New York Post's Scores

  • Movies
  • TV
For 6,698 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 6.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 55
Highest review score: 100 Beasts of the Southern Wild
Lowest review score: 0 Dance Flick
Score distribution:
6,698 movie reviews
  1. [McCarthy] marries beautifully spare compositions with comically abbreviated dialogue to craft something magnificent from a vaguely precious premise that could easily be the foundation for a parody.
  2. Hilariously overblown, "Cruelty" fairly pops at the seams with the beloved eccentricity of Joel and Ethan Coen, from the fiendishly ludicrous scenarios and casually tossed off visual gags to the razor-sharp repartee.
  3. Mostly it's worth seeing Alien, which established Scott as an A-list director, in a theater because his brilliant and often expansive visuals have always worked better on a big screen than on video.
  4. Stunningly photographed, largely with a hand-held camera, by Rodrigo Prieto (another member of the "Amores Perros" team) on gritty locations in Memphis and Albuquerque, 21 Grams is also a visual tour de force - and a rare Hollywood product depicting class differences with any kind of honesty.
  5. A thoughtful, rousing and beautifully crafted epic.
  6. The result is an immensely enjoyable portrait of a strange-looking, non-comforming genius who loved women as much as designing masterpieces but was never able to commit to them. In other words: great architect, lousy family man.
  7. One of the most original and stylish films to come along this year.
  8. The best thing Baldwin has done in years, and a triumph of low-budget storytelling by a director to watch.
  9. Even with Burton's imagination turning its trademark cartwheels, the film's big beating heart holds the whimsical offshoots steady.
  10. A grim, challenging movie that will amply reward audiences willing to go along with its ride into the dark depths of its characters' souls.
  11. An exquisitely crafted Civil War epic that combines the epic romantic sweep of "Gone With the Wind" with a more intimate voice that speaks eloquently to the war-weary nation of today.
  12. The film is dark, both literally and figuratively. Only at the very end do we get a glimpse of the sun.
  13. If "Starsky & Hutch" is your idea of art, keep your distance from Distant, the droll new movie from maverick Turkish director Nuri Bilge Ceylan. If, on the other hand, you're searching for something that will remain with you long after leaving the theater, run, don't walk, to Distant.
  14. A stunning achievement, every bit the equal of the classic moun taineering book which inspired it.
  15. Vladimir Garin and Ivan Dobronravov are amazingly natural as the boys, and Konstantin Lavronenko impresses as the taciturn father.
  16. More than a celebration of Chaplin's art; it is a thorough examination of what made this gifted artist, the world's first true celebrity, tick.
  17. Working from an unfinished script by the late, great Krzysztof Kieslowski, Stuhr directs in a laid-back, deadpan style that, at times, recalls Fellini.
  18. A stunning display of a filmmaker adventuring on the far side of what's possible.
  19. Vol. 2 isn't anywhere near as self-indulgent as its predecessor, but it still plays like the work of a man too in love with his creations to decide which of his darlings to kill - so he ended up with merely a very good movie.
  20. Meant to evoke filmmaking of a bygone era, but this time the director is more restrained visually, while making use of a more conventionally structured script than usual. And he has a real, honest-to-goodness star in Rossellini.
  21. Carandiru, which ends with actual footage of the prison being demolished in 2002, marks a terrific comeback for Babenco - it's the roughest picture of life behind bars since "Midnight Express."
  22. Can be summed up in one word: style.
  23. So gorgeously animated and so thoroughly entertaining for all ages that only an ogre would complain it's not quite as fresh as the original.
  24. This movie belongs to its young stars, who have grown immensely as actors since they were first ideally cast by Chris Columbus, the hack who directed the first two movies.
  25. Throughout, Mrs. Marcos comes across as an elitist, insulated against real life by wealth and power -- yet one who truly believes she is misunderstood and has done nothing wrong.
  26. Sequels don't get much better - or smarter - than the action-, drama-, romance- and comedy-packed Spider-Man 2, which miraculously improves on the webslinger's hugely popular first screen adventure in every imaginable department.
  27. Magnificent if overlong and oddly structured surfing documentary.
  28. More than a ripped-from-the- headlines drug drama, Maria Full of Grace is like a horror movie made real.
  29. So terrifically entertaining, it would be a shame if it didn't inspire a companion piece on New York.
  30. The film is less violent and bloody than much of the director's work, but the absurdity level is sky high. Takashi Miike is at the top of his game, loving every minute of his surreal visit to the twilight zone.

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