New York Magazine (Vulture)'s Scores

For 1,655 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 1.4 points higher than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 United 93
Lowest review score: 0 Arthur
Score distribution:
1,655 movie reviews
  1. You gasp at the ecstatic convergence of lung power and spirit.
  2. Paranoid Park is a supernaturally perfect fusion of Van Sant’s current conceptual-art-project head-trip aesthetic and Blake Nelson’s finely tuned first-person “young adult” novel.
  3. Early on, writer-director David Michôd serves up "Trainspotting"-like tricks and narration that is beguiling, if rarely apropos. But the actors are something.
  4. For all the wizardry on display, Hugo often feels like a film about magic instead of a magical film.
  5. It’s when the Somalis spirit Phillips away in a closed lifeboat that Captain Phillips becomes a great thriller, in part because Barry Ackroyd’s camera is stuck inside with the characters and its jitters finally seem earned.
  6. Gloria doesn’t lie about a woman’s dwindling options. It’s rife with disappointment and humiliation. But bleakness does not preclude buoyancy. It still manages to leave you with the urge to dance.
  7. A kind of psychological whodunit, but without the thrills. The clue-making is rather desultory, as if Cronenberg were indulging a narrative strategy he didn’t really care for.
  8. Very entertaining (and doesn’t overstay its welcome) but it’s a little depressing to contemplate.
  9. Truly, this is manna from hell.
    • 83 Metascore
    • 80 Critic Score
    This is more social anthropology than psychology. 56 Up isn't concerned so much with opening up individual lives as it is with showing us how the journey of an ordinary life - or over a dozen ordinary lives - can offer insights into our own, and into society. The effect is often profoundly moving, but you can't help but feel at times like there are other stories here you're missing.
  10. Up in the Air is poised to be a smash, and Clooney--slim, dark, perfectly tailored--glamorizes insincerity in a way that makes you want to go out and lie.
    • 83 Metascore
    • 80 Critic Score
    The best movie ever made about a man of God -- which is to say, the most honest and morally the most ambiguous.
  11. I don't mean to unduly target Kill Bill Vol. 2 --it's certainly no worse than most of the blam-blam fare out there. But what I crave now are movies that speak to me in a different way about violence, that acknowledge the fact that real people are harmed.
  12. One of the letdowns of Vera Drake is that once Vera is arrested, we lose her voice.
  13. Lake of Fire centers on abortion, but Kaye understands that while dead fetuses are the hook, the agenda covers the whole life cycle.
  14. When it comes time for some of the girls to flee, the result is one of the most emotionally satisfying of all prison breaks.
  15. No filmmaker I know has gotten as close to a professional athlete as James Toback gets to Mike Tyson in his new documentary.
  16. You can't make this stuff up. You can, however, capture it on film for all time. Trouble the Water is ineradicably moving.
  17. Burton, bless him, constricts the space and concentrates the melodrama; he finds the perfect balance between the funereal and the ferocious. Above all, he treasures these ghouls: He digs both their bloodlust and their melancholy.
  18. Venus is worth seeing for the scenes between O’Toole and Vanessa Redgrave as the woman he abandoned--the mother of his children.
  19. The movie doesn't quite jell, but you'll feel its sting for hours.
    • 82 Metascore
    • 100 Critic Score
    The Deep Blue Sea is not a showy or pronounced movie. Open yourself up to it, however, and it might destroy you.
  20. The most blessedly traditional sort of documentary. It follows the twisty, complicated rise and fall of Enron in steady, chronological order, from the mid-eighties to the present.
  21. Spacious, headlong entertainment.
  22. Ralph Fiennes gives one of the year's subtlest, yet most exciting, screen performances.
  23. That title would suit a melodrama with an emphasis on doomed love, which is not what Loach has crafted. There is a (chaste) love story and plenty of bloodletting. But what engages him and his screenwriter, Paul Laverty, is the growing tension between brother Irish rebels.
  24. If only Knightley had a co-star equal to her here: The 1995 edition of Colin Firth, come to think of it, would have been perfect.
  25. Parts of this film are as blandly lulling as a mood tape, but at best it’s a literally soaring experience.
  26. Linklater, whose previous movies include "Slacker," "Before Sunrise," and "Waking Life," may be the most versatile director of his generation. School of Rock is his most unabashedly mainstream movie by far, and yet it’s commercial in the best way.
  27. Frances Ha is an irritant when it lingers. When Baumbach’s touch is more glancing — when he cuts before the humiliation — it sings.

Top Trailers