Orlando Sentinel's Scores

  • Movies
  • TV
For 421 reviews, this publication has graded:
  • 53% higher than the average critic
  • 3% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score:
Critic Score 100
Lowest review score:
Critic Score 12
Score distribution:
421 movie reviews
  1. Two very good looking people play two offbeat and abrasively charming lovers in Love & Other Drugs. And when your screen romance is as sexual as this one, it helps if your stars are about as good looking with their clothes off as human beings get.
  2. this is a straight-ahead ticking clock thriller, with the usual Tony S. trademarks - punchy dialogue and men doing what needs to be done.
  3. Shockingly, it's funny. Often in shocking or at least wildly inappropriate ways.
  4. Matt Damon is an interesting, chatty choice to play Laboeuf.
  5. You'd better watch out. You'd better not swear. Have a gun handy, loaded for bear. Santa Claus is coming…to Finland.
  6. It's a gritty, almost ugly to look at film, and Cianfrance isn't shy about including a random blast of unwarranted shaky footage.
  7. Its chilling third act suggests that sooner or later, even these riders on the Islamic short bus are going to get one right. And that won't be funny at all.
  8. One of the most entertaining history lessons you could ever hope to sit through.
  9. A wonderful movie anyone who's ever experienced dog ownership at its most glorious, and most embarrassing.
  10. It's a movie benefiting from another sparkling, sexy and emotionally available performance by Natalie Portman.
  11. An entertaining old-fashioned prison escape movie with a touch of the epic about it.
  12. The lack of dramatic tension that knowing the ending before you being creates isn't a huge drawback.
  13. In Mary, Leigh has found the polar opposite of Sally Hawkin's giggle-through-the-pain heroine of "Happy-Go-Lucky."
  14. Like Tati himself, The Illusionist feels like a relic of a different time.
  15. Witty, warm, well-cast and often wickedly funny.
  16. It's a farce with sexual come-ons and actual sex - the Boy Scout Tim's first encounter with a hooker and a crack pipe - but Cedar Rapids never loses track of the humanity of its characters.
  17. Populated with a peerless supporting cast, actors who bring just the right history to their roles.
  18. Less mopey and downbeat than TV star Zach Braff's "Garden State." But it succeeds in many of the same sweet ways and is similar enough to warrant labeling Radnor "Zach Braff: The Next Generation."
  19. The spookiest and most entertaining horror flick since "Paranormal Activity."
  20. It's a vivid, blunt and candid look at their kill-or-be-killed existence, which Joubert writes and Irons narrates is "the eternal dance of Africa."
  21. Duncan Jones, director of the very fine and very paranoid "Moon," makes this seemingly silly situation work, building tension over 93 minutes.
  22. The Elephant in the Living Room is damning, but also very sad. These stories, as Harrison points out, never have a happy ending.
  23. Best taken as the perfect film to transition your kids from animation to live action fare – short, sweet, and educational.
  24. A quietly compelling if not particularly emotional and sober-minded treatment of an infamous incident.
  25. May not be as emotionally compelling as John Ford's work ("The Prisoner of Shark Island"), but it's every bit as meticulously crafted.
  26. 13 Assassins is entirely too long and too talky. But the cat-and-mouse game of strategy, figuring out when and where to ambush the evil overlord's entourage, is fascinating.
  27. It's a sturdy World War II yarn, with harrowing and heart-breaking moments sprinkled throughout.
  28. Has a lot of that winking wit we've come to expect from our post-"Spider Man" Marvel movies. It has a hunky, self-mocking young star, solid support from a couple of Oscar winners and the slick sheen that state-of-the-art effects can give you.
  29. The daft feather-light French farce Potiche is a period piece designed to remind us of just how far and how fast women have come in the Western world.
  30. Greatest Movie isn't Spurlock's best. It plays like an overlong, overly cutesy TV news report (woman and man on street interviews included) on product placement.