Philadelphia Daily News' Scores

  • TV
For 673 reviews, this publication has graded:
  • 47% higher than the average critic
  • 3% same as the average critic
  • 50% lower than the average critic
On average, this publication grades 3 points lower than other critics. (0-100 point scale)
Average TV Show review score: 62
Highest review score: 100 Rectify: Season 1
Lowest review score: 0 Big Shots: Season 1
Score distribution:
  1. Mixed: 0 out of 362
  2. Negative: 0 out of 362
362 tv reviews
  1. Peter Facinelli (plays a former U.S. attorney and Jake Robinson an activist who are also getting dangerously close to the secret that threatens Sgt. Ballard, though it's Friel and Omar Ghazaoui, the young Moroccan playing her traveling companion, who are most responsible for making American Odyssey stand out from the conspiracy crowd.
  2. Like its characters, Men of a Certain Age isn't perfect, and maybe not everyone who loved "Raymond" is going to love it. But this show about men who are, as TNT puts it, in "the second act of their lives," isn't a bad second act at all for Romano.
  3. The first two episodes of The Neighbors actually made me laugh more than once--and without the aid of mood-altering substances.
  4. An emotionally grounded thriller that might just spirit you away.
  5. It's like a miniseries built out of spare parts. Yet there's a reason those parts get chosen over and over, and thanks to Deschanel, whose DG plays it straight in a script that's one long wink, Tin Man brings them together to a place that feels a bit like home.
  6. In four subsequent episodes I've seen, the stories and characters get to breathe a bit. [MacDowell's] Olivia's just headstrong enough to stay interesting.
  7. There are aspects of Coven that are stylish and clever, and others that are just "Carrie" on steroids. The cast, of course, is tremendous.
  8. The show's real power resides in Lowe herself, whose screen presence makes even the silliest bits of Wonderland work better than they probably deserve to.
  9. Lighter than "Alias" but not nearly as much fun as "Chuck," it's serving up a couple who are maybe a little too good to be true, whether they're freeing a fellow spy or heating things up in the bedroom.
  10. Lange disappears into Big Edie, particularly in her later years, conveying both her frustrations and her sometimes poisonous personality so successfully that you might almost forget how much makeup was required to make her look like that. But for all Barrymore's efforts to do the same with Little Edie, she's a little too obviously making an effort, succeeding best when she's channeling her character's desperation for the world's (and her mother's) approval.
  11. Aided by her 13-year-old neighbor, Maria (Yasmin Paige), Sarah Jane faces down baddies every bit as big as those "Torchwood" takes on, but with (a lot) fewer sexual overtones. Could be just what The Doctor ordered.
  12. Messing, who, happily, shed most of her "Will & Grace" tics and mannerisms for the miniseries, is as appealing as ever as Molly, whose maneuvering of the shark-infested waters of the entertainment industry remains voyeuristic fun.
  13. Yes, CTU's still dead, but the market for its most out-there operative's very special interrogation methods hasn't dried up altogether, it seems.
  14. In the light of Monday morning, a lot of what goes on in Red Widow is probably going to seem pretty silly. But shows like this are all about the chemistry, and the chemistry between Mitchell and Visnjic is everything you'd want in an essentially unequal relationship between a recent widow and the megalomaniacal drug dealer who can end her life at any moment.
  15. There's nothing earthshaking happening here, but as someone whose extended family includes both lawyers and cops--and a lot of other argumentative types--I felt the family dinner-table conversation rang true, and so did the people. For people who like their family dramas mixed with crime and a bit of conspiracy, it's a solid choice to end the workweek.
  16. I'm not yet crazy about the formula, but it's good to see Tierney back in a series and though Truth has a different look and feel than some of Bruckheimer's other series, the polish remains.
  17. If you're one of the people who've so far managed the suspension of disbelief required to accept that Close's Patty Hewes could yet again find a way to pull protege Ellen Parsons (Rose Byrne) back into her orbit, Season 4 shouldn't disappoint.
  18. When I come back it's not because Rescue Me can be insanely funny--though it can be, particularly when it sticks close to the firehouse--but because I still believe that buried under layers and layers of Leary's nonsense, there's an actual story that's dying to get out.
  19. Yes, you've seen it before. But, hey, you haven't seen it with Ashley Judd.
  20. I liked the original and also like what little I've seen of the remake so far, but won't know until it expands beyond the original stories - as American series generally must do - whether it's worth sticking with.
  21. Though I sense the show is treading water a bit as Prohibition drags on and the operations of the black market become increasingly contentious, there's still plenty to see on the Boardwalk, thanks to the show's secondary characters.
  22. The scenery in Klondike ... really is impressive, the performances are solid and though the dialogue's sometimes less than natural, the added-for-TV touches mostly make the story more palatable, if no less sad.
  23. The play's conceit doesn't work particularly well on film and it doesn't help that the performance took place at the Kennedy Center's Eisenhower Theater before an unstudent-like audience. But as static as the staging sometimes feels, Fishburne is more animated than he's gotten to be in a while, delivering a performance that's as funny as it appears to be heartfelt.
  24. Eli is hard not to like, whether or not you buy him as a prophet.
  25. I'm still not sure how much I buy of the overarching conspiracy that will have Sarah on the run from more than one set of bad guys--the action in Orphan Black doesn't leave a lot of time for overthinking these things--but for those up for a serious bioethics discussion, the openings are there.
  26. Driver's at her funniest in scenes where she and Marcus revel in their oddness, but "About a Boy" left me less sure of who Marcus is: He veers between painful naivete and canny opportunism with alarming speed.
  27. Though each character in Collision is in some way connected by the crash itself, it feels at times more like an old-fashioned collection of short stories, the kind that often end, O. Henry-like, with an ironic twist.
  28. Tyrant looks great. The cast is excellent.... The family soap opera might be more fun if the stakes weren't so high, the politics more riveting if Barry's reform attempts weren't so obviously doomed.

Top Trailers