New York Post's Scores

  • Movies
  • TV
For 7,103 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 6.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 56
Highest review score: 100 Man on the Moon
Lowest review score: 0 No One Lives
Score distribution:
7103 movie reviews
  1. A trite, incoherent and pretentious bomb.
  2. Crashing chandelier, crashing bore.
  3. It wouldn't matter so much that this arrogant Richard Pryor wannabe's routine is offensive, puerile and unimaginatively foul-mouthed if it was at least funny.
  4. Any way you slice it, A Tale of Two Pizzas is so ineptly written and directed that it's pretty soggy entertainment.
  5. An exercise in drudgery... The whole thing is so patently uninteresting it's hard to see it as anything but a Douglas family vanity project.
  6. Say hello to my leetle dagger! Shakespeare meets "Scarface" in an Aussie adaptation of "Macbeth" gone gangsta.
  7. This movie wasn't just made for 11-year-old girls; it seems to have been made by 11-year-old girls.
  8. Little more than a rehash of old news.
  9. Comes about five films after writer-director-star Ed Burns should have found another career.
  10. A slow-moving, dirt-dull narrative crammed with clunky expository dialogue and obscure Biblical references.
  11. Has a split personality. It starts as a comedy but morphs into an icky family melodrama. It should have stuck with the yuks.
  12. They’ve been around so long that they’re now the Middle-Aged Mutant Ninja Turtles, and their ’80s vibe — cowabunga, dude! — is so strong that I kept expecting a cameo by Huey Lewis or Max Headroom.
  13. I’d like to take back all those times I said Nicolas Cage was one of the most annoying actors on film. It turns out he’s equally terrible when he’s only on the soundtrack. And yet Cage is the least of the problems with The Croods.
  14. This whole movie is pretty much a mental colon blow.
  15. A total disaster.
  16. Dear John is the sort of movie that gives tearjerkers a bad name.
  17. A crass, mechanical attempt at a thriller that should have gone straight to video.
  18. Isn't particularly funny, romantic or well-acted. It drags on endlessly.
  19. Hard-core Hollywood haters will best appreciate Maps to the Stars, a campy poison-pen letter to Tinseltown that makes “Sunset Boulevard’’ look like a tourism infomercial by comparison.
  20. The promising tension between Gypsy and the arrogant Lucian never amounts to much, and the climax is comically melodramatic.
  21. This oddly scrambled new version eventually falls apart so badly you feel embarrassed for the people who made it.
  22. Shlocky, sloppy and crass adolescent comedy.
  23. A 42-minute TV soap has more story than this limp and familiar tale of domestic woe.
  24. The Transporter Refueled is a story of bodies: sleek, curvy, luscious bodies, purring for action and ready to let you do anything to them. They’re hotties, these Audis.
  25. Rock appears to have edited I Think I Love My Wife with a roulette wheel.
  26. Nothing would help make this dud understandable.
  27. The dancing’s fine here, but there’s little else to distinguish Make Your Move, an entirely generic drama.
  28. A bland, dull and only occasionally funny waste of time that will very soon be gathering dust in the remainder bins.
  29. Meet American Beastly, perhaps the most bitter studio film of the year.
  30. The movie, directed by Mick Jackson, leaves no cliché unturned, from the predictable plot to the characters straight out of central casting.

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