New York Post's Scores
- Movies
- TV
For 6,027 reviews, this publication has graded:
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44% higher than the average critic
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2% same as the average critic
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54% lower than the average critic
On average, this publication grades 6.1 points lower than other critics.
(0-100 point scale)
Average Movie review score: 56
| Highest review score: |
Critic Score
100
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| Lowest review score: |
Critic Score
0
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Score distribution:
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Positive: 3,096 out of 6027
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Mixed: 1,227 out of 6027
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Negative: 1,704 out of 6027
6,027
movie reviews
- By critic score
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Reviewed by
Jonathan Foreman 38
This movie, cynically and patronizingly aimed at Seagal's predominantly "urban" audience, is sad, tedious proof that even violent exploitation isn't what it used to be. -
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Reviewed by
Lou Lumenick 38
The characters are so cartoonish, it's hard to care on any level -- except that it wastes such talented performers. -
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Reviewed by
Jonathan Foreman 38
It's a shame that the book "We Were Soldiers Once . . . And Young" fell into the hands of writer-director Randall Wallace ("Braveheart"), a filmmaker who wouldn't recognize subtlety and understatement if they were to attack him in the street. -
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Reviewed by
Jonathan Foreman 38
A slow, self-consciously low-key, very dull film that strains for eeriness with long silences and affectless performances. -
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Reviewed by
Megan Lehmann 38
Behind the glitz, Hollywood is sordid and disgusting. Quelle surprise! -
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Reviewed by
Lou Lumenick 38
Writer-director J.S. Cardone's low-budget mishmash offers precious little in the way of thrills and chills, much less coherent storytelling. -
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Reviewed by
Jonathan Foreman 38
Amateurish in the extreme, the film is a feast of bohemian cliché, bad writing and worse acting. -
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Reviewed by
Jonathan Foreman 38
An ugly, failed attempt to pull off a "Heathers"-style, teen-oriented black comedy. -
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Reviewed by
Lou Lumenick 38
Sort of "West Side Story" set in 1958 Brooklyn -- minus the music or competent storytelling -- is clearly not dealing from anything close to a full deck. -
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Reviewed by
Lou Lumenick 38
A silly, boring supernatural thriller that squanders a potentially interesting premise and the rapper Snoop Dogg in his ostensible starring debut. -
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Reviewed by
Jonathan Foreman 38
This inferior sequel is doomed by a lousy - and extremely vulgar - script. -
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Reviewed by
Lou Lumenick 38
The acting is, at best, serviceable; the sound track is too often unintelligible; the direction is often over the top; and the script relies heavily on stereotypes. -
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Reviewed by
Jonathan Foreman 38
A non-thrilling occult thrillersolame and unoriginal that it would be an embarrassment for any director, much less a talent like Roman Polanski. -
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Reviewed by
Lou Lumenick 38
Dumbed down to the point where it's barely recognizable as coming from one of Donald Westlake's John Dortmunder novels. -
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Reviewed by
Lou Lumenick 38
So unremittingly vulgar and inept it makes "The Best Man" and "Runaway Bride" look like masterpieces by comparison. -
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Reviewed by
Jonathan Foreman 38
A campy docu-drama about the secretly gay world of 1950's muscle magazines. -
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Reviewed by
Lou Lumenick 38
You cease to care as they fall back on a catalogue of clichéd shocks, tired camera angles and an ever-mounting gore quotient. -
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Reviewed by
Jonathan Foreman 38
Even a hardened voyeur would require the patience of Job to get through this interminable, shapeless documentary about the swinging subculture. -
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Reviewed by
V.A. Musetto 38
Why make a documentary about these marginal historical figures? Wouldn't one about their famous dad, author of "Death in Venice," etc., be more valuable? -
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Reviewed by
V.A. Musetto 38
It is a boring parade of talking heads and technical gibberish that will do little to advance the Linux cause. Try again, guys. -
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Reviewed by
Lou Lumenick 38
Light It Up would be a strong candidate for the year's most irresponsible movie - if it were remotely believable. -
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Reviewed by
Hannah Brown 38
A talky, pretentious soap opera about Spanish intellectuals. -
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Critic Score 38
A self-indulgent chronicle of Chris Roe's whiny power struggle with his father over where to eat dinner in various exotic locales. -
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Reviewed by
Hannah Brown 38
To paraphrase that old quip about slow-paced art films, it literally is watching paint dry. -
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Reviewed by
Jonathan Foreman 38
Essentially a downscale TV movie about spousal and child abuse. -
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Critic Score 38
An exhausting, overindulgent film, at least for American audiences...the experience feels like Grampa Simpson meets "Cinema Paradiso." -
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