New York Post's Scores

  • Movies
  • TV
For 7,108 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 6.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 56
Highest review score: 100 Spirited Away
Lowest review score: 0 Shadowboxer
Score distribution:
7108 movie reviews
  1. It's a stirring reminder of a time when anything seemed possible - these American heroes boosted morale eroded by the Vietnam War, as well as bringing the whole world together to celebrate their success.
  2. Director Lee Chang-dong could well have cut 30 minutes out of the story, but Jeon's performance is powerful enough to keep Secret Sunshine from drowning in an ocean of tears.
  3. Director Alfonso Cuarón has a vision so mesmerizingly terrible that it alone - at least, for those who enjoy a gorgeous nightmare - is reason enough to see the film.
  4. The coincidences might be too much for some, but viewers who can get past them will be treated to a suspenseful, well-acted, crisply photographed character study.
  5. Frequently hilarious, if overlong.
    • New York Post
  6. Brilliantly idiosyncratic.
  7. Disarmingly sweet.
  8. A film that fans of Latin jazz won't want to miss.
    • New York Post
  9. China's public image suffers another blow with Up the Yangtze, a documentary by Chinese-Canadian Yung Chang.
  10. This isn't a mystery except in the most general sense. It's a dense, Altman-esque psychological drama centering on 10 characters whose lives become as tangled as the lantana.
  11. Dropping by on the same people every seven years like an old friend - or an unwelcome relative - Apted has constructed a peerless, suspenseful work that develops character to a depth that would make Tolstoy jealous. If you have any interest in documentaries, watch the DVD of the first film, "7 Up" (49 Up hits DVD Nov. 14). You won't be able to stop.
  12. Smiling more than in all of his movies since "Fast Times at Ridgemont High" combined, Penn goes way deep and soulful in a highly ingratiating performance that's the one to beat for the Best Actor Oscar.
  13. An absorbing, deeply affecting, well-acted --and remarkably evenhanded -- antiwar statement. It's also incredibly suspenseful and very blackly funny.
  14. If you've never seen a "masala" musical, you may find Lagaan hilariously bad. Cartoony acting, dreadful dialogue, obvious dubbing, and meandering but ultrapredictable plots are simply part of the Bollywood package, along with six musical numbers and a bizarre mixture of romance, comedy and melodrama.
  15. Perhaps the year's most daring and fully realized movie, is a pitch-perfect re-creation of '50s melodramas, showcasing a four-hankie performance by a peroxided Julianne Moore.
  16. If "Starsky & Hutch" is your idea of art, keep your distance from Distant, the droll new movie from maverick Turkish director Nuri Bilge Ceylan. If, on the other hand, you're searching for something that will remain with you long after leaving the theater, run, don't walk, to Distant.
  17. Brutality and tenderness are a potent mix in War Witch.
  18. The documentary tries to pin Africa's suffering on capitalism, but dances around the real problem. Africa starves because corrupt governments own the natural resources and export them to buy weapons to keep their people at bay.
  19. Guy Maddin's films are always delightful, but his latest, My Winnipeg, has an added treat for film buffs: It features Ann Savage!
  20. One of those rare recent films whose emotional power resonates long after you've left the theater.
  21. Even for a French drama, Summer Hours is so slow as to be practically still.
  22. Despite its themes, Oslo, August 31st is an exhilarating film, with impeccable direction and pitch-perfect performances that make the bleakness worthwhile.
  23. An indie-inflected popcorn movie with major brains, brilliant acting and a highly satisfying payoff, Looper is the first must-see movie of the season.
  24. It's supposed to be about a Kafkaesque experience. Instead, it IS a Kafkaesque experience. Why are we here? Is everything absurd? Is anyone in charge?
  25. An unqualified triumph.
  26. A long, messy cinematic novel full of hate, love, murder, ghosts, madness, poetry and Catherine Deneuve.
  27. You must lead a dull life if it would be enlivened by 76 minutes' worth of Old Joy.
  28. It's time to stop calling Azazel Jacobs a "promising" filmmaker. With Momma's Man, Jacobs achieves the promise.
  29. Hammer, whose blunt name belies the movie's many subtle touches, has his own distinct style. He also has an enormous trust in the audience to sort out this wounded family's miseries without the assistance of narration or even a musical score.
  30. Described as a cross between "Mildred Pierce" and "Arsenic and Old Lace" by Almodóvar - which ought to be more than enough to entice his fans.

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