets girl in Steven Soderbergh's jaunty, sexy Out of Sight, it happens with a bang.
    • New York Daily News
  3. One of the most extraordinary films you’ll see this year.
  4. Explores the comparatively enlightened Berlin culture that had allowed homosexuality to flourish in intellectual and social circles before the Nazis forcibly changed the national mind-set.
  5. How dangerous it is to be a woman in Iran, especially one going against the wishes of her menfolk, is brought home time after time in these related vignettes.
  6. The real revelation of Sound and Fury is how it introduces hearing people to a culture they insist on ignoring.
  7. This sensitive drama will appeal to anyone who has strained against the confines of family - or basked happily in its comforts.
    • 84 Metascore
    • 100 Critic Score
    Each episode of director Leos Carax's film perfectly masters the exact tone of a different genre, finding precisely the saddest moment in each of its vignettes.
  8. Billy Bob Thornton wrote, directed and stars in this compassionate, occasionally funny, character-driven movie about a mentally unstable man who takes the best interests of children very seriously.
  9. Though overly self-conscious, this "Tale" is nonetheless wry, observant and frequently heartbreaking. It's also bound to make you feel better about your own holiday plans.
    • 84 Metascore
    • 70 Critic Score
    But the look of a movie is not as important as how it feels. The Sting feels like a cold shower. One dashes into it primarily because of its superior cast.
  10. And oh, what stories these heroes have to tell - and what incredible sights they brought back with them.
  11. Cuarón relies on his ample visual style, and he has indeed created a film you cannot tear your eyes away from.
  12. Smith's gleeful, touching documentary records the agony and the ecstasy of realizing your dream, and intangible ways that such dreams help keep people alive.
  13. A solid delight, the sort of cinematic concoction you might expect from a time-warp collaboration between Preston Sturges and Jim Jarmusch.
  14. Though not as impactful as Anderson's strongest works - including its adolescent cousin, "Rushmore" - "Kingdom" unfolds with an asymmetrical lyricism of its own.
  15. Some of the artists appear ecstatically transported as they play. Others are just having one hell of a good time. Believe me, it's contagious.
  16. In addition to the strong script, the ensemble performances are topnotch, with no one hogging the limelight.
  17. One of the best things about Michael Apted's uniquely ambitious and continuing documentary series on the lives of a group of British schoolchildren is that you don't have to have seen the last one to enjoy the next.
  18. Writer-director Danis Tanovic, a Bosnian who spent years documenting his homeland's turmoil, makes a bold feature-film debut with this funny, sobering message movie.
  19. The sunny, funny, toe-tapping Lagaan is the answer to those who ask why they don't make movies like they used to: They do, but in India.
  20. May be the year's most derivative film, but it's also the most original.
  21. Long stretches go by without dialogue or discernible action. But there are significant rewards for those willing to accept the movie's deliberate pace.
  22. Sauper captures a world in which life and death are treated with equal practicality - and disregard. His camera is unflinching; your gaze may not be quite so steady.
  23. The nearly three-hour runtime, though, may be one of the film's biggest hurdles. But the time seems necessary for a story that adds more layers the further we're taken down the rabbit hole.
  24. The white-knuckle center of the movie is Sean Penn, who gives an utterly raw performance as Jimmy, father of the dead girl. It's one of the few times that a parent's grief has felt real on the screen through all its ugly permutations.
  25. Assayas and his cast hit so many perfect notes, you'll swear you've seen these characters and heard these conversations before - not in Chekhov's thematically similar "Cherry Orchard," which was an obvious influence, but in your own life.
  26. Trier's voice and vision, are thrillingly unique. His ever-searching camera, which never stops moving, takes us into places we've never been, know too well and won't soon forget.
  27. Gordon-Levitt is flinty, and Willis, on his A-game, is fiery. Together, they take us on a helluva trip.
  28. If Lazarescu's experience is typical in the former Soviet bloc, democracy hasn't done much to humanize the bureaucracy.

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