New York Post's Scores

For 902 reviews, this publication has graded:
  • 64% higher than the average critic
  • 2% same as the average critic
  • 34% lower than the average critic
On average, this publication grades 1.3 points higher than other critics. (0-100 point scale)
Average TV Show review score: 66
Highest review score: 100 24: Season 7
Lowest review score: 0 The Tick: Season 1
Score distribution:
  1. Mixed: 0 out of 657
  2. Negative: 0 out of 657
657 tv reviews
  1. The Game is worth it. Really.
  2. So far, so great.
  3. A very funny, very hip, very terrific sci-fi show.
  4. This is a 12-week 24, so loyal fans can expect twice the action in half the time. You won’t want to miss a minute.
  5. I am happy to report that this series remains a 100-percent authentic, white-knuckled hair-raiser. [24 Oct 2002]
    • New York Post
  6. It's hilarious and even funnier this year than last.
  7. The Lebowitz film, Public Speaking, directed by Martin Scorsese and produced by Graydon Carter--combines hilarious, contemporary interviews with Lebowitz about life in NYC, mixed with old clips of her in the Andy Warhol days, and great clips of her appearances on old talk shows.
  8. By episode three, things are roiling up and rolling around.
  9. It just feels like nothing else you've seen on TV.
  10. A frisky little triumph of real spirit and a collaboration between creator-writer-supervising producer Paul Feig ("Life Sold Separately") and executive producer Judd Apatow ("The Larry Sanders Show"). You'll feel better about yourself, and television - if only you'll stay home on Saturdays to watch it. [25 Sept 1999, p.53]
    • New York Post
  11. "Elizabeth I" soars on every level from the writing, to the directing to the acting.
  12. It's every bit as good as "The Sopranos" was in its prime.
  13. I laughed so much, I'm sure I hurt something, maybe in my back, or maybe in my front. [16 July 2004, p.121]
    • New York Post
  14. WHO knew Craig T. Nelson had so much charisma? [7 Oct 2000, p.55]
    • New York Post
  15. Not only the funniest new show this season, but the strangest one since "Get A Life."
  16. Mirren and Pacino are fantastic, and Tambor rightfully underplays the larger-than-life Cutler, who rivals Spector himself.
  17. Showtime's edgy, edge-of-your-seat series, is, bar none, the best thriller on American TV.
  18. Fey's back to her day job tonight and 30 Rock is as funny as ever, as cynical as we hoped, and as fresh as if it were a freshman show.
  19. It is very well acted, it's got plot twists that rival the best soaps, and the writing improves with each episode (even though they crib some of its best lines directly from the British series)...I'm hooked. [1 Dec 2000, p.106]
    • New York Post
  20. This show is genuinely ingenious, and hilariously outrageous - not to mention courageous. Plenty of people will find Chappelle's Show offensive - but then again, whenever you do something completely new, it's bound to offend somebody. In this case, it will offend a lot of somebodies. [22 Jan 2003, p.71]
    • New York Post
  21. ABC is as unworthy of "Bob" as it is in desperate need of it - and clueless about how to support and promote it. [4 Aug 1998, p.78]
    • New York Post
  22. The second season is as good as the first -- just different. [13 Jan 2000]
    • New York Post
  23. It’s both a learning experience and an emotional reminder of what can go wrong in that gray area separating man and machine.
  24. They should call it "When Amish Go Bad." I'm talking about the insanely addictive new show, Amish Mafia, the most bizarre reality series, well, ever.
  25. So far, so great.
  26. A terrifically cast, intriguing series.
  27. Fire up the DVR before a dome hits and you won’t be able to watch all 13 episodes.
  28. The show’s writing, pacing, flashback scenes and unexpected surprises fit like a comfortable shoe.
  29. Though relying heavily on a formula, the writing of In Treatment could not be tighter or purer.
  30. Low Winter Sun grabs you by the lapels and pulls you--forcefully--right into its seamy, low-rent world of intrigue and double- and triple-crosses.

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