Newsday's Scores

  • TV
For 1,374 reviews, this publication has graded:
  • 65% higher than the average critic
  • 4% same as the average critic
  • 31% lower than the average critic
On average, this publication grades 3.4 points higher than other critics. (0-100 point scale)
Average TV Show review score: 68
Highest review score: 100 The Thick of It (UK): Season 3
Lowest review score: 0 Partners (2012): Season 1
Score distribution:
  1. Mixed: 0 out of 900
  2. Negative: 0 out of 900
900 tv reviews
  1. So far no amnesia bouts or cougar attacks. And no Kim! [9 Jan 2005]
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  2. "Just Shoot Me" is Moliere compared to "Suddenly Susan" and producer Brillstein-Grey's other hit, "The Naked Truth." The writing is sharper, the targets in the worlds of fashion, journalism and TV news are hit more frequently, and it is funnier. [10 Mar 1997]
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  3. There's warmth and wit there, along with not a little magic.
  4. A breath of cold, bracing and - bless it - fresh air. Eisner's fable is dark, almost impenetrably so, though skillfully rendered. Best of all, nothing here has ever been performed on reality TV, the best I can tell.
    • 50 Metascore
    • 70 Critic Score
    In the world of reality shows, this well-produced series is better than most. Betwixt and between all the emotional upheavals and drama, Coffey, only slightly witchy, dishes out sound advice.
    • 78 Metascore
    • 70 Critic Score
    The material is high in laugh content, but sometimes the handy wonders of animation tempt the makers of "Dr. Katz" to illustrate jokes unnecessarily. [28 May 1995]
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  5. The best thing about "Free Ride" is the lack of pressure to be about something. Trusting its talented cast to embody their own truths, it ambles and weaves, leaving space for the characters, even folks briefly bumped into, to nail a specific attitude or situation.
  6. Lacks the hard, uncomfortable edges of [FX's also premiering] "Starved," but it's clear this show wants and intends to do a little damage, too. [4 Aug 2005]
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  7. The show moves more like a ready-for-prime-time comedy than a kiddie toon. Think "The Simpsons" with soul.
  8. Watch the first few minutes of "The Class" in its CBS sitcom debut tonight, and you may not believe me when I say this, but here goes. I think they might have something here.
  9. We're happy to see a multigenerational sitcom, and the pilot has some nice writing. But the effort feels somehow strained. Though stage veteran Byrne has charisma, he's hardly a sitcom natural. So maybe that's the point. A sitcom that doesn't behave like one. Hope springs eternal. [6 Oct 2000, p.B51]
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  10. It's daring, disconcerting and/or enlightening.
  11. Many viewers will find its satire way over the line, but they're not the ones The WB is aiming for. [6 Oct 2000, p.B51]
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  12. For all its redundancy, however, the latest "CSI" is stronger than "Miami" and could eventually rival the original. Credit the two primary stars, Sinise and the city. [22 Sep 2004]
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  13. Far and away the best new pilot on NBC this season.
  14. Even for sitcoms, "Sunny" is often a vile, twisted beast that crosses the line of acceptable taste. But it can also be highly amusing, and the addition of DeVito and Archer does nothing to diminish that. [29 Jun 2006]
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  15. Heretofore, I have never thought of Candice Bergen as a major comedienne like Andrea Martin or Catherine O'Hara. But I like her as Murphy Brown. She has the addictive personality of the character she plays, and can grow on you. [14 Nov 1988]
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  16. As derivative as it is in many respects, "The Apprentice" could turn out to be one of the more interesting variations on the format. [4 Jan 2004]
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  17. A pretty nifty, if completely insane, suspense/conspiracy/ chase/road adventure.
  18. Successfully cross-breeding "Three's Company" and "Full House" may be achievement enough to earn the show's creators a Nobel Prize in genetics, but the audience for a family sex farce may be limited. ... Misgivings about the sexual content aside, "8 Simple Rules" is, indeed, one of the better sitcom prospects of the 2002-03 season. The writing is uneven, but Ritter is a rarity, an actor who doesn't need funny things to say because he can say things funny. [17 Sep 2002]
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  19. Could... become a very pleasant surprise.
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  20. Underwood, in the role of Maria, didn't entirely succeed--acting is part of the bargain, after all. But NBC's live version of Richard Rodgers' and Oscar Hammerstein's beloved musical, staged at Grumman Studios in Bethpage, largely did.
  21. It's all a bit much in Monday's opener, and yet I suspect that, like the $400 shirts and luxury ride of Dennis Farina's "Law & Order" character, which initially came across as contrast run amok, Deputy Chief Johnson's contrived personality excesses will fade with time. And what will be left is a compelling character in a solid show - not a tradition-buster like FX's "The Shield" but probably a broader-based hit. [12 Jun 2005]
    • Newsday
    • 74 Metascore
    • 70 Critic Score
    Opens promisingly with a storyline that sets up a compelling premise for a serial adventure ... [but] is so visually arresting that the humanoid characters are upstaged. [14 Mar 1999]
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  22. It's not as remarkable as [the previous versions], but it beats most of the weekly crime dramas running opposite it this week. [25 Jan 2004]
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  23. Don't believe the critics who tell you "Hidden Palms" stinks after they watched only the first episode.... This is a seriously involving serious show. A show about something.
  24. Like many Lifetime productions, this one is designed to make you stand up and take action on a hot-button issue. Unlike many, it's got the dramatic chops to keep you on your feet applauding.
  25. We expect sharp writing from Caron. "Medium" is almost too glib at times. What makes the suspension of disbelief easy is the casting. [3 Jan 2005]
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  26. Some of the sketches... have a surprising depth and richness. [5 Oct 1992]
    • Newsday
    • 64 Metascore
    • 70 Critic Score
    Lewis is such a commanding presence that Sarah Shahi is rendered little more than an accessory as Dani. There's nothing going on between the partners at the outset, but this is subject to change.

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