New York Magazine (Vulture)'s Scores

For 1,826 reviews, this publication has graded:
  • 45% higher than the average critic
  • 2% same as the average critic
  • 53% lower than the average critic
On average, this publication grades 0.9 points higher than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 The Incredibles
Lowest review score: 0 She Hate Me
Score distribution:
1,826 movie reviews
  1. The law of commerce worked this time around: One terrific thrill ride has begotten another.
  2. The emotional honesty of this movie rescues it from sentimentality. To Be and to Have is about more than a dedicated teacher and his pupils; it’s about how difficult and exhilarating it is to grow into an adult.
  3. It all adds up to a searing portrait of social misery.
  4. Hedges keeps everything in balance: The sadness and frivolity all seem to be part of the same emotional continuum. He’s made a lingeringly poignant little movie.
  5. My kind of Christmas movie--profane, subversive, and swarming with scuzzballs.
  6. The performances are amazing.
  7. Theron breaks through with a ferocious performance--a real career-changer.
  8. Rarely has there been so obscenely precise a depiction of ravaged innocence. This young girl has nothing to live for--and an entire life ahead of her in which to live it.
  9. The hurt and rage flying back and forth have primal power, like Russian-flavored Eugene O'Neill. It's rare for a movie to work as effectively as this one does on such parallel tracks.
  10. The film is saying that, left to their own devices, all men would devolve into a morass of monastic grouches. Kitchen Stories is a prime piece of comic anthropology.
  11. Audiences for this film should have no such qualms: When the camel lolls his jaws at dinnertime, or sways his Bactrian bulk, you may decide you've never seen anything quite so hilarious -- or magnificent.
  12. In Collateral Damages, we are witness to heroism, all right, but it's a heroism unsullied by sentimentality.
  13. For most of Eternal Sunshine, I found myself fighting off Gondry's hyperactive intrusions in order to get at the melancholia at its core. Fortunately, the idea behind this movie is so richly suggestive that it carries you past Gondry's image clutter.
    • 83 Metascore
    • 80 Critic Score
    The best movie ever made about a man of God -- which is to say, the most honest and morally the most ambiguous.
  14. It’s a bracing antidote to the usual “Beautiful Mind”–style Hollywoodization of mental illness.
  15. Téchiné gets deep inside the dread and exhilaration of people who have lost their bearings so suddenly they don't even have the luxury of grief.
  16. It's the barbs, and not the inspirationalism, that work best in this movie.
  17. What gives Los Angeles Plays Itself its extraordinary density is the way Andersen transforms a cliché into a metaphysical truth that encompasses far more than L.A.
  18. Terrifying precisely because it doesn't go in for cheesy shock tactics and special effects. (Those sharks are REAL.)
  19. A sense of unease, of incompleteness, is, I think, the appropriate response to this movie. Instead of trying to fill in the blanks, Curran and Gross leave things open and ambiguous. Just like life.
  20. Red Lights is the most ambiguously compelling romance around.
    • 75 Metascore
    • 80 Critic Score
    The movie's acts of violence and betrayal may be familiar, but the filmmakers' obvious contempt for people given over to fanaticism is enormously welcome -- a call for the most elementary kind of sanity.
  21. The film is a deeply felt and beautifully acted hagiography.
  22. By all odds, Tarnation should have been an unwatchable, masochistic morass, but Caouette's love for the broken Renee--which is the true subject of the film--is awe-inspiring.
  23. One of the letdowns of Vera Drake is that once Vera is arrested, we lose her voice.
  24. Closer is marred by some drippy music courtesy of Damien Rice and a small-surprise ending that feels like gimmicky irony. But the film's core idea is compelling.
  25. Operates as stealth art: stately, moving, beautifully acted, and urgently subversive to our own status quo.
  26. Sylvie Testud gives such a ferociously controlled performance that the messy murder seems like a necessary release.
  27. Zhang is working in a popular sentimental mode here, but his connection to the material -- and to us -- is heartfelt and without a trace of condescension. As a filmmaker, he's the opposite of a con artist, and his new movie is a gentle marvel.
  28. Fortunately, it never dips into bathos. These two actors SHOULD be noticed. They've crafted the most ingenious résumé of the year.

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