New York Daily News' Scores

For 1,278 reviews, this publication has graded:
  • 45% higher than the average critic
  • 4% same as the average critic
  • 51% lower than the average critic
On average, this publication grades 4 points lower than other critics. (0-100 point scale)
Average TV Show review score: 60
Highest review score: 100 Boardwalk Empire: Season 1
Lowest review score: 0 Workaholics: Season 1
Score distribution:
  1. Mixed: 0 out of 532
  2. Negative: 0 out of 532
532 tv reviews
  1. Watching them through this process turns out to be surprisingly interesting.
  2. As with "Mad Men," we all recognize the workplace dynamic here. And as in "Mad Men," it's satisfying to see it dramatized in such a fresh and knowing way.
  3. Nurse Jackie is delivering quite nicely with the personnel on hand. Among other things, it confirms that the best comedy is often rooted in things that are not funny at all, but make people act in funny ways.
  4. The gimmick sounds dreadful. The series is anything but. It's actually one of the best and smartest new series of the season, and could survive just fine, on its acting and characters, even if the divine-intervention plot were removed. [26 Sept 2003, p.126]
    • New York Daily News
  5. It still drives you crazy with flashbacks, flash-forwards, fantasies and all manner of other tricks that do help define the show's ambience, but which often interrupt the story as much as they enhance it.
  6. After watching five hours of preview tapes, I'm interested to see how The Wire turns out. But without characters to care for, much less root for, I'm not exactly burning with curiosity -- the way I am with most of HBO's other series...When it comes down to The Wire, this show falls short.
    • New York Daily News
    • 78 Metascore
    • 100 Critic Score
    Writers Kirk Ellis and Michelle Ashford do justice to McCullough's narration, and director Tom Hooper has a straightforward style that gives flesh-and-blood dimension to names from history books. Best of all are two extraordinary performances at the center: Paul Giamatti as Adams and Laura Linney as his wife, Abigail.
  7. Parker turns in a performance bubbling over with vitality and believability, even when the script itself strains credulity or when individual lines of dialogue slip too much into sitcom punch lines and rhythms.
  8. Archer is the rare show that's in love with its own wordplay and good enough that this love becomes endearing rather than annoying.
  9. It's well-paced, it's fun to watch and none of the characters needs to be anywhere near as annoying as, say, Nick Castle.
  10. But far too much of the show - a story about a wealthy hospital patron and her dog, for example - struggles far too obviously to convey a quality of eccentricity that in the end comes across simply as lame...Unless the show finds a way to maintain its quality when Braugher is not on screen, ABC's promos will remain half-true hype.
  11. Lost returns Wednesday exactly the way fans like it: utterly, totally, completely incomprehensible to anyone who doesn't know the secret handshake. If you're a fan, however, or if you're willing to really study the one-hour crash catchup course that ABC is airing before the first two new episodes tonight, you'll be rewarded with richly intertwined and well-acted drama.
  12. Manhattan dramatizes with a little extra dab of soap, but generally quite engagingly life in the secret World War II compound where the country's most brilliant scientists were tasked with creating a superbomb before the bad guy could.
  13. A relationship with Julie, which has been percolating for some time, might be just a good cover for Dexter. But it feels more complicated than that, which at the very least reflects good writing and acting.
  14. These four hours pack as much intensity and darkness as 22 episodes of many other police shows.
  15. Any fan of Westerns, or of Duvall, will not be disappointed if this "Trail" is followed.
  16. Boss makes the stories compelling and chilling all over again.
  17. Patty returns to the unanswered question that Ellen asked her last season: "Is it worth it?" For viewers, yes, it is.
  18. Miramax will release the winner's movie next year. Its value, at this moment, is a question mark, but Project Greenlight is an impressive exclamation mark. [28 Nov 2001, p.101]
    • New York Daily News
  19. Crucial, sometimes hopeful and sometimes worrisome as the larger issues of modern medicine are, Hopkins excels on the human side.
  20. While he can be matter-of-fact, bemused and self-deprecating, he never loses a sense of forcefulness, purpose and pride. As Fishburne obviously understands, the story requires no hand-waving or rhetorical embellishment.
  21. So The Closer is still the same fast-paced cop drama. It's just that now we also have the subtext of finding out what road we take to the close.
  22. It's the best high school coaching drama since "The White Shadow," and deserves a chance.
  23. The new musical-comedy drama Glee dresses like "High School Musical" and has the heart of "Porky's." That's a compliment.
  24. Being Mary Jane is a film for grownups. A good film for grownups.
  25. There are no actual fires involved, and several key scenes are played in near-silence. The emotional intensity, though, rips right through the screen.
  26. One of this season's most tasty and twisted TV treats.
  27. It's a premise that requires as much clever dramatic footwork as you might expect, and creator Joe Weisberg, a former CIA agent, handles the challenge.
  28. A well-crafted documentary directed by Nelson George tracking Johnson's life, from when he landed in Los Angeles, led the Lakers to championship titles, and how upon learning of his diagnosis helped change the world.
  29. Lange is fine as the senior Edie, but Barrymore, for reasons not entirely her fault, seems off her game.

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