People Weekly's Scores

  • TV
For 1,027 reviews, this publication has graded:
  • 57% higher than the average critic
  • 14% same as the average critic
  • 29% lower than the average critic
On average, this publication grades 4.1 points higher than other critics. (0-100 point scale)
Average TV Show review score: 69
Highest review score: 100 The Walking Dead: Season 1
Lowest review score: 16 Fear Factor: Season 1
Score distribution:
  1. Mixed: 0 out of 747
  2. Negative: 0 out of 747
747 tv reviews
  1. When The Close comes to a close, we'll lose one of the best TV detectives of the past decade. [11 Jul 2011, p.33]
    • People Weekly
  2. It feels so close to actual American life that it lacks the gut excitement that would take it over the line into true entertainment. [9 Oct 2006, p.41]
    • People Weekly
  3. The high school musical comedy occasionally flies off the rails. But maybe that's to be expected from this aggressively inventive pop fantasy. [1 Nov 2010, p.41]
    • People Weekly
  4. Lee may lack the essential sweetness, or pathos, to make Earl ever seem like more than a cute variation on those lovable, loquacious losers who tumble, beer can spurting, through Coen brothers movies. [3 Oct 2005, p.39]
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  5. It's tense, engrossing, mildly ludicrous--and worth checking out before the Cold War melts. [11 Feb 2013]
    • People Weekly
  6. Though it seems a product of calculation more than inspiration, Roswell has appeal.
  7. If you want edge, here's Dexter. [9 Oct 2006, p.41]
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  8. Migrations' animals provide a humbling lesson in resilience and determination. [15 Nov 2010, p.44]
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  9. An intricate mystery confidently spun out with dark, unsettling shocks. [15 Jul 2013]
    • People Weekly
  10. The first two episodes of season 3 are reassuringly grounded in believable intrigue. [7 Oct 2013, p.49]
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  11. We'll see how season 10 holds up once the chosen contestants move on to Hollywood, but for now Idol remains firmly on its pedestal. [14 Feb 2011, p.39]
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    • 77 Metascore
    • 63 Critic Score
    In all, black-ish is Everybody Hates Chris meets Modern Family, but not quite as funny as either. Well, not yet, at least.
  12. Some of the first-season bugs have been exterminated simply by recruiting young roommates who are more interesting and charismatic, people who smile and laugh a little more.
  13. A newsmagazine with a hip attitude is basically a good idea. A newsmagazine with a flip approach is not.
  14. The photography is sweepingly gorgeous--this must be the best of all possible planets. [18 Apr 2011, p.46]
    • People Weekly
  15. Watching Nucky's frenemies thrive like poison toadstools ringing a tree--that's a grim, gripping spectacle in its own right. [9 Sep 2013, p.42]
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  16. Intelligent, fleet, emotionally complex and lightly dusted with Kelley's celebrated sense of the absurd, this is the best hospital show since St. Elsewhere.
  17. The show is technically flawless--so is Macy strutting like a mangy Mick Jagger--but the Gallaghers' raucous, defiant pride never really engages me. [20 Feb 2012, p.46]
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  18. If it doesn't have the ABC sitcom's [Suburgatory's] satiric sheen, it captures some of those glum patches that strike in adolescence. [2 Jul 2012, p.38]
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  19. In its second season, the high school musical comedy occasionally flies off the rails...But maybe that's to be expected from this aggressively inventive pop fantasy, where mundane details like homework never matter. [1 Nov 2010, p.41]
    • People Weekly
  20. Put his [Bobby Cannavale's] floridness up against Buscemi's poker-faced acidity and you get fireworks. [24 Sep 2012, p.57]
    • People Weekly
  21. The two hours available for review are cinematically rich, full of sleek, oily pools of darkness. [11 Feb 2013]
    • People Weekly
    • 76 Metascore
    • 88 Critic Score
    Remarkable.
  22. After an awful season 2, Lena Dunham's Brooklynocentric comedy celebrating coffee, ambition and sex is fixed. [20 Jan 2014, p.41]
  23. The jokes are, for the most part, more clever than funny.
  24. Garner has an appeal that transcends implausibility.
  25. His delivery, which falls between Monty Python and Austin Powers, explodes with enjoyable little pips of indignation. [26 May 2014, p.42]
    • People Weekly
  26. Season 2 of the Hollywood satire still plays too broad, [...] But Matt LeBlanc's understated performance as himself has gotten even better. [9 Jul 2012, p.36]
    • People Weekly
  27. Entertaining, though short of super.
  28. As police superintendent Teresa Colvin, Jennifer Beals gives a revelatory, no-nonsense performance that should make Tom Selleck's mustache bristle with envy....This should be lots of fun. [7 Feb 2011, p.39]
    • People Weekly

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