New York Daily News' Scores

For 6,726 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 6.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 56
Highest review score: 100 The End of the Tour
Lowest review score: 0 Whipped
Score distribution:
6726 movie reviews
  1. It tries to be more existential than gumshoe but falls way short.
  2. Jovovich, Besson's 24-year-old ex-wife, hasn't a clue how to project shadings, interior emotions, character or personality. Everything's in a full screech.
  3. Broderick is uptight; DeVito is obnoxious; and, somewhere, Nathan Lane is thanking his lucky stars he didn't get roped into this dreck.
  4. You may want to wait and watch "Never Land" the way it was meant to be seen -- as a straight-to-video baby-sitter.
    • New York Daily News
  5. It's always admirable when a director decides to make a risky film. On the other hand, it's not quite as commendable to also make a boring one.
  6. So riddled with plot holes and implausible actions, you can't help feeling insulted by it.
  7. The film is lovely to look at, but makes not a lick of sense.
  8. Chevy Chase looks tired, Pam Grier looks embarrassed, and pop star Iggy Pop gives a performance that -- if you can believe it -- is even sillier than his name.
  9. It's hard to care what really happened on Wonderland Ave. when the audience hates the neighborhood.
  10. Cedric is certainly the bright spot in this movie - personable, silly and lovable, with just enough of Gleason's girth, timing and humanity to make you wish he'd driven Ralph Kramden's bus onto the lot of a different movie.
  11. A mediocre little thriller that might have promised cheap fun on Blockbuster's direct-to-DVD shelf is instead destined to die a quick death on the big screen.
  12. A lump of coal, sculpted from the kind of high-concept idea screenwriters find scribbled on bar napkins after nights of heavy drinking.
  13. The marvelous Dussolier makes a poignantly aging lothario, but Fillieres is so off-puttingly strange, we don't really care what she thinks about.
  14. Really, women drag their husbands and boyfriends to films like writer-director Susannah Grant's emotionally bogus Catch and Release and I feel their pain. They should get a free Boys Night Out pass every time they make the sacrifice.
  15. Not to be cruel, but the aspirations of the movie and its principals are so far beyond their reach" not to mention budget"that it arrives in theaters dependent on the kindness of strangers.
  16. As much as I love swing, all I got out of Martin Guigui's murky, incomprehensible grade B romantic fantasy was a few twitches of nostalgia for the music.
  17. Made in 1998, the picture sags beneath the leaden weight of its pre-millennial theme.
  18. Toback is a smart guy with kinky tastes who has nothing left but to tempt actors into performing in his sex fantasies.
  19. Creates a hellishly evil portrait of a police department in which every white cop is either a racist thug or an enabler, and every black cop a disgusted observer or crusading hero.
  20. First-time writer-director Hunter Richards? London is even worse torture than it sounds. It includes flashbacks that actually demonstrate just how miserable a jerk the main character is.
  21. Drop Dead Ugly is more like it.
  22. Crudup gives it his best, but his character is so economically drawn, there's hardly anything there -- certainly nothing likable.
    • New York Daily News
  23. And though Samantha is written as a sly spoof of Ashlee Simpson, Faris frantically overplays her. She might have taken a tip from Smart, a lovely, understated actress who wastes too much time in lousy films.
  24. The characters speak in Dialogue rather than English, the actors are so busy emoting they forget to act and the story feels like a first-draft college project.
  25. Dramatically miscalculated satire.
  26. Director and screenwriter Adam Brooks, adapting Jennifer Egan's novel, doesn't seem to understand what makes a movie relevant.
  27. Dreadfully unfunny.
  28. Lacks the charismatic presence of Vin Diesel, who has priced himself right out of the franchise. Without Diesel, there's not much gas, at least not from the nonvehicular elements.
  29. The movie is quite off its rocker: Jerry Springer, Chrisopher Walken, Tom Waits as a roadside prophet, a miscast, nervous Lucy Liu as an FBI agent -- it's a feverish, violent jumble that's shot as if high on mescaline -- the drug, not the salad.
  30. Despite catchy animation and a few intense scenes, there's simply nothing here we haven't seen before.

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