New York Post's Scores

  • Movies
  • TV
For 6,533 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 6.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 55
Highest review score: 100 Babel
Lowest review score: 0 The Tortured
Score distribution:
6,533 movie reviews
  1. The mutants are brain-damaged; the filmmakers don't have that excuse to justify this movie, which is the kind of thing the sergeant would call "a stunning display of individual and group stupidity."
  2. Formerly a real American hero, G.I. Joe is no longer a hero (it's a group) or American. (It's a multinational team of military superstars, though the way it does business, you'd feel safer with the Croatian navy on your side.)
  3. Among group-suicide movies, A Long Way Down may prove uniquely inspirational: It’s bound to make audience members want to kill themselves. It might be the only summer movie during which the snack bars will be selling cyanide Kool-Aid.
  4. An incomprehensible Bob Dylan vanity project that is not only nearly impossible to sit through, but embarrasses a long list of stars who lined up to work for scale opposite the legendary musician.
  5. Enough to give you brain strain -- and the pay-off is negligible.
  6. Beyond-lame satire.
  7. Painfully unfunny spoof.
  8. Martin Short as Jack Frost, means we're getting a turkey and a ham for the holidays. As for Tim Allen as Scott Calvin, an ordinary guy who took over Santa's job by chance, he's more like a tasteless lump of mashed potatoes.
  9. The results are too predictable.
  10. The only part of this movie anyone's ever going to remember is the pair of scenes in which Ghost Rider pees flame.
  11. Peros probably intends Footprints to be an homage to Hollywood's Golden Age. But the script's so incoherent and the acting so amateurish that it makes the worst old-time Hollywood B-flick seem like "Citizen Kane."
  12. There probably aren't enough futuristic Goth rock musicals, but Repo! The Genetic Opera is weak on a couple of things a musical needs: music and lyrics.
  13. Ryan, the bodacious Seven of Nine on "Star Trek Voyager," is the only excuse to suffer through writer-director Harry Ralston's feeble comedy.
  14. This cliché-filled labor of love is staffed with some fine performers - Jennifer Holliday sings at a juke joint and Frances Sternhagen plays an older version of Emily's sister.
  15. Should have been stopped at customs -- as family entertainment, it constitutes child abuse.
  16. Makes an earnest stab at illustrating the hardships and sacrifices humanitarian workers contend with - but in the end, all the suffering merely forms an amorphous backdrop for a Harlequin romance.
  17. Will Ferrell's terminally stupid, sloppy, campy and cheesy -- and thoroughly unexciting and unfunny -- experiment in "family entertainment."
  18. Melodramatic and heavy-handed.
  19. You get the feeling the guy who wrote Transformers: Age of Extinction used the entire script as a passive-aggressive running joke on his boss, director Michael Bay.
  20. A sluggish and prototypically earnest little indie on the not exactly fresh theme of a woman undergoing a midlife crisis.
  21. It's a film that reeks of stupidity and cynicism, one that makes you feel soiled just to have sat through it.
  22. Has little to offer beyond titillation and pretty landscapes.
  23. Price of Glory isn't an embarrassment on the order of the last major boxing movie, "Play It to the Bone," but it's not especially worth intercepting on its way to the video racks.
  24. From the incessant rain that blurs the joyless Boston setting to the mysterious decision to make a brunette Hudson look as plain as possible, it's an evanescent fancy devoid of sparkle.
  25. Low-end schlock that will likely land with a dull thud in the video remainder bin before the frost is on the pumpkin.
  26. Most of the comedy comes from dull situations like a fat guy trying to put on a fat suit for no reason.
  27. Less an updated version of the Dostoevsky novel than an unusually somber Hollywood teen love story.
  28. Could hardly be more predictable.
  29. Never decides whether it wants to be a black comedy, drama, melodrama or some combination of the three. The acting and direction are all over the map in this consistently depressing, if occasionally interesting, slice of life.
  30. A Hole in My Heart will disgust many (probably most) viewers as it cements Moodysson's reputation as one of today's most daring filmmakers.

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