New York Daily News' Scores

For 6,738 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 6.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 56
Highest review score: 100 Happiness
Lowest review score: 0 Nymphomaniac: Volume II
Score distribution:
6738 movie reviews
  1. Writer-director Paul Thomas Anderson has perfectly wedded form to function by filming Boogie Nights in a style suggesting the grainy texture of porn and the ambivalence of the era.
  2. First-time filmmaker Edet Belzberg may be the first person to assign any value to the lives of the homeless Romanian youngsters featured in her harrowing documentary.
    • New York Daily News
    • 85 Metascore
    • 80 Critic Score
    Amy
    The result may be depressing, but the performance footage balances it with rousing evidence of Winehouse’s eternal talent.
  3. Like a more personal, less pretentious version of Alejandro González Iñárritu's "Babel," this spiraling dissection of circumstance, choice and fate is more about thoroughness of vision than tricky storytelling.
  4. The Savages is a TV movie made for the big screen - and it needs the larger venue to accommodate the huge performances of its stars, Philip Seymour Hoffman and Laura Linney.
  5. Director Samuel Maoz's gripping you-are-there feel does for tanks what "Das Boot" did for submarines, and that chokehold only gets tighter as this taut drama about the 1982 Israeli-Lebanese war goes on.
  6. The combination of the ancient tinted footage and Butler's crisp, sweeping vistas of the same areas provides a breathtaking recap of one of history's most stirring rescues.
  7. Tangerine offers a warts-and-all depiction of a subculture seldom treated with respect by straight society. The movie handles it in a sincere way that’s entertaining, too.
  8. Along the way, the movie documents a movement while deftly skewering a cynical media and ever-gullible public. So whether we're being had or just enlightened, Banksy's definitely found a new medium in which to create his own works of art.
  9. A love story told from the point of impact, at the heart, and no conventional resolution could be more profound.
  10. A combination homage, living obituary and darkly moody piece of cinematic poetry.
  11. Director Jafar Panahi has long been an eloquent and passionate representative for Iranian women. But judging by this deeply poignant comedy, they may not need a mouthpiece much longer.
  12. What follows is an extreme case of reverse courtship, which begins at conception and works backward toward getting to know each other, and then moves forward to one of the funniest birthing scenes ever filmed.
  13. There's no refuge in this uncomfortably realistic movie, and that is its strength.
  14. A movie-movie of the first rank.
  15. Where Kim's best-known movie, "The Isle," was a stomach-churner, this beautifully composed canvas is the sort of film one falls into, resurfacing at the end with great reluctance.
  16. A raucous, riveting account of the greatest party you were never invited to.
  17. Watch Mulligan's face as she goes from weary to awakened, and see it all come together.
  18. Even those who adored Alec Guinness as the small-screen George Smiley will appreciate Gary Oldman's perfectly attuned turn as a Cold War spy drawn back from forced retirement.
  19. It is not easy to watch, yet beyond the traps that society and the urban culture have set up for Drey and the other kids, and the traps that Dan is falling into on his own, this is ultimately a hopeful story of common humanity.
  20. There’s visual poetry here and haunted performances from Mezzogiorno and Timi -- who plays two roles, and is especially gripping as Dalser’s grown son.
  21. Newark Mayor Sharpe James is the kind of politician that Tony Soprano would be happy to own.
  22. Unforgiven is a high-caliber movie, a gripping and haunting work of art that should finally establish Eastwood as one of America’s best directors.
  23. Wiseman's film is revealing. But it is also a silent rebuke to a society that tries to hide this pervasive problem behind a smug vision of itself.
  24. Amazing... There are only a finite number of filmmakers with the devotion, patience and ability to tease out these stories.
  25. Payne achieves an impressive control over the look and tone, so that, melancholy as the movie is, it comes off as both comedy and comment on the human condition.
  26. As gorgeous and contemplative as it is, Hero is a genre picture and needs to deliver the action goods. To that end, there are plenty of clever, lovingly choreographed sequences.
  27. Dropping in amusing anecdotes and tender memories, a deeply reflective Young revisits - and often reinterprets - both his recent and classic work.
  28. The production is fantastically funny, high-energy camp, punctuated by Trask's infectious score and by Mitchell, dressing in a succession of wigs twice the size of his body.
  29. The title might as well refer to the viewer who tags along on Louis' often-silent journey from solitude to some tentative form of family. Some will consider the experience insurmountably frustrating; others will find it exhilarating.

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