New York Post's Scores

  • Movies
  • TV
For 6,867 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 6.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 55
Highest review score: 100 The Seven Five
Lowest review score: 0 The Adventures of Pluto Nash
Score distribution:
6,867 movie reviews
  1. The documentary tries to pin Africa's suffering on capitalism, but dances around the real problem. Africa starves because corrupt governments own the natural resources and export them to buy weapons to keep their people at bay.
  2. Guy Maddin's films are always delightful, but his latest, My Winnipeg, has an added treat for film buffs: It features Ann Savage!
  3. One of those rare recent films whose emotional power resonates long after you've left the theater.
  4. Don’t miss it — this is enormously fun visionary filmmaking, with a witty script and a great international cast.
  5. Even for a French drama, Summer Hours is so slow as to be practically still.
  6. Despite its themes, Oslo, August 31st is an exhilarating film, with impeccable direction and pitch-perfect performances that make the bleakness worthwhile.
  7. An indie-inflected popcorn movie with major brains, brilliant acting and a highly satisfying payoff, Looper is the first must-see movie of the season.
  8. It's supposed to be about a Kafkaesque experience. Instead, it IS a Kafkaesque experience. Why are we here? Is everything absurd? Is anyone in charge?
  9. An unqualified triumph.
  10. A long, messy cinematic novel full of hate, love, murder, ghosts, madness, poetry and Catherine Deneuve.
  11. You must lead a dull life if it would be enlivened by 76 minutes' worth of Old Joy.
  12. It's time to stop calling Azazel Jacobs a "promising" filmmaker. With Momma's Man, Jacobs achieves the promise.
  13. Hammer, whose blunt name belies the movie's many subtle touches, has his own distinct style. He also has an enormous trust in the audience to sort out this wounded family's miseries without the assistance of narration or even a musical score.
  14. Described as a cross between "Mildred Pierce" and "Arsenic and Old Lace" by Almodóvar - which ought to be more than enough to entice his fans.
  15. The film shows how quiet exteriors can mask deep interior lives, and how art feeds those lives. The view of art is richly intellectual, sometimes enthralling. But I confess, I liked Museum Hours best for answering a question I’ve always had: What is that guard thinking?
  16. A beautifully shot, well-acted movie that manages to make a complicated, real-life story without much drama feel like a thriller.
  17. Expertly mixing tears and laughs with the sort of alchemy not seen since "Terms of Endearment," this superbly written, directed, acted, and yes, Oscar-friendly movie perfectly captures the blackly comic insanity that can overtake a family forced to confront an impending death.
  18. This flick is fast and ferocious, his (Sidney Lumet) sharpest and best since "Prince of the City" (1980) - and surely one of the year's finest.
  19. For all of its laughs and a star-making performance by Hawkins, Happy-Go-Lucky represents a serious philosophical inquiry by Leigh, who has illustrated a consistently pessimistic view of humankind in his semi-improvised movies.
  20. Lassie is a dog movie even non-dog lovers will lap up.
  21. Strictly for fans of the musical acts and those who think everything Chappelle does is genius.
  22. Slight but affecting triptych.
  23. A riveting documentary.
  24. It's a shame that, on top of everything else, the second movie version of The Quiet American -- Graham Greene's brilliant 1955 novel about the French Indochina war -- should be so visually disappointing.
  25. It's full of passionate performances (except for the wooden Li), sizzling swordplay, bold and dazzling hues, and breathtaking landscapes.
  26. It’s a remarkable story, vividly and urgently told by French-Canadian director Vallée (“The Young Victoria”) from a pointed, schmaltz-free script by Craig Borten and Melissa Wallack.
  27. All three segments are heavy on blame-America speeches, which may be a fair snapshot of Iraqi opinion, but it's strange how fond Longley seems to be of Saddam Hussein.
  28. It’s his home movies with Love and baby — some playful, others drugged and drooling — that fans will find the most emotional viewing. As the credits roll, it’s hard not to just root for the sensitive, progressive, fiercely creative Cobain and wish that he’d lived long enough to find a little peace of mind.
  29. Two fins up for The Cove, a documentary that whales on evil Japanese fishermen who kill dolphins for lunch meat.
  30. The indie Mutual Appreciation isn't much more interesting than hanging out with four smart, nice, semi-confused people in their 20s. But that puts it far above the average movie.

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