New York Magazine (Vulture)'s Scores

For 1,853 reviews, this publication has graded:
  • 45% higher than the average critic
  • 2% same as the average critic
  • 53% lower than the average critic
On average, this publication grades 0.9 points higher than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Life of Pi
Lowest review score: 0 Movie 43
Score distribution:
1,853 movie reviews
  1. The real passion here is the almost erotic thrill that acting still holds for Moreau.
  2. Haneke is an exploitation filmmaker of the highest gifts. His movies are not to be entered into lightly.
  3. By the end of the film, everybody has been triple- and quadruple- and even quintuple-crossed, but the characters still standing all seem to be very pleased with themselves for a job well done. If only we could figure out what the job was exactly.
  4. Spacious, headlong entertainment.
  5. Trashy and lurid as this movie is, it’s certainly not boring, and it keeps its star in hog heaven throughout.
  6. Although Junge had consulted with a few historians and moviemakers over the years, she had never really unburdened herself, and this 90-minute documentary is a devastating act of personal confession.
  7. The mystery of the artistic process is left mysterious -- as it should be.
  8. On a purely visceral level, Training Day is easily the most exciting movie out there right now, but as a morality tale with anything large on its mind, it's a cop-out.
  9. Field made a thriller about what we are capable of in the name of hatred -- and of love.
  10. Office Space is so enjoyable that you wish it were even better...Once the scheme to bilk Initech is set in motion, the off-kilter humor flattens into a take-this-job-and-shove-it thing, and the ending seems pooped-out.
  11. If you've never experienced a Bollywood musical before, seeing Lagaan will be like watching "Gone With the Wind" without ever having seen a Hollywood movie.
  12. The film becomes cumulatively stranger as it goes along, and it has a lulu of a kicker.
  13. The movie, in a very real sense, is about the privilege, the sexiness, of being a movie star. Certainly it isn't about the heist; never was.
  14. As Jay and Silent Bob, Jason Mewes and Kevin Smith are the perfect comedy team for smart, dirty-minded 15-year-olds, which means just about all of us.
  15. This is no antique show: Faced with an audience, they are still amazingly vital and sometimes amazingly lewd.
  16. Creepily evocative.
  17. Scattershot but rousing documentary.
  18. Still, in its own Saturday-morning-serial kind of way, Attack of the Clones is a commendable example of the sort of movie we once loved and then outgrew. Of course, if it was even better, we wouldn't feel as if we'd outgrown it.
  19. Showcases some of the world’s finest and funniest actors having a high old time. It’s best enjoyed as a kind of traveling music-hall revue.
  20. A marvelous literary thriller that gets at the way books can stay with people forever.
  21. Smashing for much of the way; as a piece of fantasy moviemaking, franchise-style, it beats the bejesus out of "Harry Potter."
  22. An elaborate techno-heist thriller, The Italian Job features some spectacular chase scenes, but for a change, the people doing the chasing are also worth watching.
  23. A startling achievement, but its lack of psychological dimension prevents it from making much human contact with us. It ends where it begins: in a state of shock.
  24. If Nine Queens were a great film, instead of just a very good one, this rottenness would be so pervasive that it would burst the bounds of the plot; it would make us shudder.
  25. Lock, Stock and Two Smoking Barrels is in the scabrous mode, and I like it better than "Trainspotting" -- it doesn't pretend its shenanigans are revolutionary.
  26. The result is perhaps the most elegantly shot, and certainly the most disturbing, of the recent fantasy films.
  27. It elevates female sacrifice into an aesthetic. The movie isn't about suffering, really. It's about how you look when you suffer, how you dress up for it. Style is all.
  28. If all three of the women’s lives had come across with equal weight and artistry, the film, which glides back and forth among them, might have approached the symphonic. But only the Streep section truly inspires the kind of awe and terror that the film as a whole strives for.
  29. Berri is very good at bringing out his characters' emotional contradictions so that we seem to be discovering them right along with Jacques and Laura.
  30. Marvelously funny.

Top Trailers