Philadelphia Inquirer's Scores

  • Movies
  • TV
For 3,475 reviews, this publication has graded:
  • 70% higher than the average critic
  • 3% same as the average critic
  • 27% lower than the average critic
On average, this publication grades 5.8 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 Song of the Sea
Lowest review score: 0 Rambo
Score distribution:
3,475 movie reviews
  1. With his beard and '70s clothes, Reynolds looks like Val Kilmer playing Jim Morrison. Before things go precipitously south, he gives an endearing performance that proves he's ready for far more substantial roles than Van Wilder.
  2. Two Night Stand, is a clever, if uneven, romcom about Generation Y's conflicted, paradoxical views of sex and love. Featuring strong dialogue and terrific performances, the film has moments of near-brilliance, but falls apart with a lame, conventional ending.
  3. A curious screwball "noir," doesn't so much bend established genres as blend them into an unappetizing cocktail, where they curdle before pouring.
    • Philadelphia Inquirer
  4. Decidedly loopy and nonlinear, Mister Lonely is precious and artsy, but there are moments when Korine's, er, unique vision brings something bold and beautiful to the table.
  5. Alas, the conceit of a double-dating Grandson and Gramps does not produce a great many laughs in this cringeworthy film.
  6. More strident than funny, the film illustrates that old French proverb, "Marriage is like a cage; one sees the birds outside desperate to get in, and those inside desperate to get out."
  7. Most of the humor in this film arises from the ludicrous squabbles among Bateman, Sudeikis, and Day, who can springboard from logic to lunacy in a single exchange.
  8. A raunchy spoof of the disaster-movie lampoon Airplane! - does everything to get the laugh. And in the way that a broken watch is right twice a day, a shotgun comedy like this one occasionally hits its target.
  9. Mazel tov, Adam, for having three movies released in five months. You should maybe spend more time on the next one?
  10. It's a parable as timely today as when it was written. But except for Paymer as the boss who ultimately expresses empathy for Bartleby's pain, the performances are so stylized as to be drained of human emotion.
  11. The trouble with Alfie - apart from the film's existence, and the wrongheaded idea of remaking a minor classic - is that not a soul is likable.
  12. The question is not whether Murphy can do anything. He can. The question is why he would want to make a movie as squirmingly unfunny as Norbit.
  13. Feels thoroughly canned.
  14. The script appears to have been designed, created and produced entirely in 1-D: a mishmash of kidcentric antics, follow-your-dream cliches, and innocuously icky humor.
  15. Though there are chases galore and stampeding dinos aplenty, Dawn of the Dinosaurs is a nicely rendered travelogue without storytelling. There is little to bring an audience along for the ride.
  16. Has a low-key tone that works in its favor for a time.
  17. It works here and there. And then it doesn't.
  18. Ultimately, the values and the CGI are good, but the acting is broad and the chipmunks aren't really differentiated. What happened to Alvin, the rodent counterpart of Dennis the Menace? Was he declawed in the translation to CGI?
  19. Shrek the Third isn't a movie, it's the extension of a brand.
  20. Shot in Panama, with a cast of local Indians and B-tier Latino and Anglo actors, End of the Spear has neither the marquee heft nor the artistic gravitas of "The New World."
  21. Not one of Sparks' best flicks (The Notebook is quite good) Safe Haven is marred by film cliches. It has an alarming number of throwaway montage sequences.
  22. Chicken Little is entirely lacking in anything "Disneyesque."
  23. Shortbus suffers from a vague, ad lib-y script and a cast that, while hardly shy, isn't exactly charismatic.
  24. Somehow the star emerges from this mess smelling like pure testosterone. You can't stop the Rock.
  25. What redeems the film...is that for every nonstop explosion, there's a hilarious burst of Reynolds' nonstop patter.
  26. The trouble with The Last Kiss comes down to Paul Haggis' screenplay.
  27. Muniz is quite winning as a plucky teen who is constantly being thrown into situations over his head. But the usually reliable Anthony Anderson e-mails in his performance as Cody's handler.
  28. An alarmingly charmless attempt to evoke the elegant romance and jaunty, jet-setting intrigue of the aforementioned titles, The Tourist is notable for the total absence of movie-star heat that movie stars are paid unseemly sums to radiate.
  29. Suffers from "Bridget Jones" Syndrome but without that movie's charms.
  30. As in "An Education," Scherfig's settings are unshowy, imparting period flavor without overwhelming what is, ultimately, an underwhelming film.

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