New York Magazine (Vulture)'s Scores

For 2,325 reviews, this publication has graded:
  • 47% higher than the average critic
  • 2% same as the average critic
  • 51% lower than the average critic
On average, this publication grades 0.4 points higher than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 The Florida Project
Lowest review score: 0 The Book of Henry
Score distribution:
2325 movie reviews
  1. Indigènes is a stupendous work--and why that new title stinks to heaven.
  2. We’ve never sat through anything with Cloverfield’s subjective sting. You’d have to be tougher than I was not to be blown sideways by it.
  3. It's a Parisian romantic roundelay with sundry couples connecting and disconnecting, but it looks and sounds like no sex comedy ever made: It's transcendentally yummy.
    • 63 Metascore
    • 90 Critic Score
    The movie is a volatile combination of ambitious mythmaking and nasty reality, and like most of Spike Lee’s work, it is also an inextricable combination of good and bad.
  4. Kim exalts nature--life’s passage--without stooping to sentimentality. He sees the tooth and claw, and he sees the transcendence. Whether this is a Buddhist attribute, I cannot say, but the impression this movie leaves is profound: Here is an artist who sees things whole.
  5. Ultimately, this is a tale of a mother and daughter trapped in a cycle of yearning and despair. It’s a lovely, deeply affecting film.
  6. What’s extraordinary about Tangerine is that it’s everything an entertaining, old-fashioned, mainstream Hollywood comedy should be but no longer is. That nowadays you have to get this kind of stuff via Sundance from directors using iPhones is a drag — the wrong kind.
  7. At its best, the film compares favorably to its obvious antecedents, "Rififi" (which Melville once hoped to direct) and "The Asphalt Jungle."
  8. You should — you must — see Last Men in Aleppo to witness an ongoing tragedy. But you should also see it to learn humility. We — meaning Americans — ain’t seen nothin’. Yet.
  9. The movie doesn't quite jell, but you'll feel its sting for hours.
  10. Up
    By all means, see Up in its 3-D incarnation: The cliff drops are vertiginous, and the scores of balloons--bunched into the shape of one giant balloon--are as pluckable as grapes.
  11. It's a beautiful, reflective film even as it is also a brutal, visceral one.
  12. The script, instead of being what we tolerate in order to savor the visuals, is a delight all by itself.
  13. The Hurt Locker might be the first Iraq-set film to break through to a mass audience because it doesn't lead with the paralysis of the guilt-ridden Yank. The horror is there, but under the rush.
  14. That Feuerzeig can navigate this hall of mirrors so cleanly and effectively is positively supernatural.
  15. A brilliant study in the link between moral corruption and narcissism.
  16. The movie, a near-masterpiece, is a monument to intoxication: of sexual conquest, of military conquest, and, most of all, of cinema.
  17. Belzberg doesn't intervene during the moments of violence, believing that the film can force social change only by showing the worst. If she is correct, then this film should move mountains.
  18. The Savages is a delightful movie--the perfect companion piece (and antidote) to the year’s other superb convalescent-dementia picture, "Away From Her."
  19. What makes it so good is that no one is bad. These humans, desperate to do right, are caught up in a perfect storm of inhumanity. The evil is in the ecosystem.
  20. Spellbindingly original -- Like the wild orchid, Adaptation is a marvel of adaptation, entwined with its hothouse environment and yet stunningly unique.
  21. Jarecki puts the veteran actor to brilliant use in the insanely gripping Arbitrage.
    • 89 Metascore
    • 90 Critic Score
    It's a "road" story in the best disciplined sense. Quaid is nothing short of remarkable as the boy who blunders into relationships and finally comes to intimations of himself as individual and as person.
  22. Up in the Air is poised to be a smash, and Clooney--slim, dark, perfectly tailored--glamorizes insincerity in a way that makes you want to go out and lie.
  23. The lifelong friends in Fred Schepisi's marvelous Last Orders actually seem like lifelong friends.
  24. Mike Mills's marvelously inventive romantic comedy Beginners is pickled in sadness, loss, and the belief that humans (especially when they mate) are stunted by their parents' buried secrets, their own genetic makeup, and our sometimes-sociopathic social norms.
  25. The film is phenomenally well directed by Kevin Macdonald and edited by Justine Wright to bring out every bit of scary volatility in the most casual interactions.
  26. In the end, the point of this ridiculous, arduous, oft-interrupted odyssey turns out to be elusive — and is all the richer for it.
  27. It takes about an hour after it's over for the heart to slow, the brain to recalibrate, and the nonsensicalness of the thing to sink in.
  28. Loyal assistant, Pepper Potts, isn't much of a part, but Gwyneth Paltrow is a presence. She stands around looking amused and flabbergastingly pretty, slinging wisecracks with serene aplomb.

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