New York Post's Scores

  • Movies
  • TV
For 6,437 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 5.9 points lower than other critics. (0-100 point scale)
Average Movie review score: 55
Highest review score: 100 Lorna's Silence
Lowest review score: 0 The Wedding Date
Score distribution:
6,437 movie reviews
  1. Fails to draw much humor from farcical situations.
  2. ATM
    Maybe DVDs of "Buried" and ATM will be sold in the same package someday. You could call it a trapped-in-a-box set.
  3. Features some good acting, but most of it doesn't ring true.
    • 39 Metascore
    • 25 Critic Score
    I'm beginning to think writer Nicholas Sparks isn't one person at all, but a roomful of ladies doing Harlequin-romance Mad Libs. Occasionally they'll hit a winning combination, as in the Sparks novel "The Notebook." More often, you get eye-rollers like "The Lucky One."
    • 51 Metascore
    • 25 Critic Score
    Shove people into categories, then into a film like Think Like a Man, and it's a recipe for tedium.
  4. There's little reason to see the claustrophobic Chronicling a Crisis unless you have a fascination with the Kolleks. Watching the vanity project is like being forced to sit through a friend's boring home movies.
  5. Even an appearance by Alec Baldwin as Moretz's eventual - if highly unlikely - savior isn't enough to keep Hick from leaving a bad taste.
  6. Nesting is a sitcom, but a really slow and dull one that barely grinds out 22 minutes' worth of plot to fill a 90-minute hole.
    • 35 Metascore
    • 25 Critic Score
    Mansome is basically a reality-TV episode, with similar production values and precisely the same depth of perception.
    • 42 Metascore
    • 25 Critic Score
    Disliking this film feels churlish, like rooting for the Yankees to crush the Little League champs. But amiability, and the natural affinity most people have for David over Goliath, can't substitute for skill and imagination.
  7. This is an exhausting, eyeball-gougingly ugly 90-minute assault of non-stop action, with an all-star voice cast shouting witless lines and a wide variety of objects lobbed at the audience in the crudest 3-D fashion.
  8. A decent idea for an episode of "Everybody Loves Raymond," The Do-Deca-Pentathlon falls short as a movie.
  9. Gets sillier and sillier as it goes along.
  10. At first glance, Grassroots doesn't seem like much of an idea for a movie. Nor at second, third or fourth glance. Your fifth glance will be at your watch, and at sixth glance your eyelids will be getting very, very heavy.
  11. The danger of dreaming up a predictable adventure for a group of nobodies you hold in contempt is that the audience will see your indifference and raise you.
  12. I'd call Diary of a Wimpy Kid: Dog Days harmless if it weren't for some totally unnecessary gay-panic jokes that could actually encourage bullying.
  13. 360
    A sort of "Babel" of bonking, 360 gives us much in the way of international anguish, frustrated coupling and longing stares, but there's very little plausibility or genuine emotion in its egregiously contrived story of ardor gone amiss.
  14. Corny action scenes and borderline-hilarious direction by Isaac Florentine mark the film as an obvious straight-to-video item that somehow took a wrong turn into a movie theater.
    • 43 Metascore
    • 25 Critic Score
    It's their hard luck that this movie is being released as the Olympics wind down. The contrast with the beauty and self-discipline seen for the past two weeks doesn't exactly work to the advantage of Nitro Circus.
  15. A Walmart "Wall Street," the hedge-fund drama Supercapitalist is junk merchandise stamped "made in China."
  16. The climax is as dull as reading the dictionary of a language you do not speak.
  17. Dire musical interludes are sprinkled throughout the sprawling mess Beloved, an uninvolving would-be romantic epic that spans 45 years in the life of a mother and her daughter, starting in the early 1960s.
  18. Stakes aren't the only problem with this sloppy thriller, which combines careening images with turgid storytelling.
  19. The documentary tells us little we don't already know and is overwhelmingly one-sided. It would make a nice TV infomercial, but certainly doesn't deserve a big-screen release.
  20. Biehn has appeared in dozens of B-movies and evidently had no greater ambition than to come up with a grindhouse movie full of sex, gore and cheap thrills, but there is far too little of any of these to maintain interest in a straight-on story that reserves its only surprise for the final 30 seconds.
  21. Wavers between extreme silliness and unbearable earnestness.
  22. The acting, script and direction - not to mention the syrupy score - conspire to make this a perfect storm of a hoot that will find its most appreciative audience among renters who have had a few glasses of wine beforehand.
  23. Sundance Mopey Alienation Flick No. 4,228 is For Ellen, an empty angst-athon that proves 90 minutes of close-ups of Paul Dano looking wounded can be even less interesting than it sounds.
  24. There may be a lot left to say about Hurricane Katrina, but if so, I'm Carolyn Parker doesn't say it.
  25. All I wanted to do was escape from this aggressively ugly world and its equally unattractive characters. It's not that the movie is in bad taste or cheesy (though it is) but that all of its hyperviolence adds up to nothing: This thing is dedd.

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