Newsday's Scores

  • TV
For 1,575 reviews, this publication has graded:
  • 65% higher than the average critic
  • 4% same as the average critic
  • 31% lower than the average critic
On average, this publication grades 3.9 points higher than other critics. (0-100 point scale)
Average TV Show review score: 68
Highest review score: 100 Homeland: Season 1
Lowest review score: 0 The Choice: Season 1
Score distribution:
  1. Mixed: 0 out of 1037
  2. Negative: 0 out of 1037
1037 tv reviews
  1. As you would expect, very (very) funny.
  2. A winner. And for the Hoffmans' sake--plus family and friends along for the ride--let's hope there is gold in that hard, cold ground.
  3. As twisted, and twistedly funny, as ever.
  4. Soderbergh has created a vibrant, dark and above all alluring Gotham. Owen's Thackery is its bracing human counterpart.
  5. The most entertaining--and beautiful--new series on TV this fall.
  6. Entourage--at least in original episodes--has been off the air for one solid year, but when that title song from Jane's Addiction kicks in, it's like an old friend calling--only this time, the friend seems worthier, and his stories more interesting.
  7. [Producer John] Maggio has discovered the unfamiliar in something some of us thought was already familiar, and by doing so, does help dispel embedded stereotypes while enriching an already rich heritage.
  8. The second season of Saul establishes what should have been obvious all along--this is basically just a continuation of “Breaking Bad.” Same themes. Same setting. Same preoccupations. Even same humor. But best of all, same deep, abiding intelligence.
  9. Who knew beautiful, obscenely expensive cars could be so much fun? These three guys do, and they effortlessly convey their knowledge and nutty passion.
    • Newsday
  10. Beautiful and often moving.
  11. Sunday and the next three episodes are superb while the rhythms and beats of the story are very nearly hypnotic. Nothing here feels wasteful or cheap.
  12. Beautiful, elegant final ride, full of love and nostalgia and joy.
  13. Homeland's fourth season feels as fresh, important and relevant as yesterday's news--or tomorrow's news. A bracing, intelligent start.
  14. A fast and furious romp through the first six episodes that should keep bingers--and fans--happy.
    • 99 Metascore
    • 100 Critic Score
    Probably the best comedy series on television. ... "The Larry Sanders Show" offers the sharpest of television's multitudinous media jokes while always remaining grounded as a comedy rooted in character. [16 Jul 1995]
    • Newsday
  15. Uniformly excellent - although some additional reporting devoted to the treatment of PTSD would have made this a more complete package.
  16. Like the first season, there’s a “Crash”-like flavor to the storytelling, but it feels more organic this time around.... Excellent, all around.
  17. A critic for this paper once declared "The Wire" "the greatest dramatic series ever produced for television" and as the fourth season gets under way Sunday night, there's no reason to quibble with that assessment.
  18. Four immensely enjoyable hours. Alas, I can't speak to what happens during the remaining 20.
  19. Veep is the single most improved series on television.
  20. Six million zombiephiles watched the finale of the first season and those 6 million will not want to miss Sunday's opener, which is excellent and appropriately disgusting.
  21. As with his earlier shows, "Hopkins 24/7" (2000) and "Hopkins" (2008), Wrong has structured these stories masterfully. Nothing seems wasted, nothing is superfluous. As a result, the hugely important work these people do is honored in every shot.
  22. Lotsa fast banter and stylish direction will make some viewers dimly recall--as they are doubtlessly meant to--William Powell and Myrna Loy's late, great "Thin Man" movie series.
    • 59 Metascore
    • 100 Critic Score
    The Housewives evolve. Yes, watch what happens, if only for the richer plot lines, smarter dialogue and more pressing matters of the day.
  23. It was last year, and remains so this year--one of TV's very best.
  24. What's here is pitch-perfect - the fear, loss, emotional devastation and, peculiar to this disease, silence.
  25. Sunday is a blast. Heads will roll, and roll well. The gore quotient is through the roof. And finally this guarantee--there is one, maybe even two, spots where you will yell out at the screen, "Oh, my God, that just didn't happen." Yes, the new season is that good.
  26. Fascinating and deeply troubling.
  27. Stitched into every word, every gesture, is an implicit recognition of that brutal Fargo credo: People can be cruel, stupid, mean and unintentionally funny, even the nice ones. Another winner.
  28. Best show of the season? Call me crazy, but it's a loopy-twisted-serpentine whodunit revolving around a whip-smart teenage girl...So let's recap. Engaging star, cool characterizations, witty scripts, meaty backstory. What's not to like? Only that networks always cancel deliciously offbeat gems like this. Let's hope UPN doesn't actually want to be a "real" network, after all. [22 Sept 2004, p.C01]
    • Newsday

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