Newsweek's Scores

  • Movies
  • TV
For 901 reviews, this publication has graded:
  • 60% higher than the average critic
  • 3% same as the average critic
  • 37% lower than the average critic
On average, this publication grades 6.9 points higher than other critics. (0-100 point scale)
Average Movie review score: 69
Highest review score: 100 Letters from Iwo Jima
Lowest review score: 0 Down to You
Score distribution:
  1. Negative: 67 out of 901
901 movie reviews
  1. It's a picturesque tale that, hobbled by its episodic structure, never achieves full steam.
  2. Still, even if the movie's vast reach exceeds its grasp, it's a spellbinding history lesson. The Good Shepherd demands you watch it like a spy: alert, paranoid, never knowing whom you can trust, or who will stab you in the back.
  3. Imagine "The War of the Roses" remade as a James Bond fantasy, with appropriately high-tech weaponry, and you have some idea of what Doug Liman's heavily armed comedy has in store.
  4. A mix-and-match crowd-pleaser that shouldn't add up, but delightfully does.
  5. Gillespie’s movie walks a delicate line through a minefield of potential bad taste. Directed with patient, low-key sensitivity, it never goes for a cheap laugh at its protagonist’s expense.
    • 65 Metascore
    • 70 Critic Score
    All the ingredients for a classic doomed-by-overnight-success movie can be found in the trajectory of Jean Michel Basquiat's short, sad life.
  6. What Eastwood and Streep have done is to bring a semblance of emotional reality to the story.
  7. A thick stew of sex, violence and suspicion, Lee's movie -- spiked up with a virtually nonstop soundtrack -- definitely has the power to jangle your nerves.
    • 58 Metascore
    • 70 Critic Score
    Just about everything in this lavish, animated feature is for the pigtail set, especially a big romance between Pocahontas (Irene Bedard) and the strapping John Smith (Mel Gibson).
  8. There's no denying that Emmerich's film, though a good half hour too long, keeps us watching.
  9. Speed Racer creates a timeless, visually seductive world suspended somewhere between the pop '60s and the sci-fi future.
  10. Full of invention, but under the colorful icing is a slightly stale cake.
  11. It’s sad to see such stunning work self-destruct. You walk out haunted by the movie that might have been.
    • Newsweek
    • 65 Metascore
    • 60 Critic Score
    A film of ideas; meaty ideas about Catholicism, faith, and the true nature of jealousy, love and hate, that are rarely contemplated in today's cinema.
    • Newsweek
  12. Scott's finesse can't entirely disguise the mechanical nature of Nicholas and Ted Griffin's script, which has one too many twists for its own good. Fun while it lasts, but it's a bit of a con job itself.
  13. "The Final Frontier" is not as witty as the last installment, nor as well made as "The Search for Spock." But it has the Trek essence in spades. [19 June 1989, p.63]
    • Newsweek
  14. Ray
    It's hobbled by the too-familiar conventions of the musical biopic: with so many chapters of Charles's life to cover, Hackford's movie never finds a rhythm, a groove, to settle into. It wins its battles without winning the war.
    • Newsweek
    • 54 Metascore
    • 60 Critic Score
    In the second half the film meanders into all the danger areas one might expect: predictable plot twists, tearful separation scenes between the lovers, and even a joyful reunion in Rome.
  15. But if the endpoint is a homiletic given, the journey itself is more charming, and less sentimental, than you might suspect.
  16. There are just enough fresh, funny gags and witty throwaways to keep the 88-minute MIB2 percolating -- it fulfills its end of the bargain: a good time will be had by almost all.
    • Newsweek
    • 63 Metascore
    • 60 Critic Score
    Tries too hard to prove it has a "heart" when the whole point is that its subjects do not.
  17. For those who believe that movies are a proper place to explore the riddle of sex, no holds barred, this movie is de rigueur.
    • 52 Metascore
    • 60 Critic Score
    Robert Rodriguez's second effort is a funny, craftily written piece of low-grade horror crapola.
  18. Relieved of his courting duties, Allen gives his funniest performance in ages.
    • 65 Metascore
    • 60 Critic Score
    Like Norma Desmond in "Sunset Boulevard," Indy is still big; it's just that, in the new world of movie franchises, The Crystal Skull feels smaller.
  19. In the antic, melancholy comedy The Royal Tenenbaums, the singular Wes Anderson (“Rushmore”) abandons his native Texas for a storybook vision of New York.
    • Newsweek
    • 58 Metascore
    • 60 Critic Score
    Careening wildly between fairy tale and drama it doesn't know when to call it quits.
    • Newsweek
  20. Films about great theatrical divas (so temperamental! So divine!) all strike familiar notes. This Somerset Maugham adaptation is no exception. But Annette Bening, playing the queen of the '30s London stage, makes it worth another go-round.
  21. Has a quiet sense of community, a wry, unsentimental sweetness, that grows on you. It's a patient movie for impatient times.
    • Newsweek
  22. Zoo
    Zoo avoids any taint of exploitation, but it errs on the opposite extreme. I came away from it wanting a little less Art and a lot more simple reportage.

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