New York Post's Scores

  • Movies
  • TV
For 6,672 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 6.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 55
Highest review score: 100 Whiplash
Lowest review score: 0 I Hate Valentine's Day
Score distribution:
6,672 movie reviews
  1. A vulgar, grating alleged "family" comedy.
  2. A schlocky thriller choking under the weight of its own psychobabble.
  3. The MPAA's rating explanation for this PG-13-rated snoozer misleadingly claims it contains "intense sequences of terror/violence"; it would be more accurate to state that Boogeyman contains "virtually every horror-movie cliché of the past 30 years."
  4. If boy bands weren't already passé, Harry and Max would finish the job.
  5. Becomes more and more confused, unpleasant and preposterous.
  6. Unlike Cursed, which resorts to blatant but unconvincing gore and violence, "The Wolf Man" (1941) gets its point across through suggestion, makeup and spooky sets.
  7. Plays like an unwieldy mishmash of "Big Momma's House," "An Unmarried Woman" and "The Burning Bed," with lots of gospel music thrown in.
  8. If the once red-hot Vin Diesel's overhyped career wasn't finished off by last summer's mega flop "The Chronicles of Riddick," the alleged family comedy The Pacifier ought to do the trick.
  9. This movie wasn't just made for 11-year-old girls; it seems to have been made by 11-year-old girls.
  10. Dom DeLuise, as a fruitcake director, and John Waters fave Mink Stole, as Robin's Jewish mother, spice things up, but not enough to make Girl Play worthwhile.
  11. A flaccidly pretentious and snooze-inducing trilogy of allegedly racy tales.
  12. So bland that it fails to make an impression.
  13. A mockumentary that veers unsteadily between satire and an infomercial for Dash's Roc-A-Fella records.
  14. Huppert is wonderful, as usual, and she's to be congratulated for taking this daring role. But, alas, even she can't save Ma Mere.
  15. An Iranian comedian named Omad Djalili plays Picasso, that sexually combustible Spanish bull, with all the earth-shaking allure of, say, Andy Richter.
  16. If it weren't for "Sideways," Second Best probably wouldn't have been released at all, but the earlier film made you root for a hapless schmo. This one doesn't, mainly because its protagonist is so obnoxious.
  17. A flat, would-be thriller pausing briefly on its journey to video stores.
  18. A bland, dull and only occasionally funny waste of time that will very soon be gathering dust in the remainder bins.
  19. The writing, acting and direction are so amateurish that the only thing you'll care about is escaping the theater.
  20. Most of this movie is beyond lame. It almost makes "A Cinderella Story" -- the ever-mugging Duff's surprise hit of last summer -- look like a real movie by comparison.
  21. The one highlight is Julia Nickson, who breathes life into the role of Ethan's evil stepmom.
  22. Un-magical, unfunny and un-romantic alleged comedy.
  23. The street action is a grabber, but the story itself isn't.
  24. A perfect storm of wooden acting, hackneyed direction, inane scripting and laughably cartoonish special effects produces a shapeless mess more wearyingly stupid than arch-villian Dr. Doom is evil.
  25. Scathing indictment of the tabloid media! Film at 11! That's how Crónicas sees itself, but all I could see was a scathing indictment of writer-director Sebastian Cordero's ability to put together a credible story.
  26. The bottom line of Last Days seems to be, fame's a bitch. Yes, Gus - now start making movies again that tell stories, please.
  27. The scene where a pilot bails out in Stealth is so over-painted with CGI that it doesn't look as real as the sequence starring Shepard that inspired it in "The Right Stuff," a movie made with model airplanes.
  28. A collection of product plugs masquerading as a movie en route to home video.
  29. A schmaltz-laden soap opera from Saskatchewan.
  30. A cheesy, often unintentionally funny, direct-to-video-caliber knockoff of "Aliens" that couldn't be more shallow.

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