New York Observer's Scores

  • Movies
For 479 reviews, this publication has graded:
  • 46% higher than the average critic
  • 1% same as the average critic
  • 53% lower than the average critic
On average, this publication grades 5.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 56
Highest review score: 100 Midnight in Paris
Lowest review score: 0 I Melt with You
Score distribution:
479 movie reviews
  1. If the best films hold you in a captive vise, entertain you, keep you spellbound and teach you something at the same time, then 12 Years a Slave is outstanding — brave, courageous and unforgettable.
  2. Don't let Amour join the legion of "Best Films You Never Saw." I urge you to share its sweetness and wisdom, and learn something.
  3. American Hustle is an essay on the brilliance of corruption.
  4. Get ready for a smash hit. Gimmicky but delicious, this is a valentine to the movies I promise you will cherish.
  5. As the actor of the year in the film of the year, I can't think of enough adjectives to praise Firth properly. The King's Speech has left me speechless.
  6. Wake in Fright is the closest a movie can get to a primal scream.
  7. All Is Lost is movie magic on many levels but most importantly as the rare opportunity to watch a seasoned actor at the pinnacle of his power.
  8. This is a subtle, elegant and altogether triumphant film about a subject I thought I was tired of, told with an artistry and freshness that is positively thrilling.
  9. The movie is wrenchingly slow — you know from the start that nothing is ever going to happen — but Nebraska has a charm that grows on you like a lichen, a wicked sense of humor that makes you laugh in spite of yourself, a concealed heart soft as a Hostess Twinkie, and a generous, welcome respect for the basic decency of the human race, more valuable than any lottery ticket.
  10. Argo is a triumph. It has tension, sincerity, mystery, artistic responsibility, entertainment value, technical expertise, a narrative arc and a thrilling respect for the tradition of how to tell a story with minimum frills and maximum impact. It's a great footnote to history, one of the best films of 2012 and a sure-fire contender on Oscar night.
  11. Don't miss this one. A brave and inspired antidote to time-wasting mainstream movies, it is unlike anything you've seen before or will likely ever see again. In short, it is unforgettable.
  12. Dallas Buyers Club represents the best of what independent film on a limited budget can achieve — powerful, enlightening and not to be missed.
  13. Among the most gripping, well-paced, acted and directed, and generally thrilling of anything that I've seen (yet) this year.
  14. Mr. Hanks, in yet another in a long line of diverse character studies, does a beautiful job as the voice of reason and logic, trying to inspire bravery and maintain order amid the noise and panic. In the big emotional scenes, as well as the small, nerve-jangling scenes, he is an artist at the top of his skill.
  15. For a story about a man who cannot move, the ordeal unfolds at a pace that keeps you breathless.
  16. A true masterpiece of visual enchantment. One of the most original and unique geniuses in cinema today, Mr. Chomet directed, wrote, illustrated and composed the music for this holiday jewel, an homage to the sweet, sad melancholia of the legendary French comic Jacques Tati.
  17. Blue Valentine is about real life, warts and all, over narrative conventions like action and plot mechanics. It is brutal, compassionate, beautiful in its ugliness and one of the bravest films of the year.
  18. Exactly what you might expect from the fearless, controversial director of "Pulp Fiction" - it's overlong, raunchy, shocking, grim, exaggerated, self-indulgently over-the-top and so politically incorrect it demands a new definition of the term. It is also bold, original, mesmerizing, stylish and one hell of a piece of entertainment.
  19. In a film so ripe with temptations for posturing, exaggeration and satirical overacting, nobody is anything less than natural, unpretentious and funny as hell.
  20. At 88, after nearly seven decades in show business, Ms. Stritch is sharp, funny, brittle, caustic, demanding, exaggerated, critical (especially of herself) and infuriating. She is also elaborately unique and awesomely brilliant.
  21. In one of the most wrenching performances I have seen on the screen in some time, it’s thrilling to watch a young actor with passion and charisma explore so many avenues of damage control with so much depth, allowing the viewer to grapple with an unsettling variety of personal emotions.
  22. The Sessions is fascinating, informative, engaging and heartbreaking stuff. Its easygoing, matter-of-fact tone makes it subtle and rewarding, not weird. Roses all around to all and sundry for one of the year's most captivating films.
  23. I Am Love fuses the past with the changing future in a marvelous traditional narrative without a shred of the sloppy trends of contemporary filmmaking.
  24. Richly chronicled characters, sharp dialogue and that stupendous centerpiece performance by Cate Blanchett are contributing factors in the best summer movie of 2013 and one of the most memorable Woody Allen movies ever.
  25. Resonating with warmth and sardonic wit and containing a majestic performance by Robert Duvall.
  26. It’s profoundly moving and thoroughly mind provoking, but despite the poignant subject matter, I promise you will not leave Philomena depressed. I’ve seen it twice and felt exhilarated, informed, enriched, absorbed and optimistic both times.
  27. It’s a remarkable accomplishment.
  28. This meticulously nuanced, sensitively acted film version of the Pulitzer Prize-winning play by David Lindsay-Abaire gives Nicole Kidman her best role in years, and she chews it like raw steak.
  29. It's a delectable slice of Southern Gothic humor, a side show of rednecks and Bubbas and Aunt Tooties.
  30. Sensational entertainment. This $100 million extravaganza is — let’s face it — rampantly over the top. Hell, it’s by Martin Scorsese, who is always over the top.

Top Trailers