New York Post's Scores

  • Movies
  • TV
For 6,926 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 6.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 55
Highest review score: 100 Juno
Lowest review score: 0 Hide Away
Score distribution:
6,926 movie reviews
  1. Smiling more than in all of his movies since "Fast Times at Ridgemont High" combined, Penn goes way deep and soulful in a highly ingratiating performance that's the one to beat for the Best Actor Oscar.
  2. An absorbing, deeply affecting, well-acted --and remarkably evenhanded -- antiwar statement. It's also incredibly suspenseful and very blackly funny.
  3. If you've never seen a "masala" musical, you may find Lagaan hilariously bad. Cartoony acting, dreadful dialogue, obvious dubbing, and meandering but ultrapredictable plots are simply part of the Bollywood package, along with six musical numbers and a bizarre mixture of romance, comedy and melodrama.
  4. Perhaps the year's most daring and fully realized movie, is a pitch-perfect re-creation of '50s melodramas, showcasing a four-hankie performance by a peroxided Julianne Moore.
  5. If "Starsky & Hutch" is your idea of art, keep your distance from Distant, the droll new movie from maverick Turkish director Nuri Bilge Ceylan. If, on the other hand, you're searching for something that will remain with you long after leaving the theater, run, don't walk, to Distant.
  6. Brutality and tenderness are a potent mix in War Witch.
  7. The documentary tries to pin Africa's suffering on capitalism, but dances around the real problem. Africa starves because corrupt governments own the natural resources and export them to buy weapons to keep their people at bay.
  8. Guy Maddin's films are always delightful, but his latest, My Winnipeg, has an added treat for film buffs: It features Ann Savage!
  9. One of those rare recent films whose emotional power resonates long after you've left the theater.
  10. Don’t miss it — this is enormously fun visionary filmmaking, with a witty script and a great international cast.
  11. Even for a French drama, Summer Hours is so slow as to be practically still.
  12. Despite its themes, Oslo, August 31st is an exhilarating film, with impeccable direction and pitch-perfect performances that make the bleakness worthwhile.
  13. An indie-inflected popcorn movie with major brains, brilliant acting and a highly satisfying payoff, Looper is the first must-see movie of the season.
  14. It's supposed to be about a Kafkaesque experience. Instead, it IS a Kafkaesque experience. Why are we here? Is everything absurd? Is anyone in charge?
  15. An unqualified triumph.
  16. A long, messy cinematic novel full of hate, love, murder, ghosts, madness, poetry and Catherine Deneuve.
  17. You must lead a dull life if it would be enlivened by 76 minutes' worth of Old Joy.
  18. It's time to stop calling Azazel Jacobs a "promising" filmmaker. With Momma's Man, Jacobs achieves the promise.
  19. Hammer, whose blunt name belies the movie's many subtle touches, has his own distinct style. He also has an enormous trust in the audience to sort out this wounded family's miseries without the assistance of narration or even a musical score.
  20. Described as a cross between "Mildred Pierce" and "Arsenic and Old Lace" by Almodóvar - which ought to be more than enough to entice his fans.
  21. The film shows how quiet exteriors can mask deep interior lives, and how art feeds those lives. The view of art is richly intellectual, sometimes enthralling. But I confess, I liked Museum Hours best for answering a question I’ve always had: What is that guard thinking?
  22. A beautifully shot, well-acted movie that manages to make a complicated, real-life story without much drama feel like a thriller.
  23. Expertly mixing tears and laughs with the sort of alchemy not seen since "Terms of Endearment," this superbly written, directed, acted, and yes, Oscar-friendly movie perfectly captures the blackly comic insanity that can overtake a family forced to confront an impending death.
  24. This flick is fast and ferocious, his (Sidney Lumet) sharpest and best since "Prince of the City" (1980) - and surely one of the year's finest.
  25. For all of its laughs and a star-making performance by Hawkins, Happy-Go-Lucky represents a serious philosophical inquiry by Leigh, who has illustrated a consistently pessimistic view of humankind in his semi-improvised movies.
  26. Lassie is a dog movie even non-dog lovers will lap up.
  27. Strictly for fans of the musical acts and those who think everything Chappelle does is genius.
  28. Slight but affecting triptych.
  29. A riveting documentary.
  30. It's a shame that, on top of everything else, the second movie version of The Quiet American -- Graham Greene's brilliant 1955 novel about the French Indochina war -- should be so visually disappointing.

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