New York Post's Scores

  • Movies
  • TV
For 6,837 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 6.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 55
Highest review score: 100 Flags of Our Fathers
Lowest review score: 0 Noel
Score distribution:
6,837 movie reviews
  1. A lukewarm film about what might happen to three New York City friends if the draft were reinstated, proves that even the most controversial of topics can be the basis for the dullest indie films.
  2. A bland look at professional surfing.
  3. I had the sensation of sitting through a fourth-grade school play that contained no children of my own: the very definition of a nightmare.
  4. A sluggish and prototypically earnest little indie on the not exactly fresh theme of a woman undergoing a midlife crisis.
  5. Indulgent, tedious documentary.
  6. A spoof of you-know-what that's a lot less funny than it sounds.
  7. A long slog through ancient muck, so-so sword fights and dumb luck.
  8. Richard Jeffries' script tosses together bits of plot borrowed from such "bad things happen when you leave the city" classics as "Straw Dogs" and "Deliverance" without any awareness of how or why genre conventions work.
  9. "Schindler's List" it ain't, and the whole is rendered occasionally surreal by Janusz Stoklosa's laughably heavy-handed score.
  10. Seems almost like a self-parody of Williams' earlier work.
  11. The best compensation for sitting through this silliness is Alice Taglioni as the primary cop.
  12. It's a cute idea that a better filmmaker than writer-director Michael Schroeder could have done a lot with.
  13. The film is narrated by Russell Crowe, whose star power is probably the only reason it's being released here.
  14. Even for a horror movie, The Crazies is a bore, and we're talking about the most boring genre this side of dysfunctional-family indie drama.
  15. Amidst the ennui, there are some fine performances.
  16. The film slowly builds up to Justin's first appearance at Madison Square Garden, where his show sold out in 22 minutes.
  17. There are precious few laughs in this poorly written and directed "unromantic comedy" - the sort of dire date movie you'd take somebody to if you wanted it to be a LAST date.
  18. Androgynous Clea DuVall's performance shines through a foggily told, vaguely acted coming-of-age tale.
  19. Zoo
    A bizarre quasi-documentary that more or less tries to rationalize bestiality as a harmless quirk.
  20. This silly extraterrestrial-invasion epic somehow manages the feat of making the destruction of La La Land seem tedious.
  21. Sheen's throwback portrayal is appealing enough, but flat characters, dull revelations and uninvolving complications make this deliberately small film feel nearly microscopic.
  22. Low on raunch but even lower on laughs. It also looks like half the lighting crew failed to show up.
  23. Not very haunty.
  24. Demonstrating the limits of being too clever in a genre movie, the art-house chiller Silent House lets the tenseness of its first act trickle away.
  25. Tender, heartfelt and exquisitely dull, the drama Félix and Meira illustrates the perils of trying to tell an emotional love story with meaningful stares and long pauses.
  26. Predicated almost entirely on the repeated juxtaposition of innocent girlishness and mindless violence, Violet & Daisy could still have been campy fun — instead, it wilts for lack of wit.
  27. There's a line between rogue and jerk, and Reynolds lives on the wrong side of it. As Dusty, Klein is such a smooth operator that he could have been - should have been - the lead.
  28. The potential for suspense is dropped (there's a subplot about the receptionist's flight from her violent husband, but he appears in only a couple of scenes) in favor of lots of hushed interludes in which nothing happens.
  29. Here’s a movie that will test the limits of your ability to watch other people having a good time.
  30. Dumbed down to the point where it's barely recognizable as coming from one of Donald Westlake's John Dortmunder novels.

Top Trailers