New York Observer's Scores

  • Movies
For 541 reviews, this publication has graded:
  • 46% higher than the average critic
  • 1% same as the average critic
  • 53% lower than the average critic
On average, this publication grades 6 points lower than other critics. (0-100 point scale)
Average Movie review score: 56
Highest review score: 100 What Maisie Knew
Lowest review score: 0 The Baytown Outlaws
Score distribution:
541 movie reviews
  1. Letters to Juliet comes off as just another movie that makes you long for a trip to Northern Italy-but not with any of these people.
  2. Young Mr. Eisenberg and a fine cast give Holy Rollers the ballast it otherwise lacks, but we've been down this road so often that there are times when I could only wonder why I was watching it at all.
  3. One thing that defies debate: Zac Efron is going places as an actor of value. But he deserves better movies than Charlie St. Cloud.
  4. What will happen to the man-boy when he's all man and can no longer slouch about in baggy pants and hoodie sweatshirts with perpetually flushed cheeks?
  5. Legendary is a soap opera with steroids.
  6. A movie only a hedge fund manager could love.
  7. Despite its good intentions, this earnest little film seems embalmed.
  8. This exercise in hysteria is so over the top that you don't know whether to scream or laugh. Despite an emotionally gripping performance by Natalie Portman, it's nothing more than a lavishly staged "Repulsion" in toe shoes.
  9. This is an oddball tale that is well worth telling, but Mr. Carrey simply cannot resist turning it into a Three Stooges routine in drag.
  10. It's a Clint Eastwood role that only proves you can't send a boy to do a man's job.
  11. You can't fault the theme that life's darkest moments brighten when two people need each other, but there's no drug strong enough to get me through another movie like Love and Other Drugs.
  12. Burning Palms is too sick to attract the masses, but he's onto something subversively valid, and the film is never boring.
  13. Too relentlessly depressing to recommend to the everyday audience. It seems to be on automatic pilot. Horrible, sad things keep happening, but it just goes on.
    • 49 Metascore
    • 50 Critic Score
    The Mechanic runs on violence, and when no one's being riddled with bullets or getting their hand shoved into a garbage disposal, it lags. That said, the "action" sequences are so frequent and bloody that they render plot nearly obsolete.
  14. The actors work hard to convey terror-especially Mr. Christensen, who proved he could act when he played disgraced journalist Stephen Glass in the marvelous, underrated "Shattered Glass"-but the panic that overtakes the characters never quite grips the audience.
  15. A stupid waste of time and talent, but it might be just what his (Damon) fans are waiting for.
  16. Directed with a pulsating fervor by Neil Burger, Limitless is absurd but entertaining action-adventure escapism. Bradley Cooper is versatile and virile, and a valiant leading man.
  17. May not appeal to every taste, but it marks an arresting feature debut for Jordan Scott, a director who is well worth watching.
  18. It's definitely worth seeing for Ms. Cattrall. This gal can really act.
  19. The movie is not great, but the star is not bad. This, in some quarters, is high praise indeed.
  20. An odd, confusing, ugly and mostly indigestible movie about religious hysteria and rock 'n' roll-two subjects I find about as interesting as opening a tattoo parlor. I wish I liked the movie half as much as I like the actor.
  21. If you have already begun to suspect that Something Borrowed may be something less than the sum of its parts-all of which do indeed seem borrowed from other movies and TV rom-coms too numerous to mention-you are right.
  22. Everything Must Go is the one for the Gipper-the movie in which he steps out of character for his own sake and works hard to lose Will Ferrell. The results are mixed, but I admire the guy for making an effort.
  23. I'm sure there is much to be learned from Forks Over Knives (the title means fruits and veggies can be forked, but anything you cut with a knife is lethal), but what does it have to do with real life?
  24. Content to make movies for himself (Malick) that nobody else wants to see as long as he can find someone to foot the bill, he's also an iconoclast searching for significance. So am I, but not 138 minutes worth. Anyone seeking symmetry in this cinematic taffy pull risks emerging from it with a pretzel for a brain.
  25. The best thing about Super 8, by far, are the kids, all perfectly cast. The script does a much better job making them believable and real than the adults...The rest of the movie steals shamelessly from...
  26. It eventually fails, not because of its philosophical ideas, but because it introduces so many of them at the same time that even a viewer with a score pad can't keep up.
  27. The film is awkward, the situations tenuous and underdeveloped, the pacing torturous as a slow drip from a leaking faucet, and the narrative just plods along, with the body count rising for no clear reason.
  28. A benign slice of life about suburban angst on Long Island. It's not much, but thanks to the noble efforts of a very good cast, I've seen worse.
  29. Cowboys & Aliens is one of the silliest movies ever made, but so many otherwise serious people have attached their names to it that, as Arthur Miller wrote in Death of a Salesman, attention must be paid.

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