Newsweek's Scores

  • Movies
  • TV
For 895 reviews, this publication has graded:
  • 60% higher than the average critic
  • 3% same as the average critic
  • 37% lower than the average critic
On average, this publication grades 6.9 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 The Manchurian Candidate
Lowest review score: 0 Down to You
Score distribution:
  1. Negative: 67 out of 895
895 movie reviews
  1. More sweet than savage, this amiable farce creates laughs with old-pro efficiency.
    • Newsweek
  2. A hilarious, rousing musical comedy set at a summer camp where NOBODY plays sports and EVERYBODY worships Stephen Sondheim.
  3. A wonderfully quirky cast under Francis Ford Coppola's direction makes this one of the more enjoyable John Grisham movies.
  4. Shankman and his screenwriter, Leslie Dixon, prove you can make a lightweight Broadway musical into big movie fun.
  5. This German movie, with its lush cinematography and lovely score, has the sturdiness of an old-fashioned Hollywood epic. What isn’t Hollywood is Link’s refusal to tell the audience how to feel at every moment.
  6. Where so many comic-book movies feel as disposable as Kleenex, the passionate, uncynical Hulk stamps itself into your memory. Lee’s movies are built to last.
  7. Nair’s stereotype-shattering movie -- like the polymorphous culture it illuminates -- borrows from Bollywood, Hollywood and cinema verite, and comes up with something exuberantly its own.
    • Newsweek
  8. Cusack is a master at playing smart, frazzled, self-flagellating hipsters, and the movie, propelled by his arias of angst, lets him strut his best stuff.
    • Newsweek
  9. If some nagging sense of anachronism, a bit too much Freudian Vienna in his postmodern New York, prevents Eyes Wide Shut from being at the top of his list, Kubrick's 13th and last film is his most humane.
  10. Hilarious, satirical and melancholy, Rudo y Cursi may not go as deep as "Y Tu Mamá También," but it has a similar vivacity. It turns this tale of brotherly bonds and sibling rivalry--a veiled allegory of the Cuarón boys themselves?--into one of the year's most memorable offerings.
    • 42 Metascore
    • 80 Critic Score
    Glenn Close, Bette Midler and Roger Bart (who plays one half of a gay couple slated for Stepfordizing) are hilarious, and even Nicole Kidman flashes comedic gifts not seen since "To Die For."
  11. Superman turns out to be a surprisingly infectious entertainment, nicely balanced between warmth and wit, intimacy and impressive special effects, comic-strip fantasy and several elements that make the movie eminently eligible for Deep Thinking about rescue fantasies, cherubic messiahs and other pieces of popcorn metaphysics. [1 Jan 1979, p.46]
    • Newsweek
  12. In this gorgeously melancholic fresco of love affairs, Tony Leung Chiu Wai plays a womanizing pulp-fiction writer in '60s Hong Kong.
  13. Will be remembered as a vintage Rohmer harvest.
  14. As eye-popping as anything Pixar has done. But Cars inspires more admiration than elation. It dazzles even as it disappoints. This time around, John Lasseter and his codirector, the late Joe Ranft, seem more interested in dispensing Life Lessons than showing us a roaring good time.
  15. It’s like a nightmare that follows you around in daylight: you can’t quite decode it, you can’t shake it, you can’t stop turning it over and over in your mind. This is one queasily powerful movie.
  16. Chocolat is a seriocomic plea for tolerance, gift-wrapped in the baby blue colors of a fairy tale and served up with a sybaritic smile.
    • Newsweek
  17. A genuine work of the popular imagination. It's the first true populist science-fiction film, a blend of the most startling, far-out special effects with the most ordinary human material of the American Heartland. [21 Nov 1977, p.88]
    • Newsweek
  18. Like most of this refreshingly subtle film, it's not what you expect, and it's not something you've seen before.
  19. If this Popsicle of a movie melts long before it's over, the first half has more good laughs than all of “Sweethearts.”
  20. As a history lesson (Depression 101), Cinderella Man feels a bit secondhand. As a true-grit tale of redemption, however, it lands one solid body punch after another.
  21. A wonderfully taut cat-and-mouse thriller.
  22. Despite its bizarre intellectual project, Le Pecheur's film is seductive and shockingly sexy.
    • Newsweek
  23. Like many of Winterbottom's movies, it falls a step short of its full potential. Its tact is both its strength and its weakness. The climax feels rushed: it's the rare movie these days that feels too short.
  24. It's a minimalist almost-love story told with epic flourishes.
  25. Only near the end does the mix of melodrama, mush and message get out of hand.
    • 65 Metascore
    • 70 Critic Score
    A lightly entertaining, though not hilarious, film parody of comic book heroes.
  26. Ultimately achieves that lump in the throat that is the romantic comedy's promised land.
    • 64 Metascore
    • 70 Critic Score
    Although the film occasionally descends into mawkishness, Shyamalan is skilled at bringing the tension to excruciating heights.
    • 73 Metascore
    • 70 Critic Score
    Manages to maintain its humor and energy until the final scene.

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