Newsweek's Scores
- Movies
For 887 reviews, this publication has graded:
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60% higher than the average critic
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3% same as the average critic
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37% lower than the average critic
On average, this publication grades 6.7 points higher than other critics.
(0-100 point scale)
Average Movie review score: 68
| Highest review score: |
Critic Score
100
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| Lowest review score: |
Critic Score
0
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Score distribution:
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Positive: 570 out of 887
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Mixed: 250 out of 887
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Negative: 67 out of 887
887
movie reviews
- By critic score
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Critic Score 100
Watching Croupier is rather like watching a roulette wheel--utterly mesmerizing. -
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Reviewed by
David Ansen 100
This powerful, lyrical meditation on Arenas's life achieves a kind of hallucinatory urgency as it leaps and twists through his life. -
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Reviewed by
David Ansen 100
Few films have explored the complicated bonds of love and resentment between brother and sister with such delightful honesty. -
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Reviewed by
David Ansen 100
An excruciatingly entertaining portrait of the filmmaking process that no Hollywood studio would ever allow to be shown. But Gilliam, bless his impish, obsessive heart, is anything but a Hollywood type. -
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Reviewed by
David Ansen 100
What's remarkable is how immediately, after a full year, The Two Towers seizes your attention, and how urgently it holds you through three seamless, action-packed hours. -
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Reviewed by
David Ansen 100
Singleton's powerhouse movie has the impact of a stun gun. [15 July 1991] -
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Reviewed by
David Ansen 100
Courtney Love's performance as stripper Althea Leasure is an amazement. Funny, unfettered and almost scarily alive in front of a camera, she's the definition of a "natural." -
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Reviewed by
David Ansen 100
The superrealist images beguile us with their bold wit, and the storytelling is so tight, urgent and inventive there doesn't seem to be a wasted moment. Which makes you wonder -- why can't scripts this clever be written for human beings? -
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Reviewed by
David Ansen 100
The compositions, the editing, the lighting, the sound, the music: everything seems meticulously considered, conjuring up a hushed intimacy that instantly sucks you in. -
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Reviewed by
David Ansen 100
This powerfully contained, painfully funny performance has to rank with the greatest work Nicholson's ever done -- This road movie gives you emotional whiplash, and you’ll be glad you went along for the ride. -
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Reviewed by
David Ansen 100
Unnerving because it forces us into uncharted waters: Solondz doesn't tell us how to feel but makes us thrash out our responses for ourselves. In doing so, he has made one of the few indelible movies of the year. -
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Reviewed by
David Ansen 100
Creepily beautiful, acted with relish, Barton Fink is a savagely original work. It lodges in your head like a hatchet. [26 Aug 1991] -
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Reviewed by
David Ansen 100
Far from being a period piece, this love story/murder mystery/political thriller couldn’t seem more timely. -
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Reviewed by
David Ansen 100
The Movie Works. It has real passion, real emotion, real terror, and a tactile sense of evil that is missing in that other current movie dealing with wizards, wonders and wickedness. -
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Critic Score 100
As brutally unsparing as "Platoon" was, it was ultimately warm and embracing. Kubrick's film is about as embracing as a full-metal-jacketed bullet in the gut. [29 June 1987] -
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Reviewed by
David Ansen 100
At once elegant and sublimely silly, contemplative and gung-ho, balletic and bubble-gum, a rousing action film and an epic love story, Crouching Tiger, Hidden Dragon is one bursting-at-the-seams holiday gift, beautifully wrapped by the ever-surprising Ang Lee. -
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Reviewed by
David Ansen 100
An inspired flight of fancy, an oddly poignant examination of the creative process, a rumination on adaptation (orchids to their environment, books to the screen and misfits like Charlie to life) and, in its ultimate irony, a story in which our hero learns a life-altering lesson. -
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Critic Score 100
A gripping, utterly unexpected noir, glinting with bits of poetry and a hard, deadpan humor. -
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Reviewed by
David Ansen 100
It's a bravura, all-stops-out, inexhaustibly inventive performance. I don't know how much was improvised, and how much comes from White's sharp screenplay, but Black may never again get a part that displays his mad-dog comic ferocity to such brilliant effect. He, and the movie, kick ass. -
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Reviewed by
David Ansen 100
The second installment was better than the first, and this one is best of all. It has spectacular action scenes and imaginary creatures, and it’s by far the most moving chapter. The performances have deepened. -
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Reviewed by
David Ansen 100
As he did in “The English Patient,” Minghella artfully weds movie-movie romanticism with a dark historical vision. The man knows how to cast a spell. -
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Reviewed by
David Ansen 100
By the end of this white-knuckle movie, you stand in awe at the depth of man's will to survive. Touching the Void leaves you emotionally and physically spent, and grateful it was only a movie, not a mountain, you had to endure. -
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Critic Score 100
All-embracing--funny and silly and tender, full of fun scares and endless sight gags. -
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Reviewed by
David Ansen 100
A piece of spectacular silliness, but that's not meant with disrespect. The key word is spectacular. -
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Reviewed by
David Ansen 100
A technological triumph. [19 May 1980] -
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Critic Score 100
Amazingly, it's not all the visual splendor or killer action sequences that elevate Spider-Man 2 above its predecessor and almost every superhero movie that has come before. -
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Reviewed by
David Ansen 100
A hugely entertaining thriller shot through with dark shards of agony and paranoia. It takes nothing away from the original while delivering pleasures all its own. -