New York Observer's Scores

  • Movies
For 585 reviews, this publication has graded:
  • 46% higher than the average critic
  • 1% same as the average critic
  • 53% lower than the average critic
On average, this publication grades 6 points lower than other critics. (0-100 point scale)
Average Movie review score: 56
Highest review score: 100 Mother and Child
Lowest review score: 0 From Paris with Love
Score distribution:
585 movie reviews
  1. Another example of concept over coherence, but the entertainment value is considerable.
  2. As an epic of awesome achievement, it never bores.
  3. A film of maturity and courage, one that kept me consistently engaged. Quite an accomplishment, really, for a new filmmaker on her first date with a camera.
  4. Intelligent, dignified and emotionally satisfying.
  5. Although Enough Said never really surmounts its TV sitcom style and structure, the director provides a nuanced entertainment that is enjoyable. She is aided beyond measure by the charisma of her two stars — especially Mr. Gandolfini, who reveals a side of himself we’ve never seen before.
  6. It's one of those revolting, raunch-fueled movies churned out in their sleep by the Farrelly brothers and Judd Apatow that I usually hate, but with real cleverness, off-center wit and edgy imagination. Imagine an X-rated Three Stooges farce, and you get the picture.
    • 78 Metascore
    • 75 Critic Score
    There is much violence in The Devil’s Backbone , but there is also catharsis and redemption. As ghost movies go, The Devil’s Backbone is much less self-indulgent than the wildly overrated The Others.
  7. The movie is about how he learns to show what's in his heart even when he can't find the spoken words to express his feelings aloud. Under the careful guidance of Mr. Nunez, Mr. Becker does both, in ways that reminded me of a Hispanic James Dean.
  8. A grim, toxic, psychological British thriller, brimming with surprises, that always manages to be quite a bit more than it appears on the surface.
  9. I can tell you only that this is a film unlike anything I've seen before-harrowing, haunting and sordid. Be forewarned, it is not for the squeamish. But take a chance and you will be rewarded with a work of nightmarish force that is unforgettable.
  10. What emerges is time pleasantly spent with a slice of life that examines a romantic détente between two cultures. Like smoke from an Egyptian hookah, the melancholia lingers.
  11. Solitary Man comes on the heels of last year's "A Serious Man" and "A Single Man," so it's small wonder that confusion reigns. But this film, co-directed by David Levien and Brian Koppelman (who also wrote the screenplay), is the best of the three.
  12. We Bought a Zoo has more soul than substance, but I'll be darned if it didn't put a smile on my face and keep it there.
  13. The best kind of horror film, about innocent people plunged into mind-boggling circumstances beyond their control.
  14. Unpredictable, with a twisted surprise around each corner, Big Bad Wolves is a clever and arresting shocker from a country where blood and gore on the screen are least expected.
  15. You won't find yourself yawning. It's a great double stretch for an actor and Mr. Cooper plays both the smoldering Latif and the bombastic Uday with combustible energy.
  16. Good Neighbors is a hotbed of twisted ideas with a straightforward yet novel approach to the Gothic horror in the hearts of mistakenly everyday people. Stressful and disconcerting but highly recommended, it gave me nightmares.
  17. Downbeat, depressing and heavy as lead, Calvary is nevertheless an unusual film that never bores. Impeccable performances by Chris O’Dowd, Aiden Gillen, M. Emmett Walsh and Kelly Reilly are riveting. And Mr. Gleeson is a bear-like centerpiece of conflicts and contradictions who anchors the floating pieces of the Irish puzzle in faith and doctrine, while mercifully refusing to sermonize.
  18. Accept Gravity as pure, popcorn-munching show business fun and nothing else, and you won’t go away disappointed.
  19. It’s one of the most powerful films about the Arab-Israeli conflict that has ever been attempted on the screen.
  20. It overcomes inescapable boxing and martial arts clichés and leaves you thoroughly sated, energized and wanting more.
  21. A sobering, documentary-style film commemorating eyewitness accounts of what happened in the aftermath of the tragedy, some of them fresh as a new wound, all of them painful but vital to a deeper understanding of one of the darkest chapters in American history.
  22. A documentary so real and unflinching (and at times deeply frightening) that it's hard to watch, but it is one of those film experiences that you'll feel glad about getting through.
  23. Soberly and responsibly, a small but significant film called Inhale, starring the underrated, charismatic and terrifically accomplished Dermot Mulroney, has arrived without fanfare or big-budget ad campaigns to capture some well-deserved attention.
  24. 42
    It’s a perfectly unexceptional but slickly made, sincerely acted, often entertaining, sometimes manipulative and always watchable blend of action on the diamond and bravery behind the scenes that will please baseball fanatics more than movie historians. It’s a good enough biopic to make you wish it were a better motion picture.
  25. Despite occasional flaws, Disconnect is filled with fine performances, informed by an often sophisticated script and directed with passion.
  26. Five Star Day is a respectable and intelligent little film.
  27. The effect is genuinely creepy, but do not even think of seeing Buried if you suffer from claustrophobia.
  28. The case is revisited with painstaking detail, and a riveting picture emerges once again about misunderstood outsiders.
  29. The actors are so exemplary that it is difficult to imagine this is not a documentary. They might not be household names, but they will be.

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