Philadelphia Inquirer's Scores

  • Movies
  • TV
For 3,538 reviews, this publication has graded:
  • 70% higher than the average critic
  • 3% same as the average critic
  • 27% lower than the average critic
On average, this publication grades 5.8 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 Black Souls
Lowest review score: 0 Rambo
Score distribution:
3,538 movie reviews
  1. Firth is brilliant as a preternaturally patient man - every day he has to tell her the same exact story. But he has a creepy way about him. Is it love that drives him, or something darker?
  2. Death Sentence's message - that vengeance is ultimately futile, spinning out a vicious circle of rage and hate - may be commendable, but there's nothing noteworthy about the way Wan, Bacon and their troops go about delivering it.
  3. Not to say that it isn't fun, only to say that it is more about sensation than sense.
  4. Owen is all right as the harried husband whose relationship at home has turned frosty, but the essential heat between him and Aniston is missing. The actress succeeds in shedding her "Friends" persona, but there's something missing here, especially as things get knottier.
  5. Saw
    The film is a squeamish exercise, like watching a cruel child pull the wings off flies - especially the climactic scene, which is so gory it would turn a coyote's stomach.
  6. While it misses the mark most of the time, director Hilary Brougher's film has a promising story, an impressive cast, and occasional moments of grace.
  7. The result is a movie that is both laugh-out-loud funny and cringe-worthily silent.
  8. Ultimately the voyage is so choppy and long (2 hours, 48 minutes) that into the third hour I found myself yawning, "Yo-ho-hum and a very sore bum."
  9. The whole thing is rather insipid. But Thomas makes it smoother and more palatable than it deserves to be.
  10. It isn't frightening. Sometimes, in fact, it's laughable.
  11. This invitation to look down upon the stupidity of numskulls is one that should be declined as swiftly as a call to poke fun at Special Olympians.
  12. With no clear idea how to end the movie, which has come to resemble an excessive episode of Buffy, the Vampire Slayer, writer/director Stuart Beattie (G.I. Joe: The Rise of Cobra) uses an old but still effective Hollywood trick: He blows up everything on the screen to smithereens.
  13. Roughly an hour in, Transformers 2 morphs from teen adventure into lumbering war movie. Bay and his screenwriters squander their human capital in order to show us scenes of 20-ton toys crushing 10-ton toys.
  14. A likable and completely dispensable heist film starring two of the deftest comedians working (Keaton and Latifah), the film from Callie Khouri is itself an American retread of the British caper telefilm "Hot Money."
  15. Virtually every set-up and set-piece in this extravagantly tedious adventure is misleading, or worse, irrelevant.
  16. It's nothing if not predictable.
    • Philadelphia Inquirer
  17. A preposterous, if admittedly fun, exercise in sci-fi/horror mayhem.
  18. While Last Days succeeds as a nature documentary, Van Sant fails to penetrate human nature. The result is a portrait without a face.
  19. Nothing wrong about a movie that says, Stop and smell the roses. Now, if only director Rob Reiner hadn't rubbed our noses in a bouquet of plastic blooms.
  20. If you want to see a Renaissance faire turned into an apocalyptic battlefield, this is the ticket.
  21. For this dynamic to work, the actors need to be of complementary temperament and equal power. This is not the case.
  22. A long, tedious and convoluted follow-up to 2003's rollicking high-seas hit, The Curse of the Black Pearl, this second installment in the promised trilogy lacks the swash and buckle of the original. And then some.
  23. A gagfest that makes viewers gag at least twice as often as they giggle, American Wedding -- third in the American Pie trilogy -- whipsaws the audience between gross-out and guffaw.
  24. Premonition is an odd little thing, with a protagonist in a protracted fugue state and a plot that doesn't know whether its coming or going. Or maybe it does.
  25. Handsomely photographed by Eric Schmidt and nicely underplayed by the actors, the film relies too much on its jukebox soundtrack to convey mood.
  26. By the halfway mark, Rogen's performance, like his voice, is less cuddly than grating, and the carbonated giggle that is Elizabeth Banks grows flat. This one's for the Smith cultists.
  27. Shot like a Disney period piece (prettily, with spiffy props, shiny vintage vehicles, and costumes just back from the cleaners), Flyboys introduces its squadron the old-fashioned way: with character-establishing setups.
  28. If the shrill Italian melodrama Remember Me, My Love were a television soap opera, it would be called The Not-So-Young and the Restless.
  29. Tonally, the film from director Anurag Basu has more personalities than Sybil. Basu strictly observes the B-movie convention of giving the audience an embrace, explosion, or chase sequence at regular intervals. If you don't like the genre, wait three minutes.
  30. There's no doubt that the formula for this kind of action film is showing its age.
    • Philadelphia Inquirer

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