New York Post's Scores

For 898 reviews, this publication has graded:
  • 64% higher than the average critic
  • 2% same as the average critic
  • 34% lower than the average critic
On average, this publication grades 1.2 points higher than other critics. (0-100 point scale)
Average TV Show review score: 66
Highest review score: 100 The Bronx Is Burning
Lowest review score: 0 Mr. Sunshine: Season 1
Score distribution:
  1. Mixed: 0 out of 653
  2. Negative: 0 out of 653
653 tv reviews
  1. Alphas is fun, sure, but it has a "been there, done that" feel.
  2. As soapy, sappy, Christmas adaptations go, this one's pretty good - until it totally falls apart at the end with the most preposterous finale imaginable.
  3. If True Detective is going to be more than a vehicle for eclipsed stars trying to reignite their careers, Pizzolatto & Co. will have to dig deeper for a story that entertains--and impresses us as definitively as its predecessor.
  4. The series somehow still lacks tension as the narcs go from one bust to the next interrogating perps who all say the same thing: "I don't know anything."
  5. The silly, very romantic movie pretends to tell the whole truth about the meeting, mating, splitting and reconnecting of Kate and William.
  6. The show is not as good as Woods makes it, but not as bad as some of the new shows.
  7. This new series [is] often very good and just as often very dull.
  8. Siberia can be pretty annoying with the shaky single-camera and fake reality premise and all--but then it picks up in the last ten minutes when things go horribly wrong and the best character in the bunch gets killed off.
  9. Suspend disbelief and you’ll have fun, but believe and you’re in trouble.
  10. When Vinny is one-on-one with his guests, as he says at the opening, he isn’t Jay Leno. But he is pretty funny.
  11. "E-Ring" is sometimes kind of silly, sometimes tightly drawn, and sometimes it's fun.
  12. Combine[s] the tension of the boardroom in "The Apprentice," the machinations of "Survivor," the tears of a Dr. Phil cry-athon, and the tonnage of a Weight Watchers meeting. [20 Oct 2004]
    • New York Post
  13. How to Get Away with Murder is no “Good Wife” in the sophistication (or writing) departments, and when key turning points in the case involve witnesses who are color blind, you just want to Skype with Jessica Fletcher from “Murder, She Wrote” to wrap this one up.
  14. A mushy, messy, medical melodrama that's pretty much identical to a dozen other doctor dramas you've seen many times before.
  15. The chemistry between Winchester and Chirisa is great and very believeable, which goes to the acting ability of both men. It's not easy to make relationships seem real in this out-there fantasy.
  16. Barr is suitably creepy as Chris and McCormack--while slightly miscast--turns in a solid performance. For true-crime buffs only.
  17. Despite the show's flaws--each of the first two episodes ends in an "ironic reveal" that is really just a ridiculous coincidence--its central character could be fascinating if played by, say, 1971 Brando. Duchovny gives off the heat of 2007 Brando.
  18. For reasons too obvious to bother with, NBC managed to take a really terrific and fun premiere and somehow let it morph over the following episodes into just another take-it-or-leave-it show.
  19. It seems to have been boiled down to its simplest ingredients.
  20. It’s well-shot, professionally acted and adequately paced--but, at least to me, it’s missing that spark of originality that will keep viewers coming back week after week.
  21. You don't have to be nuts to love Mental, which is a kind of schizophrenic "House"--but you do have to be willing to suspend disbelief to the point of, well, insanity.
  22. What I like about this series is that it is anti-slick and anti-pretty.
  23. The thing that does give this show its grounding is the acting. Dancy is a perfect, tortured soul; Fishburne is everyman with a brain; and Mads Mikkelsen is perfectly named. What is lacking, though, is any respite from the darkness.
  24. Like a lot of junk food, Sharknado might taste good while you’re eating it--but even with Cheetos you have to know when to take your hand out of the bowl.
  25. It remains to be seen if Underemployed will have time to spread its dramatic wings and shake off its ham-fisted preachiness--but it's off to a promising, if predictable, start.
  26. It’s all very predictable, with a few genuinely funny moments.
  27. Mark Burnett's newest plunge into the reality waters--somewhat predictable, with all the requisite reality bells and whistles (lots of dark blue mood lighting, dramatic music, quick-cut editing)--is mildly entertaining in that summer TV kind of way.
  28. [An] absolutely laugh-out-loud-till-you-squirt-beer-from-your-nose [show].
  29. Sleepy Hollow has an interesting premise and some terrific CGI effects (re: the Headless Horseman), but I didn’t buy into the show’s mystical/mythological/sci-fi overtones, a mishmash of history, witchcraft and muddled Biblical prophesy that left me confused instead of intrigued.
  30. A show with a promising premise that could be a winner.

Top Trailers