Philadelphia Inquirer's Scores

  • Movies
  • TV
For 3,538 reviews, this publication has graded:
  • 70% higher than the average critic
  • 3% same as the average critic
  • 27% lower than the average critic
On average, this publication grades 5.9 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 Ex Machina
Lowest review score: 0 A Little Bit of Heaven
Score distribution:
3,538 movie reviews
  1. Ai Weiwei comes off as a man on a singular mission: to record the life around him before it is erased or distorted by a repressive government terrified by the smallest sign of nonconformity. His primary weapons: video cameras and Twitter.
  2. A masterful epic charting love's labyrinths.
  3. It is, without doubt, a transcendent endeavor, from its exhilaratingly smart screenplay - director David O. Russell's adaptation of the novel by former South Jersey teacher Matthew Quick - to the unexpected and moving turns of its two leads.
  4. The most challenging obstacle encountered by reformers like Canada and Michelle Rhee, the embattled chancellor of education for Washington, D.C., are the unions extending tenure protection to teachers who underperform.
  5. Through Herzog's eyes it is a desolate, strangely beautiful frozen Edenish hell where the planet, having shaken out its pockets, lets the loners, fanatics and cosmologist-crackpots fall to bottom.
  6. Wendy and Lucy is modest, minimalist. But it nonetheless reverberates like a sonic boom.
  7. Brilliantly detailed, richly painted portrait.
  8. It's not a pretty picture. But Food, Inc. is an essential one.
  9. Tony Takitani, fablelike and beautiful, requires a certain amount of patience, but its small, peculiar charms work their way into your soul.
  10. A movie like Everlasting Moments comes along maybe once in a decade.
  11. As lovingly written as it is beautifully rendered.
  12. Melancholia is a remarkable mood piece with visuals to die for (excuse the pun), and a performance from Dunst that runs the color spectrum of emotions.
  13. The heroine of this story is the eloquent Mamie Till-Mobley, Emmett's mother, who recalls her fight to have an open-casket funeral for her son.
  14. The Queen of Versailles combines the voyeuristic thrills of reality TV with the soul-revealing artistry of great portraiture and the head-shaking revelations of solid investigative reporting.
  15. A loving, dopey documentary about the bird man of a place with a view of Alcatraz.
  16. The film's climax involves a father and son reunion that is tense, tragic and, finally, as transcendent as Mohammad himself.
    • Philadelphia Inquirer
  17. Bielinsky's movie builds like a poker game in which the players, having invested everything, cannot afford to fold.
  18. A superbly researched and edited documentary about the women's movement in the 1960s.
  19. Saraband, flat and static both visually and thematically, doesn't begin to approximate the austere beauty of the director's art-house classics.
  20. In refusing to pigeonhole its characters, Nine Lives is less like those L.A. road-rage melodramas "Short Cuts" and "Crash" than those all-of-us-are-interconnected dramas "Amores Perros" and "21 Grams."
  21. Andre Techine creates living characters instead of sociopolitical symbols.
  22. True Grit is probably the least ironic picture in the Coen Brothers' worthy canon, but that doesn't mean it's devoid of their signature oddities, that it doesn't take a few dark, strange turns.
  23. Kore-eda, deploying a Western pop score by the Japanese indie-rock band Quruli, just lets these kids be kids.
  24. I love this movie, and I love the pride, spirit and sportsmanship of the kids who represent the best of American pluck and luck.
  25. OK, first off, anyone who shares his or her life with a dog, or has done so in the past, go see My Dog Tulip.
  26. White God offers a dark - very dark - take on the way humans exert authority, and superiority, over our fellow creatures.
  27. There are no good guys in Miss Bala, just bad guys of different stripes.
  28. It is almost inevitable that Miyazaki, often compared to C.S. Lewis and J.K. Rowling, should have found in Diana Wynne Jones a kindred spirit.
  29. The Simpsons Movie is finally here. And guess what? It's funny. But not that funny.
  30. Stands apart from the trite conventions of most coming-of-age drama chiefly through the originality of Pool's approach and the honesty and conviction of Karine Vanasse's portrait of Hanna.

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