Orlando Sentinel's Scores

  • Movies
  • TV
For 470 reviews, this publication has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 1.9 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Back to the Future
Lowest review score: 12 Creature
Score distribution:
470 movie reviews
  1. It's the same movie as the earlier "gotta dance" over-choreographed crunk-and-breakdance epics. Exactly the same.
  2. This Arthur is on the rocks long before Last Call.
  3. The Double is barely half the movie it had the potential of becoming.
  4. A ten-years-too-late comedy.
  5. A dull but harmless big-screen comedy aimed at the youngest movie goers.
  6. A crowded cast of some of the finest actors in the cinema act the hell out of a gimmicky, episodic, hit-or-miss script in Brooklyn’s Finest, Antoine Fuqua’s latest attempt to relive the glories of "Training Day."
  7. This Herefter, despite the odd engaging moment, is a terrible letdown, like investing in a belief system and discovering there's no "here" that you've been after all your life.
  8. It's only a movie, and not a remotely effective one. And for Zellweger, whose "Miss Potter" and "Appaloosa" were barely seen, with "Leatherheads" and "New in Town" further deflating her A-list clout, that's the real shame here.
  9. A mad mash-up of sci-fi, Western, sacrilegious silliness and vampire movie. What lifts it to "I've seen worse" status is the previous teaming of star and director Scott Stewart, who last gave us the archangel fighting off other angels fiasco "Legion."
  10. A screen romance that echoes its title. It gets by. Barely.
  11. Overlong and entirely too ambitious in the number of “issues” it tries to cover, To Save a Life wanders all over the place before reaching its very predictable conclusions.
  12. It's a fitfully amusing, not remotely scary slasher picture.
  13. It's all tiresome, muddied and artlessly made.
  14. That Disney touch (which even Disney has trouble replicating) is missing. Even the hockey is unconvincing.
  15. Director Michael W. Watkins, whose decades of TV credits go back to "Quantum Leap," manages one clever visual gag - a bus wreck, observed from the far side of a cornfield. We hear a crunch, see a telephone pole wobble and a little puff of smoke. Then Watkins blows the moment with a fiery overkill.
  16. Nobody has much that's funny to say or cool to do. Even the spy gadgets are lame.
  17. Disney's effort to turn Kristen Bell into America's Sweetheart reaches its tipping point with You Again, a flat romantic comedy that packages her in a funny setup and surrounds her with funny people.
  18. Bell, a petite, pretty blonde, may or may not have the Meg Ryan-Julia Roberts-Sandra Bullock goods. When in Rome, a leaden variation on that rom-com recipe, fails utterly to make her case.
  19. It’s an American "Love Actually" without the warmth that writer-director Richard Curtis stuffs into his all-star confections, without the wit, without much love, actually.
  20. It's light in tone, feather-weight. But there aren't many laughs in it.
  21. Thank heavens Krasinski, at least, had the screenwriter's ear. He makes every one-liner land. "The Hamptons are like a zombie movie directed by Ralph Lauren."
  22. Anna Faris and Chris Evans don't have enough scenes together, don't have enough funny lines and aren't surrounded by enough funny people to give this "Bridesmaids-lite" a shot.
  23. It's an infuriatingly static picture - actors walking around when they should be running, ruminating when they should be panicking, generally failing to convey fear and pick up the pace.
  24. There’s nobody delivering the laughs in this arid action comedy.
  25. A generally joyless pastiche of sorcery history, imitation Potter "chosen one" Messianics and mirthless silliness, it's another in a string of recent black marks against Cage's Oscar-owning reputation.
  26. It's not a bad looking movie, with Deco design touches that remind me of the earlier Rand film adaptation, "The Fountainhead." But the acting's flat and the script is absurdly cluttered with characters whose purpose may only truly become clear if they ever are allowed to make the other two films they have planned.
  27. It's not as scary as it needs to be or as clever as it thinks it is, but the new 3D version of "Piranha" is at least as gimmicky as those fabled 3D films of yore. With all the pointless 3D cartoons and joyless 3D ""Clash of the Titans" conversions, at last here's a picture that tosses its cookies, its coffee cups and its D-cups right in your lap.
  28. At long last, The Twilight Saga sinks utterly into camp with Breaking Dawn: Part 1.
  29. As straight exploitation, it's amusing, in fits and starts. It's just that Colombiana lacks the kinetic energy of "The Transporter" and the pathos of "La Femme Nikita."
  30. A rude and seriously crude riff on taking a vacation from marriage.

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