New York Observer's Scores

  • Movies
For 643 reviews, this publication has graded:
  • 46% higher than the average critic
  • 1% same as the average critic
  • 53% lower than the average critic
On average, this publication grades 6 points lower than other critics. (0-100 point scale)
Average Movie review score: 56
Highest review score: 100 Midnight in Paris
Lowest review score: 0 The Myth of the American Sleepover
Score distribution:
643 movie reviews
  1. Enhanced by superb writing and direction and nuanced performances by an ensemble of great actors, and enough take-home food for thought to keep the mind and senses totally focused from start to finish, The Company Men is pretty damn close to as good as it gets in a disappointing year at the movies.
  2. Among the most gripping, well-paced, acted and directed, and generally thrilling of anything that I've seen (yet) this year.
  3. Considering the subject, ripe with titillating possibilities, it's surprisingly about as sexy as a week-old meat loaf. Tastefully directed by Tanya Wexler, it is a total joy from start to finish.
  4. This is their story. It is true. It is history. As a film, it is riveting, suspenseful, harrowing and exciting, and somehow, it also manages to be something rare among war pictures—a big-scale entertainment.
  5. What makes this one different is the dedication, commitment and sincerity the star brings to every aspect of the role. This is a pugilist with a heart.
  6. It’s a feel-good film with an infectious sense of fun and inspiration that brings out the best in people instead of catering to their lowest instincts.
    • 74 Metascore
    • 88 Critic Score
    What is truly amazing, especially in this age of Ponzi schemes and the misappropriation of people’s life savings, is the fact that Herb and Dorothy have never sold a single piece in their collection.
  7. World War Z towers above every other alleged summer blockbuster. It’s the real deal.
  8. Every complex member of the writer’s legacy has an agenda, with varying gains and losses, and the power of the film rests in the way it captures so many tangled lives as they cross and intersect at curious angles. The camera is literal, so the film sometimes fails to escape its roots of literary inspiration. This did not bother me. How many times do you get the chance to curl up with a good movie?
  9. Lee Hirsch is certainly one who is making a difference. I endorse him and his brave, powerful movie and urge you to see it for yourself. You might leave Bully with rage, but you will not leave Bully with indifference.
  10. As Robin Williams’ final film, it tolls a wonderful bell for the legacy of a distinguished career.
  11. Too bleak and wrenching to recommend unconditionally. You need a strong constitution to watch it soberly, but it is a gripping experience that left me weak in the knees.
    • 71 Metascore
    • 88 Critic Score
    Laugh-out-loud funny and somewhat melancholic.
  12. Don't miss this one. A brave and inspired antidote to time-wasting mainstream movies, it is unlike anything you've seen before or will likely ever see again. In short, it is unforgettable.
  13. The heart of the film derives from the fact that the more they all get to know each other, the more they all mature and their differences blend. The title comes from a lesson in Huckleberry Finn—that a lie is good if it helps others, the way Huck lied to save Jim from the slave traders.
    • 51 Metascore
    • 88 Critic Score
    Lovelace may be a movie about a porn star, but it’s not pornographic. At least, not sexually.
  14. It's a delectable slice of Southern Gothic humor, a side show of rednecks and Bubbas and Aunt Tooties.
  15. This meticulously nuanced, sensitively acted film version of the Pulitzer Prize-winning play by David Lindsay-Abaire gives Nicole Kidman her best role in years, and she chews it like raw steak.
  16. The tender magnetism of Blythe Danner turns an intelligent, sensitive story of love among the not so young into a work of art.
  17. Carefully directed and gorgeous to look at, with haunting performances and maximum suspense.
  18. A joyous, well-researched and liberating film in the feel-good spirit of "Billy Elliot," "The Full Monty" and "Calendar Girls."
  19. American Hustle is an essay on the brilliance of corruption.
  20. Handsomely mounted, skillfully acted, exquisitely photographed and genuinely touching, Testament of Youth is one of those rare film experiences that is just about perfect.
  21. The result is a movie of enormous intelligence.
  22. An upscale, high-concept $40 million futuristic epic by the visionary South Korean director Bong Joon-ho. It’s too gruesome to recommend to everyone without reservation, but if you love movies, you can’t afford to miss it.
  23. Mr. Hanks, in yet another in a long line of diverse character studies, does a beautiful job as the voice of reason and logic, trying to inspire bravery and maintain order amid the noise and panic. In the big emotional scenes, as well as the small, nerve-jangling scenes, he is an artist at the top of his skill.
    • 60 Metascore
    • 88 Critic Score
    Despite extremely unpleasant material, he (Schwimmer) coaxes subtle, incredible performances from his cast and builds a tense, arresting narrative.
  24. Deadfall is an above-average genre piece with a terrific cast that builds to a bloody Thanksgiving dinner shoot-out I found pretty close to unforgettable.
  25. Some people might blindly and inaccurately accuse this movie of attacking family values, but it has exactly the opposite effect. Touching and funny in their upheaval, the people in The Kids Are All Right open the door to a brand new examination of family values that leaves you charged and cheering.
  26. Don’t miss Tom at the Farm, the latest controversy in the oeuvre of acclaimed French-Canadian actor-writer-director Xavier Dolan, who has been labeled the “enfant terrible of queer cinema.”

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